娶

Married women don't give blowjobs. It's a union thing, man.

娶一个不会口交的女人那可不行啊，伙计

Because he just got married to one of the most beautiful brides in the world.

因为他刚娶了世界上最美丽的新娘之一。

This at once makes the work subjective, especially since we knowthat Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only

圣约翰出于想找一个女人来照料自己的生活和帮助自己进行传教活动这一原因而想娶简爱。

In the nature of single blessedness he would one day take unto himself a wife when Miss Right came on the scene but in the interim ladies' society was a conditio sine qua non though he had the gravest possible doubts, not that he wanted in the smallest to pump Stephen about Miss Ferguson (who was very possibly the particular lodestar who brought him down to Irishtown so early in the morning), as to whether he would find much satisfaction basking in the boy and girl courtship idea and the company of smirking misses without a penny to their names bi or triweekly with the orthodox preliminary canter of complimentplaying and walking out leading up to fond lovers' ways and flowers and chocs.

这位幸运的单身汉有朝一日遇上相般配的小姐，就会娶她作妻子。到那时为止，与女人交往倒也是个不可或缺的条件。他丝毫不想为弗格森小姐（促使他凌晨来到爱尔兰区的，极可能就是这位特定的&北极星&哩）的事盘问斯蒂芬什么。尽管他十分怀疑斯蒂芬能够从诸如此类的事中得到由衷的满足：沉湎于少男少女式的谈情说爱啦，同只会嘻嘻嘻地傻笑、身上一文不名的小姐每周幽会上两三次啦，照老一套的程序相互恭维，外出散步，又是鲜花又是巧克力地走上亲密的情侣之路。

He had no concubines for a double reason.

他不娶妾有两个理由：第一，太太不许。

The solution for a barren wife is to get more concubines.

妻子不生育的话，那就要娶更多的妾。

He amused himself with 500 concubines and fathered hundreds of children.

他娶了500个妾来自娱，成为数百个孩子的父亲。

I saw he was going to marry her, for family, perhaps political reasons; because her rank and connexions suited him; I felt he had not given her his love, and that her qualifications were ill-adapted to win from him that treasure.

我看到他要娶她是出于门第观念，也许还有政治上的原因，因为她的地位与家庭关系同他很相配。我觉得他并没有把自己的爱给她，她也没有资格从他那儿得到这个宝物。

When she│pherds pipe │on oa│ten straws, And mer│ry larks│ are plough │men's clocks, When turt│les tread,│ and rooks,│and daws, And mai│dens bleach │their sum│mer socks, The cu│ckoo then,│on eve│ry three, Mocks mar│ried men;│for thus │sings he, Cuckoo, Cuckoo,│cuckoo!

当无愁的牧童口吹麦笛，清晨的云雀惊醒了农人，斑鸠乌鸦都在觅侣求匹，女郎们漂洗夏季的衣群；听杜鹃在每一株树上叫，把那娶了妻的男人讥笑：咯咕！

Then we said,"She will persuade him yet," because Homer himself had remarked--he liked men, and it was known that he drank with the younger men in the Elks' Club--that he was not a marrying man.

后来我们说：&她还得说服他娶她才行，&因为侯莫自己说过他不是居家过日子的人。他喜欢跟男人们在一块。我们都知道他在埃克斯的俱乐部跟一帮小青年喝酒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。