她

She showed me the building where she had once worked as an elevator operator.

她指给我看当年她作电梯操作员的那座大厦，她和她的新婚丈夫当年生活过的小区，她让我在一家家具商店前面停车，那儿以前是个舞厅，她还是个小姑娘时常去那儿跳舞。

She showed me the building where she had once worked as an elevator operator. We drove through the neighborhood where she and her husband had lived when they were newlyweds. She had me pull up in front of a furniture warehouse that had once been a ballroom where she had gone dancing as a girl.

她指给我看她曾经当过电梯操作工的那栋大楼；我们还来到她和她的丈夫新婚时住过的小区；她还让我将车停在一座家具仓库前，那儿曾经是一个舞厅，她还是小姑娘时候，经常去那儿跳舞。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的薄雾诗意般的笼罩着河畔，就像罩着一层薄纱，落寞的大楼在阴暗的天空中迷失了自我，高高耸立的烟囱如同一座钟鼓楼，在夜色中，仓库也如同宫殿般华丽，整个城市悬挂在天空中，一片神奇的土地展现于眼前，然后一个徒步旅行者急着赶回家，一个工作狂，也是一个文人，一个智者，也是一个充满乐趣的人。不要去伤脑筋了。不要去想了，自然正在她自己的音调在歌唱，对艺术家唱着她美妙的歌曲，她歌唱她的孩子和知己，爱着她的孩子，懂她的知己。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

黄昏时分，迷雾给河畔穿了一层诗画般的衣裳。带着这层面纱，那些可怜的屋舍在昏暗的天空下销声匿迹，高耸的烟囱俨然成为灯塔，夜间的仓库若然变成宫殿。整个城市临于天堂之口，一片乐土尽在眼前。旅客们，行色匆匆，加快了回家的脚步。工作之人、教育之人、聪明之人、愉悦之人都停止了探究，也停止了注视。第一次，自然唱着自己的曲子。独为了了艺术家，她唱着她那首优美的曲子。也为了她的儿子和她的主人，因为爱她，所以是儿子；因为理解她，所以是主人。

Nadia drove a hard bargain - she agreed to help her brother with his homework from school if he in turn would agree to do her share of the clean-up at the dacha.

Nadia得了便宜：她和她弟弟达成协议，她帮她弟弟做家庭作业，而她弟弟作为回馈则需要帮她完成打扫别墅的工作

My baby was 2 weeks premature Caesarean section birth, insufficient breast milk, a month-An artificial feeding infant formula, has been eating better, although not a lot of food, but feed feeding table on the small standard deviation. 3 months have been all-you-can-per-150ML (a daily 5 times), but from 100 days to go to work I started on the point of death, my mother fed her the first time when the spit after eating 160ml, From then on, she ate 1 milk cried, but also fewer, and sometimes even a day 600ml are not, I work to feed her a little better, so that lasted about 10 days, my mother fed her不哭, and a 150ML, half an hour or so, I and she was dying husband to feed, each drink 60ml always to哭一场, tired of crying sleep eat eat 100ML, before and after one hour, the key is always eaten吐奶, four hours after the infants When she was always not interested, do not care to eat do not eat at all, thought it was tired of the beginning of milk, or poor appetite, but now has lasted more than a month, or about 700ml a day, nothing else very good, playing love laugh, urine are normal, sleep, or how to do?

我的孩子是早产2周剖腹出生，母乳不足，1个月开始人工喂养安婴儿奶粉，一直吃的还好，虽然吃的不是很多，但和喂哺表上的标准差的不多。3个月时已经吃到每次150ML(每日5次)，可是从100天后我上班开始就不行了，我母亲给她喂第一次时160ML吃完后吐了，从此以后，她一吃奶就哭，而且量也少多了，有时一天连600ML都没有，我下班喂她稍微能好些，这样持续了十天左右，我母亲喂她不哭了，一次150ML，半小时左右，我和老公喂她却不行了，每次喝到60ML时总要哭一场，哭累了睡着吃再吃100ML，前后要一小时，关键是这样吃完总是吐奶，四小时后该吃奶时她总是没兴趣，一点都不在意吃不吃，开始以为是厌奶，或是胃口不好，可现在已经持续一个多月了，还是一天700ML左右，其他什么都很好，爱玩爱笑，大小便都正常，睡觉也好，怎么办？

Round the side of the Evening Telegraph he just caught a fleeting glimpse of her face round the side of the door with a kind of demented glassy grin showing that she was not exactly all there, viewing with evident amusement the group of gazers round skipper Murphy's nautical chest and then there was no more of her.

所以，当老板做了个粗鲁的手势打发她离开时，他由衷地松了口气。他隔着《电讯晚报》上端瞥了一眼她那张出现在门边的脸。她呆滞地龇牙咧嘴笑着，说明她有些心不在焉。她饶有兴趣地打量着围观船老大墨菲那特有的水手胸脯的人们，接着，她就消失了踪影。

She was so accommodating to the elderly, their points are very high voice, so that his half-deaf ear to listen to understand her, she told him that some young, able-bodied people who do not know how you died She praised the elderly next year to Switzerland's decision, saying that hot springs bath for good health, she claimed that he last time Xianzhuo her at the time of Qi Sehao more, much more healthy and vigorous spirit - and so on.

她如此地迁就老人，把自己的嗓门提得高高的，好让他那半聋的耳朵能听明白她的话，她告诉他，有些年纪轻轻、身强力壮的人不知怎么一下就死了，她称赞老人明年去瑞士的决定，说洗温泉浴对身体大有好处，她声称，他比她上次见着时的气色好多了，精神健旺得多——如此等等。

English Summary/英文概要: When Auraya was chosen to become a priestess, it meant leaving behind her village, her family and the friendship she had formed with Leiard, the local Dreamweaver. Masters of herb lore and healing, Dreamweavers were despised for their heathen beliefs, and Auraya knew that she must hide her respect for the godless healers if she was to succeed in her new role.

Chinese Summary/中文概要： Auraya被任命为女祭司之后，那就意味她将失去她的家乡，她的家庭、他和当地精通草药和医术的Dreamweaver族人Leiard的友谊也因此而被割断，因为Auraya知道，如果她想在自己的角色中做得成功，她必须隐藏起她自己对这些无神论的医师的敬仰。

She was very good at telling stories, and always asked the people who wanted to hear her stories to begin the background, and then she went on making stories.The friendship between Dennis and her started from a gold-tipped fountain pen which he gave her as the reward of her first brilliant story for him : In the romantic flicker candlelight, the room surrounded with the incense of burning wood in the fireplace ,Dennis and his friends were sitting in the comfortable sofa chair and listening to her story.

她很擅长讲故事，总是让听故事的人自己讲一些背景，然后她再接着编故事，她和丹尼斯的友谊由丹尼斯赠送给她一支金笔作为听了她一个精彩故事的报酬而开始：在浪漫摇曳的烛光中，房间里散发着壁炉里燃烧的木材的清香，丹尼斯和他的一个朋友坐在舒服的沙发椅上听着她讲故事。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。