学府

On many year fine arts education post, diligent, for the central Fine arts academy, the Qinghua fine arts academy and so on higher artistic school has trained many students, is evaluated many times the prominent teacher and teacher's ethics pivot man.

在多年的美术教育岗位上，勤勤恳恳，为中央美术学院、清华美术学院等高等艺术学府培养了很多学生，多次被评为优秀教师和师德标兵。

It is the simplicity of true godliness-- our passport from the preparatory school of earth to the higher school above.

这种教育，是纯正的敬虔，是我们从地上预备性的学校到天上更高学府的通行证。

If you expect to enter this prestigious university ,you should apply now.

如果你期望进入这所著名学府，你现在就应该申请了。

He can scarcely have had time, before he took up his pupilage as a painter in Antwerp, to study theology or graduate from any university, renowned or otherwise.

在他以画家身份前往安特卫普重拾孩提时代的生活之前，他压根儿没有时间去读什么神学，或从著名或不著名的学府拿什么学历。

TITe is no denying those the qualities of nutriment in our refectory HAs gone from bad to worse.

不可否认的，咱们学府食堂吃的东西的质量已经每况愈下。

TITe is no denying these the qualities of nutriment in we refectory HAs gfirst since bad to worse.

不可否认的，咱们学府食堂吃的东西的质量已经每况愈下。

In term of special meaning, Qinghuatongfang as the epitome of the Qingnhua university, the project is the symbol venture of hig-tech enterprise, can be regarded as an epitomes or sample of the public company ventrue capital, individually Qinghuatongfang con be called the ridgepole and bear of the public company representative of the high-technology enterprise, no matter on its product scale, management level or the income from sale and profit level.The anthor focuse on the composition of the fundemental things in company, the background of venture capital, the project and the section of investment management.

从特殊意义上来讲，"清华同方"作为代表最高学府清华大学的校办企业，投资项目均具有高科技的特征和风险，可以看作是上市公司特殊类型的一个代表与象征，个别地讲，"清华同方"无沦是其企业规模、管理水平，还是销售收入与利润水平，都可称为是上市公司中的栋梁，高科技企业的代表。

Extensive schoolfellow resources and active MBA schoolmate organization With the earliest MBA education for above 13 years in South China, Jinan University cultivated a large number of MBA students, and has become one university that has cultivated the most MBA students in Zhujiang Delta Region at present.

广泛的校友资源及活跃的MBA校友会组织。华南地区最早、超过13年的MBA教育，为暨南大学吸纳了大批优秀的MBA生源，是珠三角地区目前培育MBA学员最多的学府。

WORK IN THE CITY,HEALTH IN THE SEMINARY.

在城市中修行，在学府中养生。

Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.

Ryan Kisor，美国著名爵士小号演奏家，1973年4月3日生于美国爱荷华州，10岁开始学习小号演奏，1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛（International Thelonious Monk Jazz Competition）中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜，当时年仅17岁。1991年中学毕业后，被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号，在学期间加入Mingus大乐队，年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道，而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家，同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团，杰出的演奏技巧及艺术水准受到世界乐坛之瞩目，曾受邀多次出访全球各国，每次均毫无保留的展现了其精湛的演奏实力，让世界各地的广大乐迷感受到其小号的魅力。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。