孤儿的

To judge the fatherless and the oppressed, that the man of the earth may no more oppress.

10：18 为要给孤儿和受欺压的人伸冤，使强横的人不再威吓他们。

Because I had delivered the poor man that cried out; and the fatherless that had no helper.

因为我援助了呼救的穷人，和无依无靠的孤儿。

I was raised in a foster home run by the Church.

我是在一所由教堂资助的孤儿院里长大的

I suppose the registrar didn't think it would be right to ask a properly brought-up girl to room with a foundling.

我猜是注册组的人觉得，让正常家庭长大的女孩跟孤儿住在一起不太妥当。

Think of Jerusha Abbott, late of the John Grier Home for Orphans,rooming with a Pendleton.

想想看，约翰·格利尔孤儿院的孤儿乔诺莎·艾伯特与平莱顿家族家族的一员住在一起。

A group of young actors as the main performance team, often staged operas have "Baidicheng""范进中举""杨家将""Seishiro探母""swindle wife younger sister married""红鬃烈马""dragon and phoenix were Andrew ""秦香莲"" Sung ""玉堂春"" playing BRIC "" Zhao's Orphan "" Xin Yi "" after the event robes "" Golden Lover,"" selling water "" Iron arch fate "" Magistrate guillotine "" Point Jiang-ting,"" The花枪"" Matchmaker,"" collect red child "" block horse "" to kill four "" Wu Song playing shop "" true Rebels ", a modern opera," Red Cloud Cliff,"a new historical drama" The Merry generation ""ten thousand people umbrella""Empress Dowager""affection Regret""Mulan" and so on.

一批以青年演员为主要的演出队伍，经常上演的剧目有《白帝城》《范进中举》《杨家将》《四郎探母》《诓妻嫁妹》《红鬃烈马》《龙凤呈祥》《秦香莲》《宋江》《玉堂春》《打金砖》《赵氏孤儿》《辛安驿》《遇后龙袍》《钓金龟》《卖水》《铁弓缘》《铡判官》《望江亭》《对花枪》《红娘》《收红孩》《挡马》《杀四门》《武松打店》《真假哪吒》，现代京剧《红云崖》，新编历史剧《一代风流》《万民伞》《西太后》《亲情恨》《花木兰》等。

In order to keep the orphan in the good spirits,an organization call for the help from the government.

为了使孤儿能有一个健康的心理，一个组织呼唤来自政府的帮助。

Poverty, indigence, and orphaned were derogatory labels for anyone who did not have the means to take care of themselves.

贫穷，无知和孤儿这些充满贬斥的名号被扣在那些没有办法照顾自己的人头上。

This is pure and undefiled religion before our God and Father: to visit orphans and widows in their affliction and to keep oneself unspotted from the world.

1：27 在神与父面前，那清洁没有玷污的虔敬，就是看顾在患难中的孤儿寡妇，保守自己不受世界玷污。

Jas. 1:27 This is pure and undefiled religion before our God and Father: to visit orphans and widows in their affliction and to keep oneself unspotted from the world.

雅一27 在神与父面前，那清洁没有玷污的虔敬，就是看顾在患难中的孤儿寡妇，保守自己不受世界玷污。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。