孤独

This helps us understand what the actual content is of such words as anguish, forlornness , despair.

这有助于我们理解诸如痛苦、孤独、绝望这些字眼的实际内容。

Doris was overcome with forlornness following the death of her uncle.

朵莉丝克服了叔叔过世带给她的孤独感。

The personal tragedies of these figures are elevated to universality and represent the forlornness of human existence.

将这些个人悲剧引伸开来，很明显可以感觉到作品中流露出对人存在意义的怀疑：人要么觉得自己根本没存在过；要么一事无成身后徒留污痕一片；要么及时行乐忘却烦忧；要么只能在这冷漠的世界孤独地栖存。

Jane had been described by servants like this:"If she were a nice, pretty child, one might compassionate her forlornness; at any rate, a beauty like Miss Georgiana (she is one of Aunt Reed's daughters) would be more moving in the same condition."

参考答案：珍妮由象这样的仆人描述了："If她是一个好，俏丽的孩子，一可能慈悲她的孤独；无论如何，象Georgiana (她小姐的秀丽是其中一个Reed's伯母女儿)是移动在同样condition。"

Although New York often imparts a feeling of great forlornness or forsakenness, it seldom seems dead or unresourceful; and you always feel that either by shifting your location ten blocks or by reducing your fortune by five dollars you can experience rejuvenation.

尽管纽约常常给人一种孤独无助或被抛弃的感觉，但它似乎不总是了无生气或无聊之极；如果你把所处的位置移动到十个街区外，或是从你的财产中减少五美元，你就能感觉到青春焕发。

Forlornness and anguish go together.

孤独与痛苦结伴而行。

When a lonely frog consults a fortune-teller, he's told not to worry.

当一只孤独的青蛙找一位算命师算命时，他被告知不用担心。

The works of this period are full of painting language experiments in form, space and material, and we see sparks of what would later form his language matrix, but overall, the Chen Yufei of the '80's was a lonely metaphysicist, focused on using the four-cornered world of painting to extract basic imagery and forms from his daily life and spirit. His pictures had a very strong design feel.

这一时期的作品在造型、空间、材料等绘画语言上有着各种实验，闪现出了他其后的一些基本语言与母题，但总体而言，80年代的陈宇飞属于一个孤独的形而上主义者，专注于用绘画这一四边形的世界从他的日常生活及精神生活中抽离出一些基本的意象和形式，画面有很强的设计感。

A lone Atlantic walrus rests on what looks to be an undersized ice floe amid a glassy sea in Canada's Foxe Basin.

一只孤独的大西洋海象休息在外观尺寸不足的浮冰被如镜的海包围在加拿大的福克斯湾。

In the novel the central park foxglove, kusama through describing a Japanese girl in New York experience shows his experiences: lonely and and penniless, still do not intend to return to Japan, She accompanied his paintings in the gallery shuttle between cities, Not knowing English, this is small, the appearance of the Oriental woman to sell an outstanding works are very difficult.

日后的小说《中央公园的毛地黄》中，草间弥生通过描写一名日本女孩在纽约的遭遇展现了自己的早年经历：孤独潦倒，身无分文，仍然不打算回日本；她夹着自己的画在城市中的画廊间穿梭；由于不懂英语，这个小个子、相貌并不出众的东方女人卖掉一张作品都异常困难。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。