威尼斯

Girolamo de Fornariis subjected to examination the polemic of Pomponazzi with Augustin Nifi (Bologna, 1519); Bartolommeo de Spina attacked Cajetan on one article, and Pomponazzi in two others (Venice, 1519); Isidore of Isolanis also wrote on the immortality of the soul (Milan, 1520); Lucas Bettini took up the same theme, and Pico della Mirandola published his treatise (Bologna, 1523); finally Chrysostom Javelli himself, in 1523, composed a treatise on immortality in which he refuted the point of view of Cajetan and of Pomponazzi Chrysostomi Javelli,"Opera", Venice, 1577, I-III, p.

吉罗拉莫德fornariis受到考试论战的蓬波纳齐与奥古斯丁nifi （博洛尼亚， 1519 ）； bartolommeo德脊柱攻击cajetan对一的文章，和蓬波纳齐在另外两个（威尼斯， 1519 ）；伊西多尔的isolanis也写就了不朽的灵魂（米兰， 1520 ）；卢卡斯bettini了同样的主题，和微微的梅兰多拉发表论文（博洛尼亚， 1523 ）；终於金口javelli自己，在1523年，组成一伤寒论神仙在他反驳的角度来看， cajetan和蓬波纳齐（ chrysostomi javelli ，"戏曲"，威尼斯， 1577年，我第三次，第52页）。

Public lots in Mestre, a mainland part of the municipality where people park and take the bus or train to the historic center, filled and were closed. Those who managed to get to Venice surged through the streets like schools of bluefish, snapping up pizza and gelato, leaving paper and plastic bottles in their wake.

梅斯特雷（威尼斯位于本土的一区；一般人都把车停在那里，再搭乘巴士或火车进入富有历史意义的市中心）的公共停车场都爆满关闭；成功进入威尼斯的人像成群的扁参般扫过街道，争抢披萨和义式手工冰淇淋，遗留下包装纸和塑料瓶。

Whilst no documentary evidence exists to support the theory that Caldara was a pupil of Giovanni Legrenzi during his time in Venice, it is clear that his musical training, his experience of performances in the innovative musical climate of Venice and the composition of music in three of the genres that were to dominate his compositional output ie opera, oratorio and cantata provided Caldara with a sound basis for his future musical career.

虽然没有文件证据支持的理论，卡尔达拉是在他在威尼斯的时间乔瓦尼莱格伦齐的学生，很明显，他的音乐训练，他的经验在威尼斯音乐创新的气候表演和音乐组成的三该类型的是他的成分占主导地位的输出，即歌剧，清唱剧和大合唱提供了一种对他未来的音乐生涯的良好基础卡尔达拉。

Titian was a Venetian painter and was the most prolific of the great Venetian painters of the western world, a supreme colorist and the father of the modern mode of painting.

提香是威尼斯画家，他在威尼斯画派中也是最多产的，同时他还是最出色的色彩运用家，他是西方现代绘画风格之父。

Members of the Querini boat club row alla veneta, or gondola-style, through the waters of Venice Lagoon during the citys 20th annual Vogalonga, a spirited rowing marathon that covers an 18-mile (30-kilometer) loop from Venice to Burano and back.

在威尼斯的第二十届Vogalonga中，克里尼划艇俱乐部的成员们正在划动着alla veneta穿过威尼斯泻湖的睡眠。Vogalonga是一场激烈的划船马拉松比赛，行程从威尼斯至布拉诺再返回，共达18英里(30公里)。

Bridge of Sighs in Venice extreme is the Municipal Palace, as well as the Republic of Venice, then the Court and the Governor's House seat Bridge of Sighs in Venice subguadratic is then repeated the prison, which is a closed Shilou.

叹息桥的左端是威尼斯的市政宫，也是当年威尼斯共和国法院和总督府的所在地，叹息桥的右端是当年威尼斯的重犯监狱，那是一个封闭的石牢，粗粗的铁栏杆封闭着一个不见天日的地狱，据说进了这个监狱，几乎没有人能够活着出来。

The Venetian merchant fleet ruled the Mediterranean waves and helped supply Venice's glass craftsmen with the technical know-how of their counterparts in Syria, and with the artistic influence of Islam.

中世纪，意大利城市威尼斯大概扮演了西方玻璃生产中心的角色，威尼斯商船队统治了地中海，并帮助威尼斯的工匠们了解到来自受到伊斯兰艺术影响的叙利亚的技术诀窍。

In 1508 the Holy Roman Empire, the pope, France, and Spain combined against Venice in the League of Cambrai and divided the Venetian possessions among themselves, and although Venice reacquired its Italian dominions through astute diplomacy in 1516, it never regained its political power.

在1508年神圣罗马帝国，教皇，法国和西班牙联合对威尼斯的联赛的康布雷和分裂威尼斯它们之间的财产，虽然其重新威尼斯意大利自治领通过精明的外交在1516年，它从未恢复了政治权力。

The Mishnah is extant in many editions, although only the earlier ones can be mentioned here: first edition, Naples, 1492, fol., with the Hebrew commentary of Maimonides; Venice, Justiniani, 1546-50, fol.; Venice, 1549, 4to, with the commentary of Obadiah Bertinoro; Riva di Trento, 1559, fol., with the commentaries of Maimonides and Obadiah; Sabbionetta and Mantua, 1559-63, 4to; Venice, 1606, fol., with the same two commentaries.

该mishnah是尚存在许多版本，虽然只有早前好的可在此提及：第1版，那不勒斯， 1492年，接下来，与希伯来文的评论中的迈蒙尼德；威尼斯，胡斯蒂尼亚尼， 1546年至1550年，接下来；威尼斯， 1549年， 4to ，与评俄巴底亚书bertinoro ； riva迪特伦托， 1559号决议，接下来，与评论的迈蒙尼德和俄巴底亚书； sabbionetta和曼图亚， 1559年至1563年， 4to ；威尼斯， 1606 ，接下来，用同样的两个评论。

The Mishnah is extant in many editions, although only the earlier ones can be mentioned here: first edition, Naples, 1492, fol., with the Hebrew commentary of Maimonides; Venice, Justiniani, 1546-50, fol.; Venice, 1549, 4to, with the commentary of Obadiah Bertinoro; Riva di Trento, 1559, fol., with the commentaries of Maimonides and Obadiah; Sabbionetta and Mantua, 1559-63, 4to; Venice, 1606, fol., with the same two commentaries.

该米示拿是现存的许多版本，但只有以前的可以在这里提及：第一版，那不勒斯， 1492年，奥德耶克。与希伯来文评迈蒙尼德；威尼斯， Justiniani ， 1546年至1550年，奥德耶克。；威尼斯， 1549年， 4to ，以评俄巴底亚Bertinoro ；里瓦娣特伦托， 1559奥德耶克。与评论迈蒙尼德和俄巴底亚； Sabbionetta和曼图亚， 1559年至1563年， 4to ；威尼斯， 1606年，奥德耶克。，同两评注。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。