如画的

Secondly, the nature, as the metaphor of mother, enjoys a gentle body. Maybe because of this, Liu Ming's utilization of pen and ink is of very essential characteristics, namely a reduction in the use of various vigor of painting, for example the use of wrinkled method, while an addition of research and exploration on ink besides the traditional literator painting, for example, the large amount of use of no-born, as well as the correct control of handwriting, enabling his pen and ink to wonderfully match with the feminity of matrix.

其次，自然作为母体的隐喻，其身体是温柔的，也许是由于这一原因，刘鸣在笔墨的运用上也具有非常重要的特点，即在笔墨上减少了各种笔法，如各种皴法的使用，而在传统文人画之外，加大了对墨的试验和探索，如没骨的大量运用，以及笔势的准确把握，使他的笔墨与母体的温柔极其相匹配。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

Your Name Call your name, with the gentlest voice in the world Keep calling day after night.

写你的名字，画你的名字，而梦见的是你的发光的名字：如日，如星，你的名字。

Has your Green Map project created something other than a map, such as a book, product, tour, or other special project directly related to Green Mapping One paragraph, including how the public can get these resources.

您的绿活图计画是否发展出除了地图之外的相关成品，如书、产品、旅游、或者其他与制作绿活图直接相关的特别计画？请以一段文字说明之，包括大众如何可以取得这些资源。

People can also buy paintings featuring Vietnamese fruits, Vietnamese paddy fields, green bamboo and stilt houses.

也可以买得到其他越南特色的画，如越南水果、越南稻田、青竹与高架屋等的画。

The clear water and high cliff constitute a natural landscape painting whose craftsnanship can only be created by spirits.And moreover,the 10km surface calcified landscape,according to some experts,is the only calcifies valley in the esatern china,and qualified to the application foe the world cultural relics.

水清如碧玉，山秀如诗画，有山皆奇，有水皆秀，鬼斧神工，妙境天成，是一幅仙山圣水的自然画卷，自然景观资源十分丰富，其全长10公里的地面钙化景观，被有关专家称为中国东部唯一的钙化型峡谷景观，有资格申报世界文化遗产。

No matter how we could imagine or see the images, we should not misunderstand the images as ambiguous ones purposely created by the author among the small number of paintings mentioned before or other paintings such as "sea horse" or "huge ant"; instead, it should be viewed as the carryover effect of writing operation.

我们也不应该认为那少数画中，或是其他画中，不管我们可以猜想或见到的形像，如「海马」「大蚂蚁」等是作者刻意营造其形象之暧昧，那应该是笔迹运作的后遗效应。

Mr. Xi has conquered these difficulties with his iron-hard will and lives his life in his own way, painting his understanding of life and the world in his paintings.

他如一个&画痴&一般，以天为盖地为庐，以笔写心，以墨代笔，以铁一般的意志傲视苦难，终於在挥毫泼墨间画就了自己洒脱的人生。

Which he showed the Royal Academy in 1833, which looks across the lagoon, depicts all the famous architecture, like the Saint Marco Square, Bridge of Sighs

透纳的这幅画1833年在皇家美术学院展出。我们从画中可以看到环礁湖对面的名胜古迹，如圣马可广场、叹息桥等

In my novel, My Name is Red, when I wrote about the old Persian miniaturists who had drawn the same horse with the same passion for so many years, memorising each stroke, that they could recreate that beautiful horse even with their eyes closed, I knew I was talking about the writing profession, and my own life.

在我的小说《我的名字叫红》中，当我写到那个老波斯画家以一种不变的热情长年画着一模一样的马，一笔一画都能倒背如流，闭着眼睛也能画出那些漂亮的骏马。我知道我在谈论写作的职业化，和我自己的生活。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。