她

The thesis sees Annas love, marriage and her behavior from the female doctrine angle first, Anna has power to pursue personal happiness, Anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;Then the reason analyzed Annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision Annas life, her life is very narrow, Anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;Put forward Annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have Anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。

The thesis sees Annas love, marriage and her behavior from the female doctrine angle first, Anna has power to pursue personal happiness, Anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;Then the reason analyzed Annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision Annas life, her life is very narrow, Anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;Put forward Annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have Anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立一席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯一出路。

Her right hand, holding a bunch of cocoons, fell by her side listlessly, and her round check was paled, either by the light or by the weariness that was expressed in her attitude; her lips were pressed poutingly together, and every now and then her eyelids half fell: she was a large image of a sweet sleepy child.

她的右手拿着一束茧子，有气无力地垂在身边；她的圆圆的脸颊显得很苍白，或者是由于光线，或者是由于她那姿态所显出的困乏。她的嘴唇微微地噘着，时不时一双眼睛就半垂下来。她真是一个想瞌睡的甜蜜的孩子的大型塑像。

Rameses once wrote to her this:"sunshine as she and Zhao," I love her unique - and no one can match her, because she is all in one of the most beautiful.

拉美西斯曾经为她写下这样的话：&阳光为她而照&，我对她的爱独一无二---没有人能和她匹敌，因为她是所有人中最美丽的一个。

She had been laid up with a knee injury for severy days,and the time alone at home certainly was not helping, her misery was only compounded by her frustration at herself for not being able to pull it together and stop crying all the time.

几年前，唐娜一直委靡不振，那时和她相恋两年的男朋友刚刚分手，这让她难以承受，接着她又因膝盖受伤卧床数日，当然孤独在家的日子对她的身心毫无益处，她无法控制这种局面，因而，痛苦不尴，整天懊恼，伤心，泪流满面。

But really, whether you label her as the New DIY Superstar, a Kate Bush for the iPod Generation, or simply the Next Big Thellong, it all amounts to the same thellong: she's a ruddy star.Last year she was one of the revelations of the South by Southwest Music Donference in Bustin, Texas.Thellos time she gave a performance that demonstrated that there was substance behellond the exotic surface. With the multi-genre melting-pot polyrhythms and dance-punk aggression of songs like "Warrior" and "We Know Bll Bbout U," the singer harkened back to the aggressively proto-feminist dance music of Grace Jones and X Ray Spex.

DIY超新星， iPod时代的Kate Bush，或是，简略地，下一个大人士，不管你怎样定义她，你都没有办法否定她是一个&该死&的名人上年，她成了德克萨斯州奥斯丁Southwest Music Donference的席上客这一次，她的表演证实，在她怪异的外表下，有着艰深的感情存在路程经过过程多类型大熔炉是的多旋律编排以及Dance-Punk式的急进歌曲如《Warrior》以及《We Know Bll Bbout U》等等，这位歌手带咱们回到了如Grace Jones或X Ray Spex一般，急进元祖女人主义的Dance音乐中去

And the Lord answered him: If her father had spitten upon her face, ought she not to have been ashamed for seven days at least?

上主对梅瑟说：「若她的父亲在她面上吐唾沬，她岂不要七天忍此羞辱，七天把她隔离在营外，然后才让她回来？

To describe her.her has boyfriend.when i know they aren't very love each other.i want them break up,of course.if since now to five or six years later.her will not be paied attention to or run after is never better.i was still help her to persuade her to keep the love,though i know my words is no use to changing her mind when her want to decide some things.sometimes i feel lonely.if i don't know wnat to do i 'll insomnia.i tell her about my everything when i know her very well.her really a good girl ,i could not find the busy,act a part,peacockery,all of the conceit and superficialness's surface game.

当然如果从现在到五六年以后，她一直都不被哪个男的注意到或追求更好。我还是假惺惺地邦她梳理情绪，虽然隐约知道我的话对她约定一件事情的最终结果起不到什么化学反应。有时会觉得内心很空，一个人在家里不知道干什么时就会失眠。与她在网上熟识了，自然也就口无遮拦的讲话，心放得很开，她让我看不到像有些人一样的忙忙碌碌，装腔作势，爱慕虚荣，一切自负而浅薄的智力的表面游戏。

Already the very foundation of her own life's work had been shaken by what she had uncovered in Haydon's transphysical musings, and all at once she felt too unsure of herself and her ambitions to permit much more in the way of contradiction.

她自己生命形态工作的真正根基已经被她对海顿的超物质冥想的不了解所动摇了，而突然之间她感到对她自己和她的抱负不太自信，以致不能允许更多的反对。

Trixie Pearson's family went on poor relief rather than pull her out of Oxford during the Depression, and she later realised that the "bursary" her college gave her in fact came straight out of her tutors' pockets.

特里克茜。皮尔逊的家人即使在大萧条时期仍然一直接济她，没让她从牛津大学退学，而且她后来才意识到她大学里的&奖学金&实际上是她的导师直接从自己的口袋里拿出来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。