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These may and do for a time hamper the work of the nuns and cause a certain amount of disquietude in some quarters, but it is a significant fact that, whatever excitement they may raise for the time being, the agitation always dies down again as suddenly as it arises, and its harmful effects never appear to leave behind them any lasting results, except perhaps an increased interest in, and respect for, the conventual life that has been vilified.

这可能和做了一段时间阻碍了工作的修女，造成了一定程度的不安在一些宿舍，但它是一个重要的事实，无论兴奋，他们可能引起暂时的激动总是平息再次突然因为它产生的，它的有害后果不会出现留下他们的任何持久的效果，除了增加的兴趣和尊重生命的conventual已被污蔑。

But it is a hard task to solve this equation, one reason is that the TV-norm is nondifferentiable when |▽_u|= 0, so we cant apply a linearizationtechnique such as the Newton method. The other reason is that the Euler-Lagrange equation has a highly nonlinear term. The Newton method for such equation is known to have a very small domain of convergence, and it is very difficult to make sure that the initial value such as the observed image belongs to this domain. So the Newton method is not an ideal method for solving this equation.

但是求解它比较困难，主要是因为TV-范数在|▽u|=0处不可微，不能用诸如牛顿法之类的方法将其线性化；且Euler-Lagrange方程含有一个高度非线性的项，牛顿法只有局部收敛性，对于高度非线性问题它的收敛域很小，因此难以保证所取的初始点在它的收敛域内，故一般不用牛顿法直接求解。

The shadow of life promises the convexity of life. It also gives it a more full and profound significance.

阴影让生活凸立于它附着的平面，它从另一个方面托出了我们生活的形象，因此也赋予它更加丰满而深刻的意义。

It is you cooperator, you need to know how to take care of it and have a communication with it.

它是你的搭档，学会照顾它，学会和它一起交流。

If there is a Tongxing Ben as a "copulative" and "said the Gua" as the master copy, it can be copied wrong, there are omissions, there can be paragraphs before and after the move, but can not explain all of it,"Yi Yi's", etc. 3 referenced in those paragraphs, it is no longer in the silk,"copulative" and allowed to re-emerge.

如果有一个通行本那样的《系辞》与《说卦》作为底本，它可以抄错，有疏漏，也可以有段落前后的移动，但无法解释，所有它在《易之义》等三篇中引用的那些段落，它就不再在帛《系辞》中让其重新出现。

Who cares or Full Moon Lau; regardless of barriers to cordon off the ice, or the Great Wall Fiberhome; Yijiang Chunshui cares, or wild geese have been sad.

管它巴山夜雨，还是西楼满月；管它冰河铁马，还是长城烽火；管它一江春水，还是雁过伤心。

Cornflower Blue – Cornflower is one of Europe's colder climate flowers. This flower closely symbolizes artist's feelings and thoughts. Cornflower comes in blue as well as many other colors. This flower represents Rainbow C's endless boundaries.

矢车菊—矢车菊原是欧洲冷凉地域的田间草花，它最为园艺家所感兴趣的，就是它拥有蓝色的花朵，它的花色其实不只蓝色而已，尚有其他花色，甚至还有带芳香味道的品种，代表 Rainbow C 所带出的无限可能性。

Later the development of Corpus in China will be introduced together with its influence on Chinese students.

接下来，将进入介绍语料库的内容，其中包括它的使用方法，比起传统方法的好处，它在中国的发展情况和它对学习者的影响。

Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside.

他弯身凑到那个可拍的布袋面前，用法利亚制造的小刀将它割开，把尸体从口袋里拖出来，再把它背到自己的地牢里，把它放在自己的床上，把自己平常戴的破帽子戴在他头上，最后吻了一次那冰冷的额头，几次徒劳地试着合上仍然睁着的眼睛，把他的脸面向墙壁，这样，当狱卒送晚餐来的时候，会以为他已经睡着了，这也是常事，然后他又返回地道，把床拖过来靠住墙壁，回到那间牢房里从贮藏处拿出针线，脱掉他身上破烂的衣衫，以便使他们一摸就知道粗糙的口袋里的确是裸体的尸身，然后他钻进了口袋里，按尸体原来的位置躺下又从里面把袋口缝了起来。

The paper goes on to explain that the "contradiction in the general formula of the capital " may not be included in the coursebook because it does not fall into categories of the basic prin.

本文进一步论述了政治经济学教材可以不讲"资本总公式的矛盾"，它不属于基本原理和方法，不讲它丝毫不损害马克思主义经济学的基本理论内容和理论体系，而且它本身存在一些值得斟酌的问题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。