她

She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious—her own and that of her models.

为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。

On the supposition that she would go down to see him, Princess Marya imagined the words he would say to her, and she would say to him; and at one moment, those words seemed to her undeservedly frigid, at the next, they struck her as carrying too much meaning.

在假定她会走到客厅去见他时，她设想着他会对她说的话和她要告诉他的话；时而她觉得这些话冷淡得不适当，时而又觉得这些话含有过分重大的意义。

She was a womanly woman not like other flighty girls unfeminine he had known, those cyclists showing off what they hadn't got and she just yearned to know all, to forgive all if she could make him fall in love with her, make him forget the memory of the past.

她是个温柔的女性，不像他所认识的那种没有女人气的轻浮丫头，那些骑上自行车到处炫耀自己所并不具备的品质的人们。她渴望他能把什么都告诉自己，她什么都能宽恕；倘若她能使他爱上自己，她就能使他忘掉过去的回忆。

Linton lavished on her the kindest caresses , and tried to cheer her by the fondest words ; but , vaguely regarding the flowers , she let the tears collect on her lashes and stream down her cheeks unheeding

林敦在她身上不惜施以最温柔的爱抚，而且用最亲昵的话想使她高兴。可是，她茫然地望着花，眼泪聚在睫毛上，顺着她的双颊直淌，她也未在意。

Linton lavished on her the kindest caresses, and tried to cheer her by the fondest words; but, vaguely regarding the flowers, she let the tears collect on her lashes and stream down her cheeks unheeding.

林惇在她身上不惜施以最温柔的爱抚，而且用最亲昵的话想使她高兴。可是，她茫然地望着花，眼泪聚在睫毛上，顺着她的双颊直淌，她也未在意。

She has an unimaginably tremendous power to change the world, but she is totally unaware of her own power and so she is also unaware of the effect of her power on the outside world.

她有一种无法想象的巨大的力量来改变这个世界，但她完全不知道她自己的能力，所以她也是不知道她的能力对外部世界的的影响。

I couldn't agree more about the view that women are running love with life. But actually some men are shackled by love. Men need freedom, while women want to control them. As a result, it cannot be avoided that a woman would shout at her husband and tame him with her rights. This management model is more efficient when a woman is young, since the man needs her and he can bear everything of hers , even willing to be her slave. As time passes, she is no longer worth the aftertaste. In this time, the man will begin to weary of her and leave her unmercifully.

我非常赞同女人是用生命经营爱情的观点，但有很多女人却用爱情来牵制和绑架男人，男人要自由，女人要束缚，结果女人难免会挥起大棒大声吆喝着男人，希望把男人驯服，这种管理模式在女人年轻时还是比较有效的，因为男人需要她，会包容她的一切，甚至会心甘情愿做她的奴隶，但当日子长了，当她没有什么值得男人回味的时候，也就是男人开始厌倦她的时候，男人就会毫不留情地离开。

The distressing explanation she had to make to harriet, and all that poor harriet would be suffering, with the awkwardness of future meetings, the difficulties of continuing or discontinuing the acquaintance, of subduing feelings, concealing resentment, and avoiding eclat, were enough to occupy her in most unmirthful reflections some time longer, and she went to bed at last with nothing settled but the conviction of her having blundered most dreadfully.

想到她不得不向哈里特作出令人苦恼的解释，想到可怜的哈里特因此而感到痛苦，想到未来会面时必然感到难看，想到维持或者不在维持朋友关系，想到要控制住感情，隐藏起憎恨，避免正面相见打招呼--这些想法长时间萦绕在她的脑际，让她感到极不愉快，最后上床的时候，她什么结论都没有作出。只有一点是确信无疑的，那就是她犯了个极为严重的大错误。

Mr.Weston was a great favourite,and there was not a creature in the world to whom she spoke with such unreserve, as to his wife;not any one,to whom she related with such conviction of being listened to and understood,of being always interesting and always intelligible,the little affairs,arrangements,perplexities and pleasures of her father and herself

韦斯顿先生是她非常喜欢的人，世界上没有一个人，她能跟他说话像跟他妻子说话那样畅所欲言；没有任何人，她在向他叙述她父亲和她的琐事，安排，困惑和欢乐时能像这样有自信，相信对方能倾听和理解，相信自己讲的东西是对方感兴趣而又听得懂的。

Mr. weston was a great favourite, and there was not a creature in the world to whom she spoke with such unreserve, as to his wife; not any one, to whom she related with such conviction of being listened to and understood, of being always interesting and always intelligible, the little affairs, arrangements, perplexities, and pleasures of her father and herself.

她对任何人讲话都不像跟他们讲话是这样推心置腹，不论是琐碎小事，安排细节，感到为难的问题，还是她父亲和她的乐趣，她都深信她的话会被仔细听取，深深理解，对方从来都会感兴趣，感到易于听懂。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。