女性的

Baiyu Health Series brand with "to save the result of the use of chemical ingredients of cosmetics and skin damage to the female" as their purpose, in order to restore and maintain healthy skin female responsibility to wells Mountain Bioengineering Institute and the Korea Ewha Womans University, Korea University, Chonnam National University, National Central University and the extension of the University of 5 show the University of the backing of a powerful technical support to the global cause of women's skin care, and strive to achieve a healthy beautiful women have the confidence of the skin.

白玉生系列品牌以"挽救因使用含化学性成分的化妆品而受损的女性肌肤"为宗旨，以恢复和维护女性肌肤健康为己任，以井山生命工学研究所和韩国梨花女子大学、高丽大学、全南大学、中央大学及延秀大学等五所大学的强大技术支持为后盾，致力于全球女性的肌肤护理事业，力求达到让每一个女性都拥有健康靓丽自信的肌肤。

The feminist theories and methodology of feminism, especially those of Virginia Woolf and Simone de Beauvoir will be used to explore the unique standpoints and living conditions of intellectual women as well as the reasons for their confusion depicted in Margaret Drabble's works. After the analysis, this thesis also puts forward possible suggestions for the future generations of intellectual women to realize their self value.

通过分析研究玛格丽特·德拉布尔小说中的知识女性的生命历程和生存状态，一方面可以填补女性文学批评领域里比较空缺的部分，分析她们的社会背景，考察她们的生活境遇，探讨其中的缘由，让那个时代的知识女性形象得以充分的再现；另一方面，通过寻找知识女性在20世纪六、七十年代生存困境的原因，可以给当代的知识女性以警示，让她们不再重蹈覆辙，冷静清晰的看清自己的人生目标，将未来之路完完全全掌握在自己的手中。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的"中国旧式女人"，同时又是受了点"新式教育"影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

Stanley Kwan always pays attention to the female's survivalsituation, focuses on charactering mental activities of women, exploring the internalrigid quality of women and making women shout their own voices.

关锦鹏始终关注女性的生存情境，致力于刻画女性的心理活动，挖掘女性的内在刚性品质，让女性发出自己的声音。

People is the most important factor in design. With female the subject, this paper firstly analyzes the physiological characteristic, psychological characteristic, aesthetic psychology, consumer psychology and behavior in detail to grasp the female characters and sexual differences, and career women are then circumstantiated as a precisely classified group of people.

人是设计中最重要的元素，本文以女性为研究对象，首先对女性的生理特征、心理特征、审美心理和消费心理及行为方式进行详尽分析，掌握女性各方面特征及性别差异性，并以职业女性作为代表性的特别说明的更细分群体。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

It is the bearing rules and common senses having been recognized by human beings for a long time, that only during the ovulation period and after the sexual behavior, can the sperm and ovum can meet and can ovum be fecundated.

人类生育有效性交，是在女性排卵期。只有在女性的排卵期，男女合房性交，男性的精子和女性的卵子才相遇，女性卵子才能受精，这是早已被人类认识了的生育规律和常识。

However, precisely because of this masculine orientation, revising the Frontier Thesis by focusing on women's experience introduces new themes into women's history-woman as lawmaker and entrepreneur-and, consequently, new interpretations of women's relationship to capital, labor, and statute.

然而，正式因为这种男性趋向，通过关注女性的经历来修订边境理论'为女性历史带来了新的主题－女性作为立法者和企业家，并因此，对女性和资本、劳动力和法规的关系有了新的解释。

These images of women are created to serve men and their interests, thus both are the distorted representation of female, which illustrate the deprivations of womans right of speaking and taking action to object in a male-dominated society.

天使和魔鬼，这两种女性形象是为了满足男性欲望而被扭曲了的女性的集中体现，说明了男权社会中女性被置于由男性窥视、赏玩、品评的境遇，展现了女性话语权、行为反抗权被剥夺的事实。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。