她

She expressed pleasure, too, at finding a sister among her new acquaintance; she prattled to Catherine, kissed her, ran about with her, gave her quantities of presents, at the beginning.

当她发现新认识的人中有一个妹妹，她也表示非常开心。一开始，她和凯瑟琳聊天，亲她，和她追跑，还给了她很多8t t t8礼物。

So on the other day my mama bought a table at a local store, for some various reasons the shippment was delayed to 6 days after or thereabouts, anyways mama said she can't stand it and she asked me to pick it up for her, as she skimped on her pocket, or beacuse the store was just 4 blocks away she didn't let me call the cab.

因此在前几天之上我的妈妈买一桌子在一地方商店，为一些各种不同的理由那装船是延迟到 6 天在或者之后 thereabouts，无论如何妈妈说她罐子不台子它和她要求我到精选它向上的为她，同样地她缩减在她之上口袋，或 beacuse 那商店是仅仅 4 区段离开她做不让我呼叫那出租汽车。

She who is ever returning to God his own outflowing of sweetness; she is the ever fresh beauty and youth in nature; she dances in the bubbling streams and sings in the morning light; she with heaving waves suckles the thirsty earth; in her the Eternal One breaks in two in a joy that no longer may contain itself, and overflows in the pain of love.

她不断地送还上帝给予她的漫溢的甜蜜；她是自然界永远清新的美丽与青春；她在汩汩的溪流里翩翩起舞，在清晨的阳光中展开歌喉；她用滚滚的波涛哺育干渴的大地；在她身上，造物主一分为二：无法遏制的欢乐和泛滥的爱情之痛。

She says she doesn't take the leap because she doesn't know how she'll feel in 10 years, but I think she is more scared about not knowing if he'll feel the same in 10 years," she theorizes."

她说她迈不出这一步是因为她不知道10年后自己会怎么想，但我认为她更害怕的是她不知道他10年后是否还仍然对她一往情深。

Marian had somehow heard that Tess was separated from her husband - probably through Izz Huett - and the good-natured and now tippling girl, deeming Tess in trouble, had hastened to notify to her former friend that she herself had gone to this upland spot after leaving the dairy, and would like to see her there, where there was room for other hands, if it was really true that she worked again as of old.

玛丽安不知道怎么知道了她已经同丈夫分居了--大概是从伊茨。休特那儿听说的--这个好心的喝上了酒的姑娘，以为苔丝陷入了困境，就急忙写信给她从前的这位老朋友，告诉她的老朋友，说她离开奶牛场后就到了这个高原农场上，如果她真的还是像从前一样出来工作的话，那儿还有几个工作位置，希望能在那个农场上同她见面。

Ah Mui likes people to see her tough side, she doesn't like to lose and she must win. Nor matter for filming or singing, she likes to perform or to sing better than others. Even when she vomits to death in the ladies, she doesn't like to admit that she loses.

阿梅是一个很要强的人，她不想输给别人，演戏，她要比人家演得好，唱歌她要比人家唱得棒，就算是喝酒划拳，她也一定要赢，哪怕她到卫生间吐个半死，她也不愿意承认自己输了！

Mr. Assayas's movie follows her after her release, as she weans herself off drugs, moves to Paris, and tries to re-establish a relationship with her young son, played by James Dennis, and earn the trust of her father-in-law, played by Nick Nolte.

她出狱后阿萨亚斯先生的电影一路跟着她——她开始戒毒、她搬去巴黎、她试图和年幼的儿子重新建立关系、她试图获得岳父的信任。

One rainy afternoon an elderly lady walked into a philadelphia department store.most of the clerks ignored her,bet on solicitous young man asked if he could help her.when she replied that she was just waiting for the rain to end,he didn't try to sell her something she didn't try to sell her something she didn't want,and he didn't turn his back.instead he brought her a chair.

在一个多雨的午后，一位老妇人走进费城一家百货公司，大多数的柜台人员都不理她，但有一位年轻人却问她是否能为她做些什么。当她回答说只是在等雨停时，这位年轻人并有推销给她不需要的东西，虽然如此，这位销售人员并没有转身离去，反而拿给她一张椅子。

The mistress visited her often in the interval, and commenced her plan of reform by trying to raise her self-respect with fine clothes and flattery, which she took readily; so that, instead of a wild, hatless little savage jumping into the house, and rushing to squeeze us all breathless, there alighted from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit, which she was obliged to hold up with both hands that she might sail in.

在这期间，女主人常常去看她，开始了她的改革计划。先试试用漂亮衣服和奉承话来提高她的自尊心，她也毫不犹豫地接受了。因此，她不再是一个不戴帽子的小野人跳到屋里，冲过来把我们搂得都喘不过气，而是从一匹漂亮的小黑马身上下来一个非常端庄的人，棕色的发卷从一支插着羽毛的海狸皮帽子里垂下来，穿一件长长的布质的骑马服。她必须用双手提着衣裙，才能雍容华贵地走进。

The mistress visited her often in the interval, and commenced her plan of reform by trying to raise her self-respect with fine clothes and flattery, which she took readily; so that, instead of a wild, hatless little savage jumping into the house, and rushing to squeeze us all breathless, there 'lighted from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit, which she was obliged to hold up with both hands that she might sail in.

那期间，女主人常常去看她，并执行了她的改良计划——让凯西自尊地成长，给她漂亮的衣服，说些恭维的话，而对于这些凯西竟欣然接受了。就这样，凯西不再是那个不懂规矩，不带帽子的野孩子——蹦跳着进屋，冲过来紧紧地抱住我们，让我们透不过气来。凯西的回来，让我们眼前一亮：束着漂亮黑色马尾的高贵人儿，戴着带羽毛的海狸帽，棕色的卷发在帽下自然垂下，穿着一件长兔毛大衣，当她仪态万方的到来时，她不得不用双手合着她的大衣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。