如是

On the other hand utterances of Severus which make Christ's sufferings voluntarily permitted, rather than naturally necessitated by the treatment inflicted on His Body, might perhaps be defended by the consideration that from the union and consequent Beatific Vision in the Soul of Christ, would congruously ensue a beatification of the Soul and a spiritualizing of the Body, as was actually the case after the Resurrection; from this point of view it is true that the possibility of the Humanity is voluntary (that is, decreed by the Divine will) and not due to it in the state which is connatural to it after the union; although the Human Nature is of its own nature passible apart from the union St.

另一方面言论的塞维鲁，使基督的苦难允许自愿，而不是自然所必需的治疗对他的身体，或许可以捍卫的审议，从工会和由此幸福的远景在基督的灵魂，将随之congruously 1宣福灵魂和spiritualizing的机构，如实际情况后复活，从这个角度看这是事实的可能性人性是自愿的，而不是由於它在该州是它固有的工会后，虽然人的本质是其本身的性质passible除了工会（圣托马斯岛，三，问：十四，字母a。

Though most all early electronica was danceable, by the beginning of the '90s, producers were also making music for the headphones and chill-out areas as well, resulting in dozens of stylistic fusions like ambient-house, experimental techno, tech-house, electro-techno, etc.

虽然多数早期的电子乐可用来跳舞，但是到了1990年代初，制作人也制作用来专门欣赏和在"放松区"（编者注：chill-out表面含义是放松，在这里指的是在俱乐部中设置的专门让舞者或者不爱跳舞的人休息聊天的专用区）中播放的音乐，其结果是产生了成打的融合音乐风格，如ambient-house（编者著：Brian Eno是ambient的鼻祖，这种音乐的特征是注重音乐与背景声场的匹配），试验techno，tech-house，electro-techno等等。

In fact, a dip in the scientific fluoride literature is like diving into a very muddy pool, reminiscent of the 'smoking is not really bad for you' or 'climate change isn't really happening' debates of recent decades.

事实上，一个浸在科学氟化物文学是如潜水到一个非常泥泞池，使人想起'吸烟是不是真的不好，你'或'气候变化是不是真的发生'的辩论，最近几十年来。

Encore The Black Album FUCK THE ROCK VERSION, THIS IS THE REAL SHIT Lyrics by Will Tian Thank you, thank you, thank you, you're far too kind Now can I get an encore, do you want more Cookin raw with the Brooklyn boss So for one last time I need y'all to roar Now what the hell are you waitin for After me, there shall be no more So for one last time, nigga make some noise Who you know fresher than Hov'? Riddle me that The rest of y'all know where I'm lyrically at Can't none of y'all mirror me back Yeah hearin me rap is like hearin G. Rap in his prime I'm, young H.O., rap's Grateful Dead Back to take over the globe, now break bread I'm in, Boeing jets, Global Express Out the country but the blueberry still connect On the louvre but the yacht got a triple deck But when you Young, what the fuck you expect? Yep, yep Grand openin, grand closin God damn your man Hov' cracked the can open again Who you gon' find doper than him with no pen just draw off inspiration Soon you gon' see you can't replace him with cheap imitations for DESE GENERATIONS Can I get an encore, do you want more What the hell are you waiting forrrr?*sighs* Look what you made me do, look what I made for you Knew if I paid my dues, how will they pay you When you first come in the game, they try to play you Then you drop a couple of hits, look how they wave to you From Marcy to Madison Square To the only thing that matters in just a matter of years As fate would have it, Jay's status appears to be at an all-time high, perfect time to say goodbye When I come back like Jordan, wearin the 4-5 It ain't to play games witchu It's to aim at you, probably maim you If I owe you I'm blowin you to smithereeens Cocksucker take one for your team And I need you to remember one thing I came, I saw, I conquered From record sales, to sold out concerts So muh'fucker if you want this encore I need you to scream,'til your lungs get sore This man is MADE! He's KILLIN all y'all jive turkeys Do y'all want mo

