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"When you pay me a visit in my cell, my young friend," said he, I will show you an entire work, the fruits of the thoughts and reflections of my whole life; many of them meditated over in the shades of the Coloseum at Rome, at the foot of St. Mark's column at Venice, and on the borders of the Arno at Florence, little imagining at the time that they would be arranged in order within the walls of the Chateau d'If.

" "等你到我的地牢里去的时候,"他说,"我可以给你看一篇已完成了的文章,那是我反省自己的一生的心血的结晶,那是在罗马竞技场的废墟里,在威尼斯圣马克古宫的圆柱脚下,在狱卒会让我在伊夫堡的牢墙之内有时间把它们写出来。

From the Decreti e terminazioni in the Procuratoria de supra of the Venetian State Archice for 1694 Caldara is called musico contralto but in separate payments his name also appears as a player of the viola da spalla (1688), viola (1695) and violoncino (1694) 5 Caldara is named in a list of founding members of the Guild of St Cecilia in 1687. 6 The guild's charter states that one of its major functions was the provision of adequate musical honours for its patron on her feast day.

从 Decreti位置terminazioni 在 Procuratoria日在威尼斯国家Archice 前的1694年卡尔达拉称为musico女低音,但他的名字也作为维奥尔斯帕拉(1688)的球员出现不同的付款,中提琴(1695)和 violoncino(1694 )5卡尔达拉是在一个名为的圣塞西莉亚协会的创始成员,在1687年名单。6行会的章程规定,其主要职能之一是供其在她的节日音乐荣誉赞助人提供足够的。

Make all the money thou canst: if sanctimony and a frail vow betwixt an erring barbarian and a supersubtle Venetian not too hard for my wits and all the tribe of hell, thou shalt enjoy her; therefore make money.

尽你的力量搜括一些钱。要是凭著我的计谋和魔鬼们的奸诈,破坏这一个走江湖的蛮子和这一个狡猾的威尼斯女人之间的脆弱的盟誓,还不算是一件难事,那麼你一定可以享受她——所以快去设法弄些钱来吧。

Vicenza's show contains detailed models of the major buildings and is leavened by portraits of Palladio's teachers and clients by Titian, Veronese and Tintoretto; the paintings of his Venetian buildings are all by Canaletto,no less.

维琴察的展览会还展出了大师主要代表建筑作品的精细模型,出自提香、韦罗内塞和丁托列托( Titian,Veronese and Tintoretto )之手的他的老师们和顾客们的肖像画,全部由卡纳莱托绘制的他的威尼斯建筑的画作。

The author first discusses the consistency of spiritual pursuit in law and literature, and then sums up the points under discussion in the two works: Antigone and The Merchant of Venice. The author points out that law spirit of the realistic pursuit includes conventionalizing of the pursuit of justice while justice in literature is interpreted from a new, poetic and ideal perspective.

在此部分讨论中,首先探讨了文学与法律对法律精神的正义核心价值追求的一致性,其次对第二章中《安提戈涅》和《威尼斯商人》两部作品所论述的问题进行梳理总结,指出文学与法律两种视角下对法律精神解读的差异,最后以正义价值为归结,指出现实法律追求的法律精神包括对正义的追求被世俗化,而文学具有诗性的理想正义给予了法律精神重新审视。

With observance of natural landscape of water and careful sersation to it, unique chinese wash painting arises is China and Italian Venace School, Franch Barbizon School, impressionism and English watercolour painting avise in Eurspe art.

对水的自然景象的观察与对水的细致感悟,产生了中国独特的水墨写意画,在西方绘画中则产生了意大利的威尼斯画派、国的巴比松画派与印象派、国的水彩画。

Money was pretty-Florentine gold or silver, German florins, Bohemian groschens, fancy old coins minted under the rulers of Venice who were called the Doges, exotic coins from the Constantinople of old.

我所指的钱币,是那些漂亮的佛罗伦萨金币和银币、德国金币、波希米亚的格罗申(奥地利货币和硬币名,等于一先令的1/100),以及当时威尼斯被称之为&总督&的统治者的监管下制造出来的精美古币,另外还有来自于旧时君士坦丁堡的外国币种。

The comedy of this period include the poetic creation of "Midsummer Night's Dream"(1596), promote good punishing evil,"The Merchant of Venice"(1597), reflecting the customs and life of the people's "The Merry Wives of Windsor"(1598), to promote chastity Love's "Much Ado About Nothing"(1599) and the ode to love another human study,"Twelfth Night"(1600), etc.

这一时期创作的喜剧包括诗意盎然的《仲夏夜之梦》(1596)、扬善惩恶的《威尼斯商人》(1597)、反映市民生活风俗的《温莎的风流娘儿们》(1598)、宣扬贞洁爱情的《无事生非》(1599)和歌颂爱情又探讨人性的《第十二夜》(1600)等10部。

As a precursor to the study of these records, chapter four discusses the development of eastern trade routes - overland from Romania through the Greek Peninsula and the Aegean Islands, and by sea to the Levant, and explains how Venice systematically, through wars with Genoa, use of great galleys, cogs and other small ships, developed trade supremacy, the formation of partnerships and joint ventures.

作为对这些记录的研究来说的一个先驱者,它论述了发展的东部地区贸易通道-陆路从罗马尼亚通过希腊半岛和爱琴海岛屿,并在地中海东部海域,并解释了如何从威尼斯有系统地,透过对抗意大利西北部的州及其首都的战争、舰长用艇的使用和其他的小船,取得发达国家的贸易霸权,形成伙伴关系和合资企业。

Working in many media, including fabric installations, video, site specific installations, and sound and performance, her work has been exhibited internationally and featured in numerous solo and group shows, such as A Needle Woman, P.S.1 Contemporary Art Center/ MOMA, New York (2001), Conditions of Humanity: Museum Kunst Palast, Düsseldorf, Padiglione d'Arte Contemporanea, PAC, Milan, from the Museum of Contemporary Art, Lyon (2003 - 2004), and Biennales in Kwangju, Sao Paolo, Syndey, Istanbul, Lyon, Whitney, and Venice.

她的创作应用了多种类的媒体材料,例如纺织装置、视频、特定场所装置、声音和行为艺术等,她在世界范围内举办过多次个展并且参加群展,例如在纽约P.S.1 当代艺术中心展出的&针妇女&(2001)。人性状况:杜塞尔多夫Kunst Palast博物馆,米兰现代艺术博物馆,里昂的当代艺术博物馆(2003,2004),以及在光洲、圣保罗、悉尼、伊斯坦布尔,里昂,惠特尼和威尼斯等地举办的双年展。

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