婚姻后的

Xiaoxiaomu is a working girl from yunnan who made a living in shanghai, for years, she have been looking for kangkai, when she was 14 years old, she cheated kangkai and got the imburse in order to support her younger brother to go to junior shool and university, she hope to find kangkai and apologized sincerely to him and refund the mondey so her heart can be at ease, when she saw the tired kangkai and didn't tell the truth to him, just gave up her previous work and came to kangkai restaurantto work and support this kind brother,,kangkai was dull to the feeling around him after sangjie died because he could not forget his previous wife, xiaomu feeling to kangkai is far more than thankfulness , she also found kangkai was not only strongly responsible for his marriage and family but also earnest and inflexible to his feeling , she loved him deeply.

萧晓牧是一个从云南来上海讨生活的打工妹。多年来，她一直在寻找着康凯。因为在她14岁时，她是骗得了康凯的资助，才供弟弟萧晓朴读完了高中、考上了大学。她希望能找到康凯去诚恳道歉，并还上康凯的钱以了却自己的心愿。当他看到康凯那疲惫不堪的生活状态，没敢对已经认不出自己的康凯贸然坦白，只是辞掉原来的工作，来到康凯的小餐馆里当服务员，默默地支持这个心地善良的大哥。尚洁去世后，康凯因为不能忘怀前妻，而对周围的一切感情反应麻木。晓牧对康凯的感情却不仅仅是感恩，她在和康凯的接触中，真实地感受到康凯对婚姻和家庭有着强烈的责任感，对感情认真、执著。她深深地爱上了这个大哥。

After reviewing the history of the 20th century and reinterpreting the statistics, this thesis attributes the factors that cause the high divorce rate to American peoples changing attitudes towards marriage and family.

在回顾了美国二十世纪的发展史和重新理解统计数据后，本文认为美国的高离婚率是由人们对婚姻和家庭的态度的改变而引起的。

So, this paper will discuss them in three chapters.In Chapter I, the paper starts from Xiao Hong's "complex of loneliness", discusses her childhood, marriage and social life, rootles the real reason which oppresses her free soul: the life without voice and ego. Chapter II starts from her unique writing mode, discusses how she found the way to emit her own voice, say her own words, and also about her animadvert on sex discrimination and her discover of the common people's hard life. In this chapter, it also involves several images, which represent the hard life condition of the common people. Chapter III discusses several groups of unique images such as "the back garden", which represent the spree and release of free soul. It shows Xiao Hong's permanent longing for freedom,"love and mildness".

基于此，本文着重从这两方面出发，分三章作如下探讨：第一章，从萧红的&寂寞情结&入手，分别就其童年生活、婚姻生活、社会生活三方面论述萧红自我声音的长期受到压制以至于消解，从而挖掘出导致其自由心灵压抑的真正原因——&无声&的、没有自我的生活；第二章则从她执著于自我的文体形式着手，论述她如何寻求到发出自己的声音、言说自己的话语的方式，并就她对女性艰难境遇的忧患和对普通民众苦难生涯的揭示作了评述，其间，涉及到萧红设置的几组表现民众艰难生存状况的意象；第三章专章论述萧红小说中几组以&后花园&为核心的、表现自由心灵的释放与张扬的独特意象，得出她对自由、对&爱和温暖&永久的憧憬和向往的结论。

HE STARTED out as Richard A. Gekoski, a gawky American high-schooler focused only on discovering sex, and morphed into R.A. Gekoski, a fully fledged, if miserable, academic teaching English literature at a provincial British university. Only in his mid-50s, having abandoned academe and an unhappy marriage, and high-tailed it to London, did he discover who he really was: Rick Gekoski, a roly-poly book dealer with an appetite for all things big and a passion for Groucho Marx's motto:" Outside of a dog, a book is a man's best friend. Inside of a dog, it's too dark to read."

开始，他叫做理查德·A·杰柯斯基，那时他还是个上高中的傻小子，专注于探寻鱼水之乐；之后，他蜕变为R·A·杰柯斯基，一位羽翼已丰的英文文学教员，就职于一所英国地方性大学；而直到他五十五岁左右之时，在放弃了他的学术和一桩并不愉快的婚姻然并奔向伦敦后，他方才找出真正的自我——里克·杰柯斯基，一位胖滚滚的书商，对所有大块物件都有个好胃口，并痴狂于葛洛丘·马克思的名言：&书于犬外，人之挚友；书于犬内，暗不能阅。&

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。