奴役

Jim was a slave, and under the long-lasting oppression and slavery, deep inside hime, there was a servility of obedience. This point especially stands out at the end of the novel. After Jim was eventually captured, during his rescue by Huck and Tom, he listened to them for everything, which allowed an initially simple and smooth rescue operation become a child's play. But the debauch of its ending showing that when Tom becoming a clone and victim due to this farce, faced with torment and shame, while Jim was released as a result of Miss Watson's death will, show the miserable situation of the slaves at that time.

3.3 顺从吉姆是一个黑奴，在长期地压迫和奴役下，他骨子里自然就有了一种顺从的奴性，这点在小说的最后表现的极为突出，当吉姆最后被抓后，在哈克和汤姆的营救过程中，他事事顺着他们，让一场本来可以很简单顺利的营救活动变成了一场儿童闹剧，而当吉姆很自然地成了这一闹剧的小丑和牺牲品，受尽了折磨和凌辱，最好却因话说小姐的一纸临终遗言而获得自由而荒唐结局，这也说明的当时黑奴处境的可悲。

Let every declamation turn up on the beauty of liberty and virtue , and the deformity , turpitude , and malignity of slavery and vice .

让每一篇演讲都来谈自由和道德之美，都来谈奴役和邪恶之丑陋，卑鄙和恶毒。

For a man with taste, particularly literary taste, is less susceptible to the refrains and the rhythmical incantations peculiar toany version of political demagogy.

这种隐私性，往往以一种美学的品味出现；它既是以我我我为最高价值，当然也就足以对抗奴役和压迫。

To disarm the people is the best and most effectual way to enslave them.

""解除人民是最好、最有效的方式奴役他们，

Once the dissention was brought forth in America, anti-slavery societies formed in the North, and abolitionists voiced their views about the cruelty and injustice of slavery publicly, hoping to gather a crowd of supporters.

一旦纠纷是提出了在美国，反奴隶制社会的形成北，并表示赞成废除死刑看法的残酷和不公正的奴役公开，希望能收集一群支持者。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

He has first and foremost argued that relationship between Taiwan and Chinese new literatures is one between the mainstream and distributary,and put forward his contestation about the Taiwan language construction from the angle of cultural affiliation and unification.

他将"五四"文学火种引入台湾，与日本奴役下的台湾旧文坛激烈交战；他最早明确指出台湾新文学与祖国大陆新文学的支流与主流关系，并且从文化归属与统一的角度提出台湾语言建设的主张。

His platform - containing slavery and condemning threats of disunion as treason.

他的政纲-含有奴役和谴责的威胁，分裂叛国。

He explained how easy "doublethink" and "newspeak" can convince us "war is peace, freedom is slavery, and ignorance is strength." He also wrote "All war propaganda, all the screaming and lies and hatred, comes invariably from people who are not fighting Big Brother is watching…." us to be sure we get the message and obey it.

他解释，如何轻松" doublethink "和"官方新闻"，才能说服我们，"战争就是和平，自由就是奴役，无知就是力量，"他还写道："所有的战争宣传，所有的尖叫与谎言和仇恨，来总是从的人，他们不打老大哥在看着……"我们可以肯定，我们得到消息，并听从它。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。