她

For yearsthey lived in thrace and had one son,itylus by name.then procne became homesick and longed to see her dear sister philomela.at her repeated requests tereus sailed to athens tofetch philomela.on the way back his evil heart took flame at the sight of philomela who was then in her beauty of maidenhood.he seized and carried her away by force,cut out her tongue and imprisoned her in a lonely hut in the woods.to procne he lied,saying that philomela philomela stayed in prison for ayear, where she had woven her painful story was dead.

由于远离故土，普鲁丝妮患了思乡病，她非常想见亲爱的妹妹菲勒美拉。在她的一再要求下，泰诺斯乘船去雅典接菲勒美拉来与她姐姐团聚。在返回的途中，看到菲勒美拉浑身散发出的青春和美丽，泰诺斯非常嫉妒，顿生歹意。他强行带走了菲勒美拉，并割去了她的舌头，将她关在森林中一个偏僻的小茅屋里。在普鲁丝妮面前，他撒谎说菲勒美拉已经死了。菲勒美拉被囚禁了整整一年。

Joon mother came to live with Joon father in the city and every body was happy.

有一天Joon和Nook一起走着，Joon拉起她的手，告诉她在他第一眼看到她起，他就爱上了她，并希望可以和她一同生活下去。

You know how that old children's story goes, when an acorn (or an apple--depending on the version you read) falls on her head she thinks the sky is falling. And as she encounters her friends, Henny Penny, Cocky Locky and Goosey Poosy, she is so convincing that they each stop what they are doing and get caught up in the mass hysteria of it all.

你是知道的，那个古老的儿童故事的内容：从前，有一个橡子(或苹果--根据你的读物)掉在了她的头上，她认为天要塌了，当她遇到了自己的朋友Henny Penny，Cocky，Locky还有Goosey Poosy，她显得深信无疑，至于她的朋友们都停下在做的事情，都染上了集体歇斯底里。

You know how that old children's story goes, when an acorn (or an apple--depending on the version you read) falls on her head she thinks the sky is falling. And as she encounters her friends, Henny Penny, Cocky Locky and Goosey Poosy, she is so convincing that they each stop what they are doing and get caught up in the mass hysteria of it all.

你是知道的，那个古老的儿童故事的内容：从前，有一个橡子(或苹果--根据你的读物)掉在了她的头上，她以为天要塌了，当她碰到了自己的朋友Henny Penny，Cocky，Locky还有Goosey Poosy，她显得深信无疑，至于她的朋友们都停下在做的事情，都染上了集体歇斯底里。

Her confusion turns to delight and then to disappointment as she remembers that although she is at her new home, Matthew and Marilla do not want her.

她混乱轮流喜悦，然后失望，她回忆说，虽然她是在她的新家里，马修和Marilla不想她。

She held her hand interposed between the furnace-heat and her eyes, and seemed absorbed in her occupation; desisting from it only to chide the servant for covering her with sparks, or to push away a dog, now and then, that snoozled its nose overforwardly into her face.

她的手介于炉子和她的眼睛之间，除了停下来训斥仆人把火星溅到她身上，或时不时驱赶把鼻子凑到她脸上的狗，她似乎完全沉醉在书中。

She held her hand interposed between the furnace－heat and her eyes, and seemed absorbed in her occupation; desisting from it only to chide the servant for covering her with sparks,orto push away a dog, now and then, that snoozled its nose overforwardly into her face.

她的手介于炉子和她的眼睛之间，除了停下来训斥仆人把火星溅到她身上，或时不时驱赶把鼻子凑到她脸上的狗，她似乎完全沉醉在书中。

No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless- forsaken by her mother and disowned by you, sir- I shall cling closer to her than before.

不，阿黛勒不应对她母亲和你的过失负责。我很关心她，现在我知道她在某种意义上说没有父母——被她的母亲所抛弃，而又不被你所承认，先生——我会比以前更疼爱她。

The thesis sees Annas love, marriage and her behavior from the female doctrine angle first, Anna has power to pursue personal happiness, Anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;Then the reason analyzed Annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision Annas life, her life is very narrow, Anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;Put forward Annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have Anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立1席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯1出路。

This text analyzes anna from the female doctrine angle, this is the textual breakthrough to order to order with innovation.the thesis sees annas love, marriage and her behavior from the female doctrine angle first, anna has power to pursue personal happiness, anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;then the reason analyzed annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision annas life, her life is very narrow, anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;put forward annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

本文从女性主义角度分析安娜，这是本文的切入点。论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立1席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯1出路。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。