如山的

It doesn't mean you are accumulating a mountain of debt.

这并不表示你的债务累积如山。

In the east of the green meadow yuecheng bear fruit in the sea, like a mountain, the butte.

在熊岳城东那片碧绿如海的果林中，有一座山，孤峰突起。

Said fatherly like a mountain, is the world's most heavy love.

都说父爱如山，是世上最厚重的爱。

This headland as a mountain, if your friends and yourself.

这如同一座山岬，也如你的朋友和你自己。

This headland as a mountain, if

这如同一座山岬，也如你的朋友和你自己。

His saddle horse is a giant like mountain whale.

他的坐骑是一头巨大如山鲸鱼。

They suffered a shellacking at the hands of a vastly superior opposition.

敌人占有明显的优势，他们是兵败如山倒。

I , like a bank rugged and steep , stand speechless and stock-still and darkly gaze at you .

我像崎岖而陡峻的堤岸，缄口无语，沉默如山，阴郁地注视着你。

Southwest Houston resident Rushan Gao is an 88-year-old, twice-married father of three and grandfather of one who has six stents in his heart and more than 80 gold medals to his name.

休士顿西南区居民高如山是一位89岁结过两次婚，有三个孩子和一个外孙的长者，他有6个支架在心脏里及80多块奖牌。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。