妾

As a member of the family, a concubine could enjoy the property rights, the right of being supported and the right of heirdom. All of these rights were originated from the laws and customs in Qing Dynasty.

作为家属之一员，妾所具有的私产持有权、被赡养权与一定的遗产继承权等，基本承自清代的法律与习惯。

At a farewell banquet for a group of leftwing foreign visitors in the mid-70s, the young tour guide offered the male traveler sitting next to him a plate of cucumbers and said:"Here, try one of our delicious concubines."

70年代中期，在一个为一批左翼外国游客举行的告别宴会上，这位年青的导游给坐在他旁边的一位男性游客献上一盘黄瓜，说："来，尝尝我们的美味小妾。"

And I took my concubine, and cut her in pieces, and sent her throughout all the country of the inheritance of Israel: for they have committed lewdness and folly in Israel.

20：6 我就把我妾的尸身切成块子，使人拿着传送以色列得为业的全地，因为基比亚人在以色列中行了凶淫丑恶的事。

In 771 BC, after King You had replaced his queen with a concubine Baosi, the capital was sacked by the joint force of the queen's father, who was the powerful Marquess of Shen, and a nomadic tribe, the Quanrong.

在771年后，国王你取代了他的皇后与妾宝溪，被解职的资本的联合部队的支持下，女王的父亲，谁是强大的侯爵沉，和游牧部落，在全荣。

As China neared the end of its imperial era, the dominant symbol of manhood was the polygamous and philandering man, and not only he but also his plural women -- main wife, concubine, and prostitute -- were icons of cultural identity in the face of extinction.

当中国濒临帝国尾声，「男人」的主要象徵就是一夫多妻与风流，而且不止是他，也是他的好几个女人──妻，妾与妓──成为濒临绝种的文化认同图徵。

As China neared the end of its imperial era, the dominant symbol of manhood was the polygamous and philandering man, and not only he but also his plural women-- main wife, concubine, and prostitute-- were icons of cultural identity in the face of extinction.

当中国濒临帝国尾声，「人」主要象徵就是一夫多妻与风流，而且不止是他，也是他的好几个女人─妻，妾与妓─成为濒临绝种的文化认同图徵。

This can help to understand the real reason of the emergence of polygyny.

这对中国传统社会的一妻多妾的婚姻模式的研究也提供了可资借鉴的方法。

Yet there is both straw and provender for our asses; and there is bread and wine also for me, and for thy handmaid, and for the young man which is with thy servants: there is no want of any thing.

19：19 其实我有粮草可以喂驴，我与我的妾，并我的仆人，有饼有酒，并不缺少什么。

Similarly, making use of the tactics, satirically mimics, Zhang Ailing's novel Red Rose and White Rose subverts the myth of the powerful males who are supposed to manufacture the model "angel/devil".

庐隐的小说《父亲》以别具匠心的双重性别叙事，在一个看似普通的子恋父妾的反封建故事中寄予了丰富而深刻的文化内涵，讽刺性地模拟并拆穿男性文本对女性形象"天使/魔鬼"式塑造的心理内幕；张爱玲的《红玫瑰与白玫瑰》也成功利用这一策略，对制造这种女性形象的男性"强者"神话进行了有力的颠覆。

By the special narrative means, double-gender narrating, Lu Yin's short novel The Father not only satirically mimics but also subverts the traditional model of the female characters "angel/devil" in male writers' texts.

庐隐的小说《父亲》以别具匠心的双重性别叙事，在一个看似普通的子恋父妾的反封建故事中寄予了丰富而深刻的文化内涵，讽刺性地模拟并拆穿男性文本对女性形象"天使/魔鬼"式塑造的心理内幕；张爱玲的《红玫瑰与白玫瑰》也成功利用这一策略，对制造这种女性形象的男性"强者"神话进行了有力的颠覆。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失