如是

If the good springwater of local mountains, it is better. The good mountain spring watermust measure up with six main factors "Clear, light, pure, sweet, alive,clean and cold". Pure is limpid and transparent; light is that the aqueoussurface tension is strong; sweet is melon and tasty; alive is a flowingwater rather than stagnant water; clean is no pollution; cold is cool.

如本地能找到上佳山泉水，那就更好，好的山泉必须符合&清、轻、甘、活、洁、洌&六个要素，清是清澈而透明，轻是水的表面张力大，甘是甘甜可口，活是活水而非死水，洁是清洁无污染，洌是冷洌。

Pure is limpid and transparent; light is that the aqueous surface tension is strong; sweet is melon and tasty; alive is a flowing water rather than stagnant water; clean is no pollution; cold is cool.

如本地能找到上佳山泉水，那就更好，好的山泉必须符合&清、轻、甘、活、洁、洌&六个要素，清是清澈而透明，轻是水的表面张力大，甘是甘甜可口，活是活水而非死水，洁是清洁无污染，洌是冷洌。

In proof of this interpretation, examples are quoted from scripture, as:"The seven kine are seven years"(Genesis 41:26) or:"Sara and Agar are the two covenants"(Galatians 4:24), Waiving the question whether the verb "to be" of itself can ever be used as the "copula in a figurative relation" or express the "relation of identity in a metaphorical connection", which most logicians deny, the fundamental principles of logic firmly establish this truth, that all propositions may be divided into two great categories, of which the first and most comprehensive denominates a thing as it is in itself (eg "Man is a rational being"), whereas the second designates a thing according as it is used as a sign of something else (eg,"This picture is my father").

在证明这一点的解释，例如引述经文为：&七凯恩斯是七年&（创41：26 ），或者：&萨拉和琼脂是两个人权公约&（加拉太4时24分），免收问题是否动词&，以&的本身都不能被利用为& Copula的一种形象化的关系&或表述&的关系，身份，在一个隐喻性联系&，其中最logicians否认的，基本原则的逻辑，牢固树立了这个真理，即所有的主张，可分为两个大类，其中第一和最全面的denominates一件事情，因为这是在自己（如：&人是一种理性的&），而第二指定事据，因为它是用来作为标志的东西，别人（例如，&这张照片是我爸爸&）。

A bachelor sees the sky clear blue, though the blue sky sometimes looks gloomy;A bachelor has great degree of freedom, though it's often accompanied by loneliness;A bachelor lives a free and easy life, though such life is inevitably boring at times;And he feels blessed when thinking of someone, overjoyed to an extend of feeling low…Under the same blue sky, there are many people who care for you, you may feel gloomy but you have our sincere friendship;The loneliness of freedom is not rejected by those who learn to live life to the fullest;Boredom is not necessarily the product of a free and easy life;Someone is ready to share your burden when you experience the lovesick, as all your little thoughts, like drizzles, have been captured into his heart.

你说：一个人的天空很尉蓝，蓝得有点忧郁；一个人的时候很自由，自由得有点孤单；一个人的日子很轻松，轻松得有点无聊，而想念一个人的时候很幸福，幸福得有点难过……我想说：一个人的天空是很蓝，但同一片天空下有你也有我更有许多关心你的人，哪怕忧郁是莫名，但情感却是真诚的；一个人的时候是很自由，而这份自由中的孤单只有懂生活的人才能承受吧；一个人的日子是很轻松，而无聊却并不是因为你偶尔的轻松所形起；想念一个人的时候很幸福，而这一份小小的不知名的难过必定会有人分担，因为你所有的想念必定会如细雨一般，脉脉丝丝沁人心脾

Black dress with the tights underneath i've got the breath of a last cigarette on my teeth and shes an actress but she ain't got no need she's got money from her parents in a trust fund back east t-t-t-tongues always pressed to your cheeks, while my tongue is on the inside of some other girl's teeth tell your boyfriend if he says hes got beef that i'm a vegetarian and i ain't f**king scared of him she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me x's on the back of your hands wash them in the bathroom to drink like the bands and the set list you stole off the stage has red and purple lipstick all over the page b-b-b-bruises cover your arms shaking in the fingers with the bottle in your palm and the best is no one knows who you are just another girl, alone at the bar she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me shush girl, shut your lips do the helen keller and talk with your hips i said shush girl, shut your lips do the helen keller and talk with your hips i said shush girl, shut your lips do the helen keller and talk with your hips she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me

