它

It require us to realize .as a human being we ought to definitude the objective of life ,to realize the true meaning of life and to pursue the eternal of endless.

它需要我们去完成它，实现它。我认为我们应该去明确生命的目标，去实现生命的意义，追求生命的最高境界，去追求无限的永恒。

Characters who attempt to colle ct samples for their botanical collections quickly learn that the vines are an imate and determined to wring the life from any creature that would dare to us e them as climbing aids,defoliate the folwers,or even move too close.

玩家们若试图去收集这些植物样本，便很快就会知道那些藤蔓是有生命的，并且会绞死任何胆敢借助它爬行于山坡之上，或是想采集它的花朵，又或是太过于接近它的生物。

Sodium lauryl sulphate, or SLS, is a chemical agent with many practical applications. It is used as a degreaser for car engines, and is also an active ingredient in car washes. It causes the products in which it is used to "foam up" and lather, and dissolves grease and oil.

十二烷基硫酸盐，或补充劳工计划，是一种化学剂与许多实际应用，它是用来作为脱脂汽车发动机，又是活性成分在洗车，它会导致产品在它是用来"泡沫"和泡沫，并溶解油脂和石油。

It works great to absorb excess moisture, and I even use it as deodorant sometimes and it works.

它非常容易吸收多余的湿气，有的时候我甚至用它来当除味剂，它也同样很有效。

It's, it's, I don't know how to describe it.

它是，它是，我不知道该怎么去描述它。

He would allow no one to touch it except himself; they might desecrate it; he washed his hands before he touched it.

除他之外，他不容许别人去触摸它；他们会亵渎它的；他触摸它之前都要洗净手。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Quik Detailer , a favorite among people who show and display their cars, can be found in just about any auto parts retail store.

它在使用它的人心目中有很好的口碑，而且它在很多零售商都有出售。

NXT Generation Spray Wax – This liquid spray on wax is a companion product for Meguiar's NXT Generation of car care products built with ESP's for today's advanced polymer finishes. NXT Spray Wax builds on the results you have already achieved using NXT Tech Wax. NXT Spray Wax is an excellent maintenance product to maintain your protection, in-between regular applications of NXT Tech Wax. This is not a quick detailer and should not be used to remove dirt and dust accumulation. It is also not a replacement for a regular coating of any wax. NXT Spray Wax can be used with all Meguiar's waxes, but chemically works best with NXT Spray Wax.

次世代喷蜡－这瓶液态蜡喷剂是与ESP（工程合成聚合物，使用於目前较先进的聚合物烤漆）一起发展的美克拉次世代汽车保养产品系列中的一个产品，次世代喷蜡的效果取决於你使用次世代科技蜡已经达到的成果，次世代喷蜡是一个出色的保养产品，它可以在你每次施用次世代科技蜡的期间去维持其保护性，它并不是一种快速保养液，所以不应该被使用来移除漆面上累积的脏污和灰尘，它也不是用来取代任何一般的蜡涂层，次世代喷蜡可以与所有的美克拉蜡一起使用，但是与次世代科技蜡搭配使用是最佳的。

That is, it jumble s up it's program code to make it difficult to detect.

这意味着它把搅乱了它的程序代码，从而使它难以被发现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。