她的

She has hewn her seven pillars; she has immolated her victims, mingled her wine, and prepared her table.

她有她的七个hewn支柱；她殉葬她的受害者，她的葡萄酒混合，并准备她的桌上。

At the same time, she felt impelled to make plain of her position.

同时，她感到她忍不住要把她的态度说明白。

Later, she claims he sexually exploited her, gave her herpes and impregnated her.

后来，她起诉称他对她的性侵犯使她患了疱疹并怀孕。

She asked, forgetting that her interest was out of order and exceedingly incriminating.

她问道，完全没想到她不该对这个消息露出关切，这不合她的身份，这么问简直是不打自招了。

It was her express wish that you should have her jewels after her death.

她明确表示她死后你应该得到她的珠宝。

She found her husband was keeking her diary.

她发现她丈夫在偷看她的日记。

She found her husband keeking her diary.

她发现她丈夫在偷看她的日记。

She found his husband was keeking her diary.

她发现她丈夫在偷看她的日记。

She discover her husband was keeking her diary.

她发现她丈夫在偷看她的日记。

Joanna Kerns as Margaret Katherine "Maggie"Maloneshe kept her maiden name,although at some points she did refer to herself as Maggie Seaver

乔安娜·科恩斯扮演玛格丽特凯瑟琳&玛姬&馬隆（她保留了她的姓，虽然有的地方她也提到自己是玛姬西维尔

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。