她的

If she mentions that she does not like her job, say, It's hard to work in those conditions.

如果她提到，她不喜欢她的工作，说：这很难在这些工作条件。

I will not be miffed at my human all day and then kiss her on the nose at 2:00 a.m. to tell her that she is forgiven and can now pet me.

我不会在生了猫奴一天气后，在凌晨两点亲她的鼻子，以告诉她她已被原谅了并该是爱抚时间了。

And he touched her hand, and the fever left her, and she arose and ministered to them.

就摸了她的手，热症就从她身上退了。她便起来伺候他。

You may be afraid that she will not forgive you or trust. She can be more trusting and forgiving if you are caring and understanding of her hurt.

你可能会害怕她不原谅你或不相信你，但你如果关心及了解她的伤害，她会更相信你，更容易原谅你。

Her comment reminds me of a minister's wife – a white woman– who said she didn't like seeing me and my husband because she just didn't like to see her race muddied.

她使我想起了一位部长的妻子-一个白人妇女，她说她不喜欢看到我和我的丈夫，因为她只是不希望见到她的种族更加难以捉摸。

After a month of burying the statue all over her lawn, she had no nibbles and in disgust put the statue out in her trash.

她把雕像埋进了她的草坪，一月之后，她未得到任何购买信息，于是便将雕像仍进了垃圾堆。

She had nursed her father in that room when she had been but a baby.

她在那个房间护理她的父亲，那时她还是只是个孩子。

She was so outshone publicly by her husband that,as his widow,she could scarcely credit that people might want to come and visit her for her own sake.

在公众心目中，她的丈夫的名声比她大得多。因此，在守寡以后，她根本不相信人们会为了她的缘故来探望她。

Among her literary friends were Aldous Huxley, Virginia Woolf, who considered her overpraised, and DH Lawrence, who later turned against Murray and her.

在她的文学朋友们赫胥黎，弗吉尼亚伍尔夫，谁认为她过奖，和DH劳伦斯，谁对穆雷和后来变成她。

She yawned; she palavered and ended by opening the door to a tall, burly fellow with an unkempt beard, who said to her: Show your hands!

她思量着，不管怎样，如果警察把她的名字写到登记卡上，她就是明娼了，不必这样心惊肉跳地逃避警察了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。