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The text between late Ming and early Qing give prominence to three new type female: callet, talent girl and ability female who incarnate the efforts to try to breakthrough the prescribing of traditional feminine image from three aspects: beyond the mark of morality, beyond the mark of status, the female as male assistant., but the female non-self-determination is still unchanging ultimately.

明末清初的小说突出了"泼妇"、"才女"、"异能女子"三种新型的女性,并分别从"道德越界"、"身份越界"、"能力提升"等方面体现了试图突破传统女性形象规定的努力,但女性的非自主性并未能从根本上改变。

Through the analysis on the change and classification of Dazayiosamu's female characters of three periods, the author interpreted Dazayiosamu's maternal admire and detestation towards female.

本论文旨在通过对太宰治作品中前中后三个时期女性形象的变迁和女性形象分类的分析,来考察太宰治对母性的思慕和对女性的嫌恶心理。

These twists and turns, millennium differences to once removed, but today the most Indian women, regardless of the community eventful scientists, engineers, doctors, judges, police chief aviation conveying rate since 1992, and from a female officers and their achievements, women's liberation movement has started, like a ship, although MengChong JuJian dilatoriness, once started, will go forward.

这些波折显示,千年的歧见很难一夕革除,但是今天印度大多数行业中不乏头角峥嵘的女性,无论是医生、科学家、工程师、民航机机师、警察首长等,而且从一九九二年起有了女性的军官,她们的成就,证明女性解放运动已经展开,就像是一艘艨艟巨舰,虽然行动迟缓,一旦启动,势必勇往直前。

Over time, the barriers women face in discrimination, differential hiring and work-family issues have a cumulative effect,' causing women of every generation to fall farther behind with each passing year.

洛维尔说,看起来这代女性的境遇似乎要好的多,但实际情况并非如此;随着时间的推移,女性在性别歧视、差别雇佣和工作家庭问题上面临的障碍会产生累积效应,导致每代女性都逐年落后得越来越远。

In Iceland, mothers are more likely to work than women without children. Nearly 90% of all mothers in Iceland are employed, which makes it the country with the largest share of moonlighting mothers.

在冰岛,有孩子的女性比没有孩子的女性更容易找到工作,有孩子女性的就业率接近90%,这就使该国家兼职妈妈的比例最大。

How women make sense of it and how it intertwines with women's personal experiences, life occurrences and surroundings are the main interests of this research.

研究者带著对「中年女性」的好奇,开始一段认识中年女性的旅程,并在此呈现两位中年女性的生命史。

In literary circle, more and more feminists and feminist narrative theorists pay their attention to womens silence.

在文学批评界中,女性的沉默受到越来越多的女性主义者和女性主义叙事学家的关注。

It's like the Virginia Slims ad -- we've come so far -- but, man, we haven't come so far,In a lot of ways women aren't getting the same deal as men.women can't have it all because there is a social stigma to having or being a stay-at-home spouse.

&这就像Virginia Slims香烟针对女性的那则广告──我们迈出了一大步──不过,哎,我们实际上没有那么大的进步。从很多意义上讲,女性并没有得到和男性一样的待遇,女性不能事业生活两不误,因为整个社会对家里有个家庭妇男或是自己辞职做个全职主妇都大有微词。&

Post feminists theories are employed in this paper for finding the new definition and status of"feminity".

本论文通过论述后女性主义的理论,探索&女性&的定义和女性形象的再定位。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族&血性&的传承方面。

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On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面,更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值,分为几个相等的区间作为横轴,并将各区间内所测定值依所出现的次数累积而成的面积,用柱子排起来的图形,也叫做柱状图。

You rap, you know we are not so good at rapping, huh?

你唱吧,你也知道我们并不那么擅长说唱,对吧?