孤独恐怖

The films that he has made, they all have the theme of isolation and claustrophobia and certainly a kind of foreboding atmosphere of life.

他导演的电影都有一种孤独、幽闭、恐怖的主旋律，当然，还有一种不祥的生活氛围。

Among Lee's most memorable performances are Rochefort in three Three Musketeers movies, Sherlock Holmes, classic James Bond villain Scaramanga in The Man with the Golden Gun (Lee's cousin, author Ian Fleming, created Bond), and, of course, nearly every classic monster in the book for Britain's hit Hammer horror films of the 1950s and '60s: his breakthrough role in The Curse of Frankenstein (he was the monster to Cushing's mad doctor); the title role in The Mummy; double duty as Jekyll and Hyde; and, most famously, his solitary yet deadly Count Dracula, whom he portrayed more than any other actor, beginning with 1958's Horror of Dracula, which pitted him against Cushing as Van Helsing, and lasting until 1974 with The Satanic Rites of Dracula.

在李最令人难忘的表演中，有电影《三剑客》中的罗切福特，夏洛克·福尔摩斯，经典的《金枪客》中詹姆斯·邦德的对头斯卡拉曼加（李的堂兄，作家伊恩·弗莱明创造了邦德），当然还有英国二十世纪50~60年代中几乎每一部经典恐怖片中都要出现的怪物：他在《弗兰肯斯坦的诅咒》中的突破性演出（他是库欣扮演的疯狂教授创造的怪物）；《木乃伊》中的木乃伊；双重性格的哲基尔和海德；还有那个最著名的，孤独而又致命的德库拉伯爵，他对这个角色的演绎次数远远超过其他任何演员，从1958年的《恐怖的德库拉》开始——在该片中他对抗库欣扮演的范·海尔欣，一直到1974年的《德库拉的恶魔典礼》。

Nidal Malik Hasan was a terrorist driven by extremism, a troubled loner, or both.

马利克。哈桑少校是由极端主义驱动的恐怖分子，还是一个受到困扰的孤独者，或者两者都是。

Loneliness, the common ground for terror, the essence of totalitarian government, and for ideology or logicality, the preparation of its executioners and victims, is closely connected with uprootedness and superfluousness which have been the curse of modern masses, since the beginning of the industrial revolution and have become acute with the rise of imperialism at the end of the last century and the break-down of political institutions and social traditions in our own time.

中译文：孤独是恐怖的共同基础，是极权政府的本质，而对于意识形态和逻辑性（即准备它的杀人者和受害者）来说，它与无根和成为多余的情境紧密相关；自从工业革命开始以来，这已经成为对于现代大众的蔑称；而在19世纪末，随着帝国主义的兴起，它变得更加尖锐；在我们这个时代，它却造成了政治制度和社会传统的崩溃。

Loneliness, the common ground for terror, the essence of totalitarian government, and for ideology or logicality, the preparation of its executioners and victims, is closely connected with uprootedness and superfluousness which have been the curse of modern masses, since the beginning of the industrial revolution and have become acute with the rise of imperialism at the end of the last century and the break-down of political institutions and social traditions in our own time.475

孤独是恐怖的共同基础，是极权政府的本质，而对于意识形态和逻辑性（即准备它的杀人者和受害者）来说，它与无根和成为多余的情境紧密相关；自从工业革命开始以来，这已经成为对于现代大众的蔑称；而在19世纪末，随着帝国主义的兴起，它变得更加尖锐；在我们这个时代，它却造成了政治制度和社会传统的崩溃。

Loneliness, the common ground for terror, the essence of totalitarian government, and for ideology or logicality, the preparation of its executioners and victims, is closely connected with uprootedness and superfluousness which have been the curse of modern masses, since the beginning of the industrial revolution and have become acute with the rise of imperialism at the end of the last century and the break-down of political institutions and social traditions in our own time.475 http://www.aisixiang.com

孤独是恐怖的共同基础，是极权政府的本质，而对于意识形态和逻辑性（即准备它的杀人者和受害者）来说，它与无根和成为多余的情境紧密相关；自从工业革命开始以来，这已经成为对于现代大众的蔑称；而在19世纪末，随着帝国主义的兴起，它变得更加尖锐；在我们这个时代，它却造成了政治制度和社会传统的崩溃。

The Sound of Music (1965) when re-released in the late 20th century was presented as a sing-along version along the lines of the participatory Rocky Horror, with fans dressing up as nuns, lonely goatherds and Nazis.

音乐之声》（1965）在20世纪末再度投入市场时，呈现给观众的是供大家共享的演唱版的《洛基恐怖舞会》里的歌词，影迷们全扮成修女、孤独的牧羊人和纳粹。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。