她

The crown was divine and gave leadership, but it did not exist alone, nor could it claim a monopoly of divinity, for all parts of the body politic had been created by God.

她的机敏与坚定驯服了下院，并且，她钟爱她的王国，在这一点上，女性角色成为她了最大的资产，而不是她的劣势。

In Bouche Cousue, Mazarine Pingeot recounts for the first time the two decades she spent as a state secret, barred from seeing her father in public but spending every evening with him at their flat in central Paris.

据英国《卫报》2月28日报道，在《无话可说》一书中，玛莎妮·潘洁首次向世人公开了她与父亲长达20多年的秘密生活。她写道，由于她的特殊身份，她不能与父亲同时在公开场合露面，但是每天晚上，父亲都会在他们位于巴黎市中心的家中陪伴她。

And, I saw and me together the book box bamboo fish trap which grows in the snow fog forest, she is a that lovable little girl, inborn has the formidable spirit strength, but she has also died, dies on together the cliff, a red three thorn sword passes through her chest, sewed her on the black cliff, the wind was moving her silver-white color long hair and the white black magic gown, was similar to lightly certainly the beautiful dance step.

其中，我看见了和我一起在雪雾森林中成长的笈筌，她是那么可爱的一个小女孩，天生有着强大的灵力，可是她也死了，死在一块山崖上，一把红色的三棘剑贯穿她的胸膛，将她钉在了黑色的山崖上，风吹动着她银白色的长发和白色魔法袍，翩跹如同绝美的舞步。

But while it's tempting to assume the cause was her bratty persona or rocker lifestyle, comments from her friends suggested that something play: She was only 21 when she tied the knot and later told pals that she realized she'd been too young to make such a life-altering decision.

于是大家纷纷猜测其中的原因，或许是由于她令人讨厌性格，或许是由于她那种摇滚式的生活。然而，来自于她的朋友们的评论却暗示了一个非常普通的原因：当年艾薇儿结婚时才只不过21岁，后来她曾跟她们说过，她意识到自己还太年轻，不应该就这样做出一个会改变一生的决定。

But while it's tempting to assume the cause was her bratty persona or rocker lifestyle, comments from her friends suggested that something more universal was at play: She was only 21 when she tied the knot and later told pals that she realized she'd been too young to make such a life-altering decision.

于是大家纷纷猜测其中的原因，或许是由于她令人讨厌性格，或许是由于她那种摇滚式的生活。然而，来自于她的朋友们的评论却暗示了一个非常普通的原因：当年艾薇儿结婚时才只不过21岁，后来她曾跟她们说过，她意识到自己还太年轻，不应该就这样做出一个会改变一生的决定。

She did not ride from the Rond- Point down to the entrance, to the Champs-Elysees as do ?and did ?all her sort. Her two horses whisked her off smartly to the Bois de Boulogne. There she alighted, walked for an hour, rejoined her brougham and returned home at a fast trot.

她也不像她所有那些同行一样，习惯在圆形广场和香榭丽舍大街街口之间散步，她的两匹马飞快地把她拉到郊外的布洛涅树林①，她在那里下车，漫步一个小时，然后重新登上马车，疾驰回家。

I know a woman in her 40s that gets incensed if she calls a man and he doesnt call her back right away. She never considers what may be going on in his life that could be a priority over her call!

我知道，一名女子在她40多岁即获得愤怒，如果她的来电，一名男子和他不吨叫她回吧，她从不认为有什么可去，在他的生命可能是一个优先事项，她呼吁！

"Throughout her possession by that uncannily evil monster, manic depression, with its deadly ever-tightening spirals, she retained her own individual canniness – an ability to disguise her true mental condition from almost all except me, for whom she could hardly be expected to take the trouble.

在他的回忆录中他论及了这些年两人之间的问题，并把症结归为费雯·丽的病况，他写道尽管她会莫名地发怒、歇斯底里，如同一个女巫婆，并且在后期愈演愈烈；但她依然保有着她特有的优雅——她能在所有人面前掩盖自己的真实的精神状况，除了我——在我面前，她不必费力去这么做。

She estimated the situation at a glance; the creditors would swoop down on her anteroom, would mix themselves up with her love affairs and threaten to sell her little all unless she continued to act sensibly. Then, too, there would be no end of disputes and carking anxieties if she attempted to save her furniture from their clutches.

现在她对自己的前景一下看得清清楚楚了：债主们就要涌进她的候见厅里，他们甚至会干涉他们的爱情，并扬言拍卖她的一切，如果她不听从他们的安排的话；为了让他们给她留下四件家具，必须要同他们没完没了地争吵，直到吵得头昏脑胀。

"On another occasion," continued Steiner in still lower tones, Leonide got her tenor down to Montauban. She was living in the Chateau de Beaurecueil, two leagues farther off, and she used to come in daily in a carriage and pair in order to visit him at the Lion d'Or, where he had put up.

"还有一次，"斯泰内悄悄说道，"莱奥妮德把她的男高音歌手叫到蒙托邦①，她自己住在两法里外的博尔科的别墅里，她每天乘坐一辆两匹马拉的敞篷马车，到他下榻的金狮旅馆去看他，她在旅馆门前下车……车子停在那里等她，莱奥妮德一呆就是几个小时，一些人聚集在那儿观看那两匹马。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。