好得多

We go out of the council-chamber talking and laughing,felling more relaxed than we come there.

我们大伙有说有笑的走出了会议室，心情要比进入会议室的时候好得多。

A crib can seem huge to a newborn, so you might find that he sleeps much better in the coziness of a smaller space.

1婴儿床可以似乎庞大的一个新生儿，所以你可能会发现他睡好得多，在舒适的一个较小的空间。

I'd druther they was devils a dern sight.

我倒情愿他们都是鬼，鬼都比他们好得多。

"No, no," continued Danglars;"if we resolve on such a step, it would be much better to take, as I now do, this pen, dip it into this ink, and write with the left hand (that the writing may not be recognized) the denunciation we propose."

"不行，不能这样做！"腾格拉尔继续说，"但是假如我们决定采取我现在所说的这个办法，那就好得多了，只要这支笔，蘸着这瓶墨水，用左手（那样笔迹就不会被人认出来）写一封告密信就得了。"

"If we resolve on such a step, it would be much better to take , as I now do, this pen, dip it into this ink, and write with the left hand (that the writing may not be recognized) the denunciation we propose."

腾格拉尔继续说，"但是假如我们决定采取我现所说的这个办法，那就好得多了，只要这支笔，蘸着这瓶墨水，用左手（那样笔迹就不会被人认出来）写一封告密信就得了。"

"No, no," continued Danglars; if we resolve on such a step, it would be much better to take, as I now do, this pen, dip it into this ink, and write with the left hand (that the writing may not be recognized) the denunciation we propose.

"腾格拉尔继续说，"但是假如我们决定采取我现在所说的这个办法，那就好得多了，只要这支笔，蘸着这瓶墨水，用左手（那样笔迹就不会被人认出来）写一封告密信就得了。

In each of these cycles, the artist's imagined beasts are interspersed with robots and more prosaic livestock including sheep and cows, forcing the animation an awkward temporal space that could perhaps best be described as a dreamscape of the present.

在上述的每个情节中，艺术家的想象力对机器人、甚至平凡如羊啊、牛啊之类的家畜产生了兴趣，艺术家赋予《新山海经II》的看上去有些别扭的时空感，比描绘梦幻的情景来的好得多。

Far better then the Dumas Akula did for me.

好得多，然后杜马akula没有为我。

And it were a abundance nicer way to HAs those unpleasant exalter.

而且比让人不愉快的沟通办法好得多。

This is exasperating, since a vastly superior solution is available.

这种局面令人痛心，因为好得多的解决方案是存在的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。