情感的禁区刘德华曲：天野滋词：陈浩贤街中飘雨车蓬半开我心湿透水独自飞驰追忆挥不去忧虑当天的我不曾爱惜你痴心暗许常令你独垂泪弄得爱路极崎岖今天的你已跟他去心已被窃取孤单的我只有叹唏嘘踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区街灯映照车头撇湿满窗的雨水就象我心头抑郁心中满苦泪车厢中我心神更加仿佛空虚连夜我未能睡内心悔恨如有罪当天的你已消失去心若冷水今天的我只有叹唏嘘愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区今天的你已跟他去心已被窃取孤单的我只有叹唏嘘踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区本站歌词来自互联网本站歌词来自互联网。。。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he''''s know as the globetrotter Lonely roads, God only knows He''''s grown farther from home, he''''s no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don''''t want him no mo, he''''s cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it''''s old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I''''ma change what you call rage Tear this motha****in roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody''''s payin the pied piper All the pain inside amplified by the fact That I can''''t get by with my 9 to 5 And I can''''t provide the right type of life for my family Cuz man, these goddam food stamps don''''t buy diapers And it''''s no movie, there''''s no Mekhi Phifer, this is my life And these times are so hard and it''''s getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama''''s screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I''''m like a snail I''''ve got to formulate a plot fore I end up in jail or shot Success is my only motha****in option, failure''''s not Mom, I love you, but this trail has got to go I cannot grow old in Salem''''s lot So here I go is my shot.

它只变比较难，只变比较热他在这些之上吹我们全部引人注意在他身上是全部沿海岸而行沿海岸而行表演，他''''s 知道如世界观光旅行家孤单的道路，上帝只知道他''''s 长大的更远从家，他''''s 没有父亲他回家而且几乎不能认识他自己的女儿但是支撑这里的你的鼻子 cuz 去冷水他的老板君''''t 想要他没有 mo，他''''s 寒冷产品他们转移至流动的下 schmoe 他嗅到鸽子而且卖 nada 因此连续剧被告诉而且展开我推想它''''s 旧的 potna，但是打继续 Da da dum da dum da da 你最好在音乐方面失去你自己，片刻你拥有它，你更不再让它去你只拿注射，不失踪你的机会吹这一个机会在终生的 yo 中被提出一次你最好在音乐方面失去你自己，片刻你拥有它，你更不再让它去你只拿注射，不失踪你的机会吹这一个机会在终生的 yo 中被提出一次没有较多的游戏，我''''妈变化什么你呼叫发怒流泪这 motha****在屋顶中走开相似的 2只狗关进笼内我在 beginnin 中是 playin，心情全部改变了我被嚼碎和唾液出自和离开阶段发出嘘声但是我保持了 rhymin 和 stepwritin 下一个零最好相信某人''''s payin 斑驳的吹笛者所有的痛苦内部藉着事实扩大了我能''''t 经过由于我的 9 到 5 而且我能''''t 为我的家庭提供正确类型的生活 Cuz 男人，这些 goddam 食物邮票君''''t 买尿布而且它''''s 没有电影，在那里'''' s 没有 Mekhi Phifer，这是我的生活而且这些时代如此难和它''''s 变得平坦比较难 Tryin 喂而且加水给我的种子，加号见到被追赶 bein 一位父亲和主要的 donna 的不名誉纵容妈妈戏剧''''s screamin 在和之上太很多的我而无法想要到留在一个地点，另外的一罐果酱已经扼要得到我，我''''m 喜欢一个蜗牛我''''ve 开始制定一个情节在前的我在监牢或注射中结束成功是我的唯一的 motha****在选项，失败''''s 不妈妈，我爱你，但是这一条踪迹已经开始去我不能够在沙连'''变旧's 运气因此我去在这里了是我的注射。

There is some Chinese tradition in works of Xieda, esp. ancient characters. Chinese ancient characters are hieroglyphic, which abstract from life. Xieda transfers some factors of hieroglyph into his works with creativity. What is called to find the origin of China or the orient is to find the thinking pattern of this nation.

