娥

In the direction of modern Shiraz is the castle known as Qalah-e Dokhtar , which is shown on this photo.

在现代的方向是设拉子的城堡被称为 Qalah娥Dokhtar ，这是上显示的这张照片。

Two of them can be found at Barm-e Dilak, nine kilometers east of modern Shiraz.

其中两个可在酵母娥Dilak ， 9公里的现代设拉子。

The ancient Chinese plays like Dou-E Tragedy and Peach-blossom Fan have a dual structure. Most tragic works in ancient China have many common points in terms of their tragicalness and deep structure.

《窦娥冤》《桃花扇》等剧具有双重结构，中国古代大多数悲剧作品的悲剧性和深层结构具有很多的共性，其&悲剧原型&是各个悲剧的深层主题，它在不同的作品中反复出现，具有约定性的语义联想。

But the Frenchman did not appear, and, without doubt, was still lying under the stupefying influence of the opium.

但是，他脸上却一点失望的表情也没有，而艾娥达夫人一直不安地看着他，于是，他对她只好这样说

Fogg had an abominable way of jumping from one boat to another, and, before anything could be effected, might get full under weigh again for Yokohama.

但是，当他看见福克陪着艾娥达夫人在仰光号上散步的时候，他觉得又有一线新的希望。

Mr Fogg and Aouda, who were seated on deck, cast a last glance at the quay, in the hope of espying Passepartout.

旅客们都在甲板上坐着。福克先生和艾娥达夫人向码头作最后一次的眺望，他们希望看到路路通是不是真正就此失踪了。

When he stopped he was one of the best referees around, therefore if he was acquitted and is reintegrated, I think that it's a good thing for the referee sector.

裁判问题，这段时间裁判问题真是太引人注目了，王朝整天和篮球队比赛，尤文更是被漏了仨点球，冤屈程度直逼窦娥

After breakfast, Mr Fogg, accompanied by Aouda, started for the English consulate to have his passport visaed

饭后，艾娥达夫人陪着福克先生一齐离开饭店，到英国领事馆去办理护照签证手续。

These two eyes were very bright;they fairly winkled,and they kept their watch on Io through all Hermes' playing.

这两只眼睛很明亮，它们在海尔墨斯音乐的催眠下还可以明亮的眨着看守伊娥。

Winkled,and they kept their watch on io through all hermes' playing.then hermes began to tell stories,and at last the two twinkling eyes closed,like the others.argus, with all his hundred eyes closed, was fast asleep.to make him sleep more heavily,hermes just touched him lightly with the dream-giving stick,and then he successfully led io away.

海尔墨斯就开始讲故事，最后这两只闪烁的眼睛也像其他的眼睛闭上了。阿刚斯的100只眼睛都睡着了。为了让他睡得更沉，海尔墨斯轻轻地用那支赐梦的魔杖碰了他一下，然后胜利地把伊娥带走。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。