女英雄

Furthermore, our heroine has to fight against evil natives and bloodthirsty, never-seen monsters and creatures...

尤甚的是，我们的女英雄不得不和邪恶的土著人和嗜血的、从未见过的野兽和生物进行斗争。。。。。。

Finally, I told her that I felt I had to withdraw her nomination, that I hated to do it, but we were going to lose, and though it was cold comfort, her withdrawal would make her a heroine in the civil rights community.

最后，我告诉她，我不得不撤回对她的提名，我也很不愿意这么做，但我们没有胜算。我还告诉她，撤回提名会使她在民权领域成为一名女英雄，尽管这样的安慰不会起什么作用。

From scant first-hand evidence, Linda Colley has mined the diaries of relatives to pull together a compelling portrait that sets her heroine against the rise of the British empire.

由于缺少第一手资料，琳达·柯雷搜集其亲戚们的日记，并整理出相关的信息以期为她的女英雄树立一种与大英帝国相敌对的形象。

Coriander is a heroine to love.

克瑞安达是爱的女英雄。

The radically apathetic Sadean hero or heroine refuses all emotion, all humanity-all pity, gratitude, love-that would serve to weaken and debilitate.

极度冷漠的萨德式英雄或女英雄拒绝一切情感、一切人性--一切同情、感激、爱--这些情感和人性会导致虚弱和力量的消减。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

And now and then a Perseus （柏修斯,杀死蛇法女怪的英雄）, equipped with the shoes of swiftness of the ready writer, with the cap of invisibility of the editorial article, and it may be with the Medusa-head of vituperation( Medusa :蛇法女怪), shows himself ready to try conclusions with the scientific dragon.

因此，一位勇敢的除妖英雄柏修斯就会随时出现。他脚蹬写作快手的"追风靴"，头戴编辑评论的"隐形盔"，也会长着装满谩骂之言辞的"美狄萨"脑袋，摆出了与科学之怪物决胜负的架势。

I, who had been Secunda, used the chance to name myself after my heroine, the American aviatrix, Amelia Earhart.

我，曾叫塞康达，则利用这次机会以我的女英雄，美国女飞行员，阿米莉娅。

Hanying is created as a mankind "heroine", a "revolutionist" who has revolutionary awareness, noble thoughts, wisdom, impavidity, maturity and all fine qualities that an outstanding revolutionist should have, a "fisherman"s daughter who is the conveyor of rich national characteristics, distinctive local favor and special music style.

韩英是一个&女英雄&，但她又是一个被淡化了性别的女英雄，一个被男性化了的女性形象；韩英是一个&革命者&，具有革命的自觉意识和崇高的思想境界，她智勇双全，干练稳重，临危不惧、视死如归；韩英是一个&渔家女&，歌剧《洪湖赤卫队》具有浓郁民族特点和鲜明地方特色的表现形式和音乐风格都成为这个&渔家女&的文化符号。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。