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I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外,鲁道夫·瓦伦蒂诺的遗体曾供人吊唁;八条街外,内森·海尔被处决;五条街外的出版社办公室里,欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子;四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔;三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所;一条街外的西波佐恩剧院台,西班牙小丑玛瑟林上台演出,三十六条街外,历史学家乔·古尔德当众将一台收音机踢得粉碎;十三条街外,哈利·绍枪杀斯坦福·怀特;五条街外的大都会歌剧院我当过引座员;一百一十二条街外,老克拉伦斯·岱于主显节教堂洗净了罪孽(这个单子可以无穷无尽地列下去);而且说起来,我呆着的这个房间,或许就有不少尊贵的、各有其难忘之处的人物坐过,也曾有人在热得喘不过气来的下午,寂寞而私密,满心感受着外来之力。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外,5个街区之外的出版社办公室中厄内斯特?海明威(1899-1961,美国著名作家)曾挥拳击中马科斯?伊斯特曼(海明威同时代美国政治家)的鼻子,在4英里外瓦尔特?惠特曼(1819-1892,美国诗人)曾奋力为《鹰报》撰写社论,34个街区之外是威拉?凯瑟(1873-1947,美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道,玛瑟琳曾经常在一个街区之外的马戏场扮演小丑,36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方,哈里?福射在13个街区之外杀了斯坦福?怀特(1906年),5个街区之外是我曾做引座员的大都会歌剧院,而在112个街区之外老克拉伦斯?戴(1874-1935,美国作家)在主现节教堂洗去他的罪过;也因而,我此刻置身的房间可能迎接过无数显赫人物,一些人是在令人窒息的炎热下午到来,孤独而隐退,散发着莫名的自我。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起,包括诗篇对唱式唱法的传统溯源;第二章讨论文艺复兴时期的威尼斯,包括政经情况,及艺术、玻璃工艺、马赛克艺术的简介;第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型,及盛期的主要作曲家,包括:威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利,及巴罗克早期的孟特威尔第…等复合唱作曲家的风格;第四章整合前三章的论述,由实际的复合唱作品,讨论「立体声」的音响效果、合唱团的编制、织度问题,以及诠释及指挥上会遇到的问题。

And senior year is the witching hour:"I think for a lot of parents, college admissions are like their grade report on how they did as a parent," observes Madeleine Rhyneer, Dean of students at Willamette University in Oregon.

孩子念高中三年级时更是他们&发威&的时刻:&在我看来,对很多家长而言,大学入学考试成绩就像父母的一张成绩单,表表明了他们为人父母称职与否。&饿勒冈州威拉姆特大学学生处处长玛德莱娜。

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