威尼斯

For some strange reasons, I've got the request to write an article about the Biennale di Venezia for a Taiwanese magazine. Not knowing too much about architecture, I've collected newspaper cuttings for some days to have a broad picture about the view and opinion from the Italian media. Within a week, I was able to complete a decent article. Due to this reason, I've got some ideas about the Biennale at the beginning of the exhibition and decided to go take a look in Venice.

前一阵子在因缘际会之下，替台湾某杂志写了一篇有关这次威尼斯建筑双年展的报导，对建筑所知不多的我，为了写这篇有关义大利媒体观点的文章，连续搜集了好几天的报纸报导，在短短不到一个星期的时间，完成了一篇还差强人意的文章，也正因为如此，在这次建筑双年展刚开始之际，便对展出内容有了点概念，心里也打定主意，抽空到威尼斯看看。

You are in Venice. But are you really in Venice?

你在威尼斯，但你真的在威尼斯吗？

Great names in Western art such as Giovanni Bellini, titian, Tiepolo, Veronese and Canaletto are creator s whose base was Venice and whose celebrations in paint and canvas most often expressed Venice's supremacy as a great state of its time

在西方艺术的伟大人物中诸如吉奥凡尼·贝利尼、提香、提埃坡罗、韦罗内塞和卡纳莱托等均为创造者，他们的根基是威尼斯，他们在绘画和油画上所颂扬的多数表达了威尼斯在当时作为一个伟大国家的至高无上的地位。

Great names in Western art such as Giovanni Bellini, titian, Tiepolo, Veronese and Canaletto are creators whose base was Venice and whose celebrations in paint and canvas most often expressed Venice's supremacy as a great state of its time

在西方艺术的伟大人物中诸如吉奥凡尼·贝利尼、提香、提埃坡罗、韦罗内塞和卡纳莱托等均为创造者，他们的根基是威尼斯，他们在绘画和油画上所颂扬的多数表达了威尼斯在当时作为一个伟大国家的至高无上的地位。

He had sold the last of his furniture, then all duplicates of his bedding,his clothing and his blankets, then his herbariums and prints; but he still retained his most precious books, many of which were of the greatest rarity, among others, Les Quadrins Historiques de la Bible, edition of 1560; La Concordance des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of Jean de La Haye, with a dedication to the Queen of Navarre; the book de la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this magnificent inscription: Venetiis,in aedibus Manutianis; and lastly, a Diogenes Laertius, printed at Lyons in 1644, which contained the famous variant of the manuscript 411, thirteenth century, of the Vatican, and those of the two manuscripts of Venice, 393 and 394, consulted with such fruitful results by Henri Estienne, and all the passages in Doric dialect which are only found in the celebrated manuscript of the twelfth century belonging to the Naples Library.

他把最后的几件木器也卖了，随后，凡属多余的铺盖、衣服、毛毯等物，以及植物标本和木刻图版，也全卖了；但是他还有些极珍贵的藏书，其中有些极为稀有的版本，如一五六○年出版的《历史上的圣经四行诗》，皮埃尔·德·贝斯写的《圣经编年史》，让·德·拉埃写的《漂亮的玛格丽特》，书中印有献给纳瓦尔王后的题词，贵人维里埃－荷特曼写的《使臣的职守和尊严》，一本一六四四年的《拉宾尼诗话》，一本一五六七年迪布尔的作品，上面印有这一卓越的题铭：&威尼斯，于曼奴香府&，还有一本一六四四年里昂印的第欧根尼·拉尔修①的作品，在这版本里，有十三世纪梵蒂冈第四一一号手抄本的著名异文以及威尼斯第三九三号和三九四号两种手抄本的著名异文，这些都是经亨利·埃斯蒂安②校阅并取得巨大成绩的，书中并有多利安方言的所有章节，这是只有那不勒斯图书馆十二世纪的驰名手抄本里才有的。

He had sold the last of his furniture, then all duplicates of his bedding,his clothing his blankets, then his herbariums prints; 8ttt8.com he still retained his most precious books, many of which were of the greatest rarity, among others, Les Quadrins Historiques de la Bible, edition of 1560; La Concordance des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of Jean de La Haye, with a dedication to the Queen of Navarre; the book de la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this magnificent inscription: Venetiis,in aedibus Manutianis; lastly, a Diogenes Laertius, printed at Lyons in 1644, which contained the famous variant of the manuscript 411, thirteenth century, of the Vatican, those of the two manuscripts of Venice, 393 394, consulted with such fruitful results by Henri Estienne, all the passages in Doric dialect which are ssbbww.com found in the celebrated manuscript of the twelfth century belonging to the Naples Library.

他把最后的几件木器也卖了，随后，凡属多余的铺盖、衣服、毛毯等物，以及植物标本和木刻图版，也全卖了；但是 dddTt 他还有些极珍贵的藏书，其中有些极为稀有的版本，如一五六○年出版的《历史上的圣经四行诗》，皮埃尔·德·贝斯写的《圣经编年史》，让·德·拉埃写的《漂亮的玛格丽特》，书中印有献给纳瓦尔王后的题词，贵人维里埃－荷特曼写的《使臣的职守和尊严》，一本一六四四年的《拉宾尼诗话》，一本一五六七年迪布尔的作品，上面印有这一卓越的题铭：&威尼斯，于曼奴香府&，还有一本一六四四年里昂印的第欧根尼·拉尔修①的作品，在这版本里，有十三世纪梵蒂冈第四一一号手抄本的著名异文以及威尼斯第三九三号和三九四号两种手抄本的著名异文，这些都是经亨利·埃斯蒂安②校阅并取得巨大成绩的，书中并有多利安方言的所有8 tt t8.com 章节，这是只有那不勒斯图书馆十二世纪的驰名手抄本里才有的。

The ceiling is turned into beautiful sky, with colors of Venice sunset. A mixture of light pink, golden orage and sky blue bring such a romantic touch. It reminds me the very first time I visited Venice.

天花板被化作美丽的天空，颜色像极了威尼斯的落日余晖，混合著蓝橘红等粉嫩的浪漫，让我想起某次拜访威尼斯的领悟，体验到艺术家们以画笔纪录下的真实。

His new museum in the Punta della Dogana in Venice will be one of the highlights of this year's Biennale.

而在今年的威尼斯双年展，其位于威尼斯海关大楼的新美术馆必将成为双年展上耀眼的一部分。

Have we been secretly teleported to Venice, California, instead of Venice, Italy?

难道我们被秘密转移到了加利福尼亚的威尼斯，而不是意大利的威尼斯？

I stood in Venice on the Bridge of Sighs, a palace and prison on each hand; I saw from out the wave of her structure's rise, As from the stroke of the enchanter's wand; A thousand years their cloudy wings expand around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, where Venice sat in state, throned on her hundred isles.

我站在威尼斯的叹息桥上，一边是宫殿，一边是牢房。举目看时，许多建筑物忽地从河里升起，仿佛魔术师挥动魔棍后出现的奇迹。千年的岁月用阴暗的翅膀将我围抱，垂死的荣誉还在向着久远的过去微笑，记得当年多少个藩邦远远地仰望，插翅雄狮之国的许多大理石的高房：威尼斯庄严地坐镇在一百个岛上！

In this section we look at the theory behind the techniques used in rotary polishing and the effects that they have on paintwork and the results achieved.

在这里看抛光剂使用背后的理论，到底是怎么一回事，我们如何用好的抛光机和好的使用技巧来达到好的效果。

I'll dig like a psychotic rodent if I have to.

那我就帮你挖到中国去。