她

Yes, she count upon Jesus so much, but she is a human being, she certainly miss her children and her lover although she had divorce many years ago.

是的，她是那样地仰赖主，可是她也是血肉的身躯，她一定在想念她的儿女，想念她的爱人----。

She emerged in Juliet at school, with a costume of coloured crepe paper, and then in a navy production of "White Cargo", a pouting beauty wearing nothing but a tan and a sheet she had pinched from the officers' quarters.

在学校演朱丽叶也许可算作"她"的开始，当时她只是穿了件彩色绉纱女装。后来她又在海军歌舞剧《White Cargo》中亮相，这次她只披了件皮革和床单，这些还是她从军官那儿搜刮来的。

Sometimes, men can get so full in their heads about how theyre such great lovers that the focus is all wrong. So this time, make it all about her. Her body, her reactions, her sexual pleasure. If she achieves an orgasm during cunnilingus, GREAT but it''s not your goal.

有时，男人可以得到充分，所以在他们的元首他们如何再这么大的恋人的重点是所有错误的，所以这一次，使所有对她，她的身体，她的反应，她的性快感，如果她能达到一个高潮在cunnilingus ，伟大，但it'不是你的目标。

She made a little curtsy as he bowed, and then, as he straightened and started toward her with a peculiarly lithe Indian-like gait, her hand went to her mouth in horror, for she knew who he was.

他向她鞠躬，她也轻轻回了一礼，接着他就挺直身子，以一种特别柔和的印第安人般的步态朝她走来，这可吓得她不觉用手去捂住自己的嘴，因为现在她知道他是谁了。

Till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp.

直到最后，这个可怜的无辜的人儿开始怀疑她自己的感觉，深陷与她所想的误解的谜团之中，于是她说服她的妈妈和她一起匆匆离去。

In reply to her mother's command and entreaty that she would behave more decorously, little Pearl paused to gather the prickly burrs from a tall burdock which grew beside the tomb.

于是她在死者的坟墓间蹦蹦跳跳，欢快雀跃地拽着她母亲走开了，她那出奇的劲头似乎说明她与那逝去并埋葬的一代毫无共同之处，也不承认她自己与他们同属一个族类。

In reply to her mother's command entreaty that she would behave more decorously, little Pearl paused to gather the prickly burrs from a tall burdock which grew beside the tomb.

于是她在死者的坟墓间蹦蹦跳跳，欢快雀跃地拽着她母亲走开了，她那出奇的劲头似乎说明她与那逝去并埋葬的一代毫无共同之处，也不承认她自己与他们同属一个族类。

In reply to her mothers command and entreaty that she would behave more decorously, little Pearl paused to gather the prickly burrs from a tall burdock which grew beside the tomb.

于是她在死者的坟墓间蹦蹦跳跳，欢快雀跃地拽着她母亲走开了，她那出奇的劲头似乎说明她与那逝去并埋葬的一代毫无共同之处，也不承认她自己与他们同属一个族类。

Despite the long winded (and deservingly violent, she added)"talk" she had just had with Ron, the anger which flared inside of her at the very thought of her ex…whatever they were made her skin crawl.

不管这次与罗恩冗长（也是应得的，她加了一句）的"谈话"，她一想起她的前男友，愤怒就燃烧在她的体内着……无论它们怎样使她皮肤扭曲。

The poor thing couldn't bear that: she grew white and red in rapid succession, and, while tears beaded her lashes, bent the strength of her small fingers to loosen the firm clutch of Catherine; and perceiving that as fast as she raise one finger off her arm another closed down, and she could not remove the whole together, she began to make use of her nails; and their sharpness presently ornamented the detainer's with crescents of red.

只见 她脸上白一阵红一阵，接连地变着颜色，眼泪像明珠般挂在睫毛上。她纤细的手指竭力想掰开卡瑟琳的紧紧地抓她的手；可是她才从自己手臂上掰开一只手指儿，另一只手指儿又压下来了，再没法把五个手指儿一齐拔掉；看到这样，她就使用起手指甲来了。那尖尖的指甲顿时在那紧抓着的手指儿上面画出几条鲜红的新月形来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。