我在解读的过程中，觉得还是有一些中国传统的东西，尤其是上古的文字，如金文、甲骨等这一类古文字的形态，中国的古文字是以象形文字为主的，而象形文字实际上是从生活当中抽象出来的，这个抽象的过程实际上已经是非常精炼的，在中国古代，文字就是一个最直接的抽象艺术，燮达把它转化过来，转化到他的作品当中，却又不是很机械的模仿，而是把它的一些因素转化过来，使得作品有这种象形文字的感觉。

L,the SCHENECTADY COUNTY CLERK ,Clerk of the County of Schenectady ,and also Clerk of the Supreme and County Courts ,being Courts of Record held therein,do hereby certify that michoc'J Love whose name is subscribed to the Certificate of acknowledgment or proof of the annexed instrument ,and thereon written ,or whose name is subscribed to the annexed instrument ,and thereon written ,or whose name is subscribed to the annexed jurat,,was at the time of taking such acknowledgment,or proof,or of administering such oath oraffirmation ,a Notary Public –commissioner of Deeds in and for said County ,residing therein ,duly commis-sioned and sword and authorized by the laws of the State of Now York to take the acknowledgments an sworn and proofs of deeds of conveyances ,for land,tenements,or heredita-ments and to administer oaths or affirmations in said County ,And further,that I am well acquainted with the handwriting of said officer and verily believe that the signature to said jurat or certificate of acknowledgement or proof is genuine

l时， schenectady县秘书，秘书的县schenectady ，也是秘书的最高人民法院和县法院，法院的纪录，因此，特此证明michoc'j爱他的名字是订阅了该证书的确认或证明对所附文书，并就此写，或他的名字是认购所附文书，并就此写，或他的名字是认购所附朱拉特，，当时的考虑，如确认，或工作证明，或管理这类宣誓oraffirmation ，公证机构-专员的事迹，并表示，县，居住的地方，适当处长sioned和剑，并授权由该州的法律制定的，现在纽约采取认知，一种宣誓和实证的事迹运输工具，为土地，物业单位，或heredita 1912年和管理宣誓或誓词中说，县，并进一步，我熟悉的笔迹的表示，官に相信签字，以表示，朱拉特或证书的确认或证明是真实的

The special accounting environment of the real estate industry is the accounting environment the real estate industry faced with, which is different from the other industries'. It is included in three aspects: The first is the characteristics of the real estate industry, such as the heterogeneity of the products, the independence of the development activity, the long operation cycle, the complex exchange procedure and mode, and etc. The second is the juristical environment of the real estate industry, including the title system of land and house and administrative and juristical controlling of the real estate development.

房地产特殊会计环境是房地产业所面临的有别于其他行业（主要是与一般工业企业比较）的会计环境，其内容包括三个方面：一是房地产开发经营业有别于其他行业的固有特点，如产品的异质性、开发经营活动的单件性、经营周期长、交易程序和交易方式复杂等等；二是房地产开发经营业的法律环境，包括土地和房屋的产权制度以及房地产开发经营的行政法律管制；三是房地产开发经营业的历史和现状发展水平。

Fig. 5 Hung with a chain around one's neck, the bitmap image shows a real time animation of Bitman trying to keep his balance in the swinging world. By shaking the "jewelry" one can make Bitman dance.ix The movement of the digital bitmap character is created in real time as the embedded sensors detect acceleration and tilting of the panel. The product is commercially available along with other goods developed by the artists. The distributor of the piece is Yoshimoto Kogyo Inc., the king of Japan's entertainment business, which hires most of the standup comedians appearing on Japanese TV. Nobumichi Tosa himself (who leads Maywa Denki as its "CEO") is officially an employee of Yoshimoto, although he recently separated some of his activities from the company.

一个象素化的男人的影像，由7x7的塑胶骨架跟8x8的母体由LED灯所构成(如图5)，戴起一条鍊子在脖子上，那个Bitman人像表现出即时动作，像是试图保持自己在摇晃中的世界的平衡，只要你摇动他你可以让他跳起舞来，他的动作是被即时超连结加速侦测的感测器和倾斜面板创造出来，这项产品是可以与艺术家的其他作品一起被出售的，发行者是Yoshimoto Kogyo Inc在日本做娱乐事业，他们雇用高等的电视喜剧演员，土佐信道在这个公司里是CEO，不过他最近很少参与公司的活动。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。