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This is obviously a huge departure for me as an actor, but Equus is such an amazing play that this really was an opportunity not to be missed.

这明显地是如一个演员的我极大的离开,但是 Equus 真的是如此的一令人惊异的游戏以致于这一个机会是不被错过。

The same holds also in regard of the federative power, that and the executive being both ministerial and subordinate to the legislative, which, as has been shewed, in a constituted common-wealth is the supreme.

在考虑外交权力的时候也是这样,外交权力与执行权力都是政府权力并从属于立法权力,立法权力,如已经说明的,在一个已建立的共同体中是最高权力。

But I was still excited at that time. I can remember that therewas an old worn-out hooker, grounded on the beach. Its sail was hauled down, leavinga bare mast piercing into the sky lonely; and there were many little crabs staying in the sand. The forane sky was dark and deep. Awaiting the next high tide, the seawater surged anxiously, like a huge wing raising up and beating down forcefully, catharsising the anxiety accumulated in a long time. The aesthetic and decadencefeelingof the movement was beyond description; thespoondrift bursting out was smashed to pieces, like fluff torn from the wings. Water vapor danced all over the sky, not blowed on the face, rather enwrapped the whole body. The fishy sea wind bored intoone's lungs without notice to finish the baptism of sea for you.

不过当时也仍然让我兴奋不已,记得沙滩上搁浅着一只破旧的渔船,船上的帆被卸下耷拉在一边,剩着一根光秃秃的桅杆刺向天空;也有许多小螃蟹在沙里歇息,远处的天边昏暗深沉,即将涨潮的海水涌动不安,如一只巨大的鸟儿翅膀一般有力的掀起又拍下,宣泄着已经蕴含很久的力量,那动作的优美和颓废感真不是言语所能表达;迸出来的浪花极细碎,仿若被从翅膀上撕下的细绒,水汽漫天飞舞,不是扑面而来,简直是把人整个的包裹住,带着腥气的海风不由分说地钻入肺叶,以完成大海对你的洗礼。

However, Post-Modernism itself hasn't combined form and perfectly. Ultimately, it is resulted from natural defect caused by garbling and compromise. The style turns into "Decoratedshed" which faded away in 90th. However, I believe that Post-Modernism is comparatively acceptable in boundary science such as relationship among architecture, human beings and nature, and also on the topic of urban development.

但后现代主义自身也并未真正解决形式与功能的所谓完美结合,究其根本,我认为是在于其形式感上的断章取义和不得已的折衷理论所造成的天生缺陷,其风格变成了&一张装饰的皮&(Decoratedshed《历史主义不是一种类型》波菲罗斯)因此在90年代终于衰退,但是我觉得后现代主义在一些边缘科学如建筑、人、自然的关系、城市文脉等议题上的研究是相当可取的。

Also, some are carnivorous, some graminivorous, some omnivorous: whilst some feed on a peculiar diet, as for instance the bees and the spiders, for the bee lives on honey and certain other sweets, and the spider lives by catching flies; and some creatures live on fish. Again, some creatures catch their food, others treasure it up; whereas others do not so.

同样的,一些是食肉的,一些是食草的,一些是杂食的:同时一些吃特定的食物,如以蜜蜂和蜘蛛为例,因为蜜蜂靠蜂蜜和某些其他甜食生存,蜘蛛靠捕捉苍蝇生活;一些生物靠吃鱼生活,此外,一些捕捉食物,一些收藏它们;然而其他动物不这样做。

This is an important distinction, since certain conditions are or may be hypopigmented such as tinea versicolor, nevus anemicus, leprosy, hypomelanotic macules of tuberous sclerosis, hypomelanosis of Ito, seborrheic dermatitis, and idiopathic guttate hypomelanosis.

比正常皮肤颜色浅的斑片可能是完全或部分丧失了色素,这是一个重要的特征,因为某些疾病可能是色素减少的,如花斑癣、贫血性痣、麻风、结节性硬化性色素减少性斑疹、伊藤黑素减少症、脂溢性皮炎、特发性点滴状色素减少症。

Patches lighter in color than the normal skin may be completely depigmented or have lost only part of their pigment. This is an important distinction, since certain conditions are or may be hyposigmneted such as tinea versicolor, nevus anemicus, leprosy, hypomelanotic macules of tuberous sclerosis, hypomelanosis of Ito, seborrheic dermatitis, and idiopathic guttate hypomelanosis.

比正常皮肤颜色浅的斑片可能是完全或部分丧失了色素,这是一个重要的特征,因为某些疾病就可能是色素沉着减少的,如花斑癣、贫血性痣、麻风、结节性硬化性低色素性斑疹、伊藤黑素过少症、脂溢性皮炎、特发性点滴状色素减少症。

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时,音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌,这是我们所见 Norbu 参与到第一次盗马时所弄倒的; Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景,用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用,就这样含糊地改变了我们对他孤立的感受;Norbu用水壶接住融化的雪缓慢滴落下来的水,这是要带回去给他生病的小孩;复杂结构的场景展现了宗族的西迁,总之,佛教庆典和仪式的描写,其本身形式就很像音乐结构。

Sport intuition has some characters such as rapidness, probability, directness, situational, difference among sport levels, limitation for information, intuition process with the self-confidence to the veracity of results.(3) Sport intuition belongs to the hypogenous concept of intuition, which is an advanced level of cognation skill and has a special status in the sport thinking.(4) There are level difference, individual difference, group difference and development difference in the sport intuition.(5) The influence factors sport intuition include the social and acquired factors, the biological factors and the situational factors.

本研究初步建构了运动直觉的理论,提出了一些观点与认识,如:1运动直觉是个体在复杂的运动情境中,根据有限的信息,对问题进行直接地和迅速地解决的思维。2运动直觉具有直接性、快速性、或然性、情境性、运动水平差异性、信息受限性和直觉过程伴随着对结果正确性的自信心等特点。3运动直觉是独立的直觉的下位概念,是认知技能的较高水平,在运动思维中占有着独特的地位。4运动直觉存在着运动水平差异、个体差异,项群差异和发展差异。5运动直觉的影响因素包括社会性与习得性因素、生物性因素和情境性因素。

G. speech perception and understanding. These stages are described and interpreted in terms of the findings from recorded corpus and questionnaires in education. As for speech production, students' speech motives are explored in detail. Speaker's speech intention is interpreted in connection with listener's reception of it. Findings are presented to show that, in the course of formulating speech plan, the previous sentences is often processed, the construction of sentence is a process of accumulative expansion of speech items through sequential or inversive appending or insertion, and the interaction between long-term and short-term speech plans often occurs.

本文运用录音语料、问卷调查材料具体分析了师生在言语生成、言语理解各阶段的特点和规律:在言语生成方面,本文探讨了学生的言语动机及其分类;结合言语意图的领会考察了言语意图;发现在制订言语计划过程中,常常出现对所听话语的处理加工,语句的建构是一个语项累加扩展过程,这种累加可以是顺序的,也可以是插序或倒序的,言语计划的制订还表现为预定计划与即时计划的相互作用;考察了言语计划执行过程中的一些现象,如制订计划与执行计划的交替、执行计划的中断等,并分析了产生这些现象的原因。

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