她的

Throughout her career she played mainly in Europe and Australia, but was seldom heard in the United States until late in her lifetime, having concertized only twice across the Atlantic.

在她的职业生涯，她扮演主要是在欧洲和澳大利亚，但很少听到在美国直到她一生中，只有两次有concertized横渡大西洋。

He confronts her when she arrives home about her behavior.

他面对著她，当她抵达家对她的行为。

To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves,"Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,--few felicities equal this.

在你的身旁，经常有个和你相依为命的妇人、姑娘、姊妹、可爱的人儿，知道自己对她是决不可少的，而她对自己也是非有不可的，能经常在她和你相处时间的长短上去推测她的感情，并且能向自己说：&她既然把她的全部时间用在我身上，就足以说明我占有了她整个的心&；不能看见她的面目，但能了解她的思想；在与世隔绝的生活中，体会到一个人儿的忠实；感到衣裙的摇曳，如同小鸟振翅的声音；听她来往、进出、说话、歌唱，并且想到自己是这种足音、这些话、这支歌的中心；不时表示自己的愉快，觉得自己越残缺，便越强大；在那种黑暗中，并正因为那种黑暗，自己成了这安琪儿归宿的星球；人生的乐事很少能与此相比。

At the time two hours earlier than the woman patient being dead, Oscar went into her sickroom and consorted with her until her died.

在这名女病人离世前两个小时，奥斯卡走进了她的病房，陪伴在她身边直到她咽气为止。

So she consulted her mother, who told her to follow her heart to Canada.

所以她与她的母亲商量，她的目前让她跟随她的心去加拿大。

Clare's breath and eyes, which she had contemned in her companions, was intensified in herself.

刚才她看着她的伙伴们那么兴奋，她还笑他们呢。

As much as she craved travel and adventure, she valued her health more.

她企盼旅游和探险，可是，她更看重她的健康。

The introduction, however, was immediately made; and as she named their relationship to herself, she stole a sly look at him, to see how he bore it; and was not without the expectation of his decamping as fast as he could from such disgraceful companions.

不过她还是立刻替他介绍了；她一面跟他说明这两位是÷她的至亲，一面偷偷地瞟了他一眼，看他是不是受得了。

She decides that she is going to leave her husband.

她决定，她要离开她的丈夫。

He was also in the habit of declaiming to Mrs. Stryver, over his full-bodied wine, on the arts Mrs.

她的父亲曾多次告诉她，她在婚后比未婚时对他更孝顺了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。