4楼黑色连衣裙下面我有我的牙齿上的烟一口气，畲族女演员，但她没有得到任何需要她有自己的父母要钱，在一个信托基金，返回东部当前位置：主页，舌头总是催促你的紧身衣脸颊，而我的舌头上的其他一些女孩的牙齿里面是告诉你的男朋友，他说，如果住户开支统计调查了牛肉，我是一个素食主义者，我不是f **国王害怕他，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇噢哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩也不会相信我，她要碰我，哇噢，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩将不信任我X在您的手心和手背的洗他们在浴室里喝，如乐队和设置列表你偷了所有在网页血脑屏障的阶段，红色和紫色唇膏，瘀伤支付您的武器与摇瓶你的手指手掌和最好的是没有人知道你是谁，只是一个女孩，在酒吧，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢敦单'吨信任浩从来没有信任浩不会信任浩，cuz一议员不要信任我，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩也不会相信我舒什姑娘，你的嘴唇关闭海伦凯勒做你的臀部和我谈话说舒什女孩，关闭你的嘴唇做海伦凯勒你的臀部和我谈话说舒什女孩，关闭你的嘴唇做海伦凯勒和她谈谈你的臀部要碰我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩将不信任我&歌词真没品&

The whole concert was like a stage play. She talks about the time she listened to her mother singing up to her latest album. The concert starts with Mavis Fan's mother singing a jazz piece.(Her mom was also a professional singer.) She came out to the stage holding the hand of a young Mavis. Then she came out and sang many of her old favorites. Li Chuan also came out as a special guest. This certainly came as a surprise. Before she got to singing "The Present", she hadn't said a word. All she did was sing. Then she had begun cutting her hair on stage as her way of describing a new "her". Then she said she couldn't speak because she has been her old self after all this time.

整个演唱会就如一个舞台剧，是讲述她小时候听萱妈演唱开始直到最近的专辑，一开始是由萱妈演唱 jazz 歌曲，(萱妈也是一个专业的歌手)，带著小时候的小晓出来，接著她便出场，一口气演译了多首她耳熟能详的旧作，中间还邀请到李泉作特别嘉宾，这也是一个惊喜，在演出到&现在&前，她是一直没有说话，只是一直唱，到后来更在台上剪发，是来形容一个新的她，跟著她便说因为她一直在演以前的自己，所以不能说话！

So there is an idea bourgeoned in my mind, which is to use the traditional painting to express the new appearance of Beijing.

于是我开着车跑遍了北京城，去寻找最佳的表现北京新貌的景观，西直门立交桥，夜景的长安街，都是我热衷描绘的景点，传统的水墨画的弱点是不容易塑造具象的东西，于是我在宣纸和毛笔作为主要媒材的同时加入了丙稀色和排刷，希望能拓宽水墨的表现领域，在保持着线条和水墨韵味的基础上增加了色彩的力度，闪烁的霓虹，华灯初上，行人如织，车水马龙，北京正一步步的向国际化大都市迈进，把北京每前进一步的印记用绘画的形式记录下来，也是人生一大快事，怀着对北京的神圣感情，用纸和画笔，从一个画家的独特视角出发，将北京的景观、尤其是不太被人注意的人文景观留下来，是我一生的夙愿。

Also, as a result of commendams for monasteries, the monasteries themselves (as experience, a practical mistress, has quite often taught) are seriously damaged in spiritual and temporal matters because their buildings fall into decay, partly through the negligence of the commendatories and partly through greed or lack of interest, divine worship is gradually reduced, and matter for contempt is generally offered especially to secular persons, not without a lessening of the standing of the apostolic see, from which commendams of this kind originate.

此外，由於commendams的寺庙，寺庙本身（如经验，实际的情妇，也常常教）是在精神受到严重破坏和时间问题，因为他们的建筑落入衰退，部分是通过的疏忽，部分的commendatories通过贪婪或缺乏兴趣，神崇拜逐渐减少，问题是一般的蔑视提供特别是向世俗的人，不是没有减少常设使徒见，其中commendams这种起源。

For example, if Sally is a physical object, as physicalists suppose, then it is very plausible for them to suppose further that she is essentially a physical object—but it is controversial whether they are right to suppose that she is a physical object. And, of course, the same thing can be said, mutatis mutandis, concerning dualists and the property of being a non-physical object.

对于哲学家提供的本质上持有一个属性的例子，通常都是会有争议的，但是这很大情况下是因为似乎最合理的例子（某东西本质上持有某属性）仅仅是和&都含有该属性&的例子等合理性，例如，如果张三是一个物理客体，如物理学家所假设的，那么假设她在本质上是一个物理客体就似乎是合理的；当然，对于二元论者来说，稍微修正一下，本质上是非物理客体。

In order to find the perfect vacation there needs to be constraints: where you've been before, who you are going with, what you like to do, what is your budget, etc. Finding the "perfect" vacation is not a one shot deal, it is a process, which leverages iteration and memory.

在以找到最完美的休假，有需要加以限制：如您已之前，你是谁去，什么你喜欢做的，什么是您的预算，等找到了&完美&休假是不是一个一杆处理，这是一个过程，利用迭代和记忆。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。