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威尼斯

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That is true for entire civilisations and also for individual states in their era of most rapid ascendance, as attested by the history of Venice, Portugal, the UK, Germany and the US, among others.

整个文明社会如此,处于最快上升期的单个国家亦是如此,威尼斯、葡萄牙、英国、德国和美国等国的历史便是明证。

His subjects were not the crowded streets of the New York slums painted by the Ashcan School but groups of happy people at their leisure on the beach, in the park, thronging the sunny boulevards of Paris or the bridges of Venice

他的题材不是垃圾箱画派所画的纽约贫民窟乱哄哄的街道,而是在海滩上、公园里,或云集在巴黎洒满阳光的林荫大道和威尼斯大桥上愉快消闲的人群。

His subjects were not the crowded streets of the New York slums painted by the Ashcan School but groups of happy people at their leisure on the beach, in the park, thronging the sunny boulevard s of Paris or the bridges of Venice

他的题材不是垃圾箱画派所画的纽约贫民窟乱哄哄的街道,而是在海滩上、公园里,或云集在巴黎洒满阳光的林荫大道和威尼斯大桥上愉快消闲的人群。

The unforgettable and hopefully unsinkable Venice is tied with that other timeless Italian city, Rome, on the Forbes Traveler 400 list, with: Bauer Hotel, Hotel Danieli, Hotel Gritti Palace, Luna Hotel Baglioni and San Clemente Palace.

令人难忘、永不沉没的水城--威尼斯与另一个意大利永恒的城市--罗马毗邻,列在《福布斯》旅游者400强名单上,包括:鲍尔酒店、达涅利宾馆、格缇宫殿酒店、月神巴廖尼宾馆和圣克莱门特宫酒店。

Act III The Venetian courtesan Giulietta joins Nicklausse in a barcarole.

第三幕 威尼斯交际花茱莉叶塔与尼克劳斯一起唱著船歌。

B minor Barcarolle in E Minor, Op.

威尼斯的船歌 E 小调 O p。

The "Fantasia in F Minor," the "Barcarolle," the "Polonaise Fantasia,""Ballade in A Flat Major,""Ballade in F Minor," and "Sonata in B Minor" were all products of the relaxed time Chopin enjoyed in the country.

F小调幻想曲》,《威尼斯船歌》,《幻想波罗涅滋舞曲》,《降A大调叙事曲》,《F小调叙事曲》,《B小调奏鸣曲》等都是在南部疗养时创作的。

The "Fantasia in F Minor," the "Barcarolle," the "Polonaise Fantasia,""Ballade in A Flat Major,""Ballade in F Minor,""Sonata in B Minor" were all products of the relaxed time Chopin enjoyed in the country.

F小调幻想曲》,《威尼斯船歌》,《幻想波罗涅滋舞曲》,《降A大调叙事曲》,《F小调叙事曲》,《B小调奏鸣曲》等都是在南部疗养时创作的。

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness. One of the most haunting examples is op.

正如华尔兹,玛祖卡舞曲,或者威尼斯的船歌都是除了叙事曲,谐谑曲或者波洛涅兹舞之外易于舞蹈的流派,夜曲却能够突然现露出玛祖卡舞曲的缩影——例如C小调夜曲,NO.20——这样意想不到的并置,就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击,它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness.One of t he most haunting examples is op.

正如华尔兹,玛祖卡舞曲,或者威尼斯的船歌都是除了叙事曲,谐谑曲或者波洛涅兹舞之外易于舞蹈的流派,夜曲却能够突然现露出玛祖卡舞曲的缩影——例如 C 小调夜曲, NO.20——这样意想不到的并置,就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击,它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

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