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His subjects were not the crowded streets of the New York slums painted by the Ashcan School but groups of happy people at their leisure on the beach, in the park, thronging the sunny boulevard s of Paris or the bridges of Venice

他的题材不是垃圾箱画派所画的纽约贫民窟乱哄哄的街道,而是在海滩上、公园里,或云集在巴黎洒满阳光的林荫大道和威尼斯大桥上愉快消闲的人群。

After pulling off an amazing gold bullion heist from a heavily guarded palazzo in Venice, Italy, Charlie and his gang — inside man Steve, computer genius Lyle, wheelman handsome Rob, explosives expert Left-Ear and veteran safecracker John Bridger - can't believe when one of them turns out to be a double-crosser.

在意大利的威尼斯,他们从一个防守严密的官邸抢到了大量的黄金,Charlie和他的伙伴们,包括内线Steve、电脑黑客Lyle、驾车能手Rob、爆破高手"Left-Ear"、保险箱窃贼John,怎么也想不到他们重的一个会成为两面派。

With ever-increasing success and fame, Farinelli appeared in nearly all the great cities of Italy. Handel was keen to engage him for his company in London and while in Venice in January 1730, tried unsuccessfully to meet him.

随著与日俱增的成功与名声,Farinelli出现在几乎所有义大利的大城市,韩德尔热切的想拉拢他参加他在伦敦的剧团,但在1730年3月於威尼斯没能成功的与Farinelli见面。

"Aura" is an experiment in translating Villa Foscari's Palladian design, which relies on a definite set of harmonic proportions, into a contemporary space whose elegance and dynamism is generated through a process defined by a non-linear set of rules elicited from Palladio's theories.

Aura是扎哈为威尼斯建筑双年展以及纪念帕拉第奥诞辰500周年而设计的。设计尝试将帕拉第奥设计的弗斯卡利别墅的融洽比例转化现代空间的优美且动感,符合帕拉第奥理论的非线性规则。

In 1997 she was selected for a PS1 residency at the Institute for Art and Urban Resources in New York. In 2000 she had a solo exhibition at the Royal Hibernian Academy in Dublin and in 2001 represented Ireland at the Venice Biennale 49th International Art Exhibition.

格蕾丝。维尔在都柏林的国家艺术大学学习,1997年从都柏林的圣三一学院取得多媒体专业的硕士学位。1997年她被推选为美国艺术与都市资源协会– PS1美术馆的常驻艺术家。2000年在都柏林的爱尔兰皇家学院举办个人艺术展,在2001年代表爱尔兰参加第49届威尼斯双年展国际艺术展。

In literature, related prejudices can also be found. For example, Marlowe's The Jew of Malta and Shakespeare's The Merchant of Venice reflect the ineradicable bias against Jews in Christian societies.

这样的偏见也存在文学作品中,例如马娄的《马尔他的犹太人》和莎士比亚的《威尼斯商人》就忠实地反映出基督教社会中根深蒂固的反犹太情结。

His change in painting style is remarkable,from austere Medievalism in the early period to volumptuous Venetian style in the late years.

他的绘画风格发生过显著的变化,从前期创作阶段的质朴的中世纪风格转向后期华丽的威尼斯风格。

Fellini was a consummate showman, not only an artistic genius but also a master magician and even something of a con man. He was a believer in the power of illusion and prestidigitation, an artist who preferred artifice to reality, and a man who believed that dreams were the most honest expression possible for a human being.

"意外"发现--消逝的星星-- Gianni Amelio入围2006威尼斯竞赛单元的作品,讲述一个意大利工人为了一个机械原件而来到中国历经数个城市的"历险"寻找一台高炉的故事,虽然只看了半部,我已经知道它是绝对好片;如果结合上周五的"LOSERS AND WINNERS"来看,特别有意思。

Yet the documents, the reports of the Venetian Ambassador, for example, which Ranke employed most extensively, were never for him the alpha and omega of historiography, since he was continually driven from the description of events and deeds to the true sources, which he found in great individual personalities.

例如,本文,威尼斯式大使的报告广泛地被使用的Ranke,未曾是为他历史编纂学亚尔发和奥米加,因为他从事件和行为的描述不断地被驾驶了到真实的来源,他在巨大各自的个性发现。

Tati has produced only six features in his entire career, which, however, help him to gain an international reputation, as well as a unique position in cinema history. Took part in many short films in the 30s, namely Tati participated the writing and acting of René Clément's short film Soigne ton gauche (1936), Tati begun his cinematic occupation as a actor and director.

他一生完成了六部长篇电影,但就是这仅有的六部作品使他赢得了非同凡响的国际声誉,并且奠定了他在电影史上独一无二的地位。1936年,塔蒂参与剧本创作并出演了雷内·克莱芒(René Clément)的短片《小心左边》,从此开始了他作为喜剧演员和喜剧电影导演的生涯。1949年,塔蒂导演了长篇处女作《节日》,并凭借这部电影获得了当年威尼斯电影节的最佳导演奖。

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