女性男性化

Though women prefer traditionally macho men at the time in their menstrual cycles when they are most fertile , at other times they are more attracted to those with feminine traits such as tenderne ss , considerateness and kindne ss , as well as those with feminised faces .

尽管女性在其生理周期中最易受孕时候更喜欢传统的有男子气概的男性，其他时间她们容易被那些拥有女性特征如温柔，体贴和善良，以及女性化的脸的男性所吸引。

The findings are as follows. First of all, male cosmeticians connect masculinity and profession for promotion by interaction and cosmetic teaching with customer. According to different situations, theyconstruct masculinity and waver between femininity and masculinity. Moreover, their bodies are the practice fields to display their images by keeping a distance from customers to draw the distinctly sexual line and refusing make up for getting rid of the stigmas, such as feminine or sissy. Last but not least, male cosmeticians escape from emotional labor that connected with female closely. Meanwhile, their "backstage" life with the coworkers is the way to adjust their working emotions.Key words: cosmetician, physical labor, emotional labor, masculinity, men's study

在分析各项资料后，可归纳出以下几点研究发现：首先，男性彩妆师透过平日与顾客的互动以及彩妆活动的教学，展现男性与专业性的连结以促进销售业绩，也将「专业性」与女性脱钩；同时，他们会视不同情境，建构阳刚特质，并动态地游移在阴柔／阳刚特质两者之间；其次，身体本身会成为展现男性彩妆师形象的实践场域，他们同时透过与顾客保持接触的距离，刻划出性别界线，但他们自身也会排拒化妆，以挣脱女性化的标签或娘娘腔的污名；最后，男性彩妆师跳脱男性不被期待从事情绪工作的藩篱，而与同事相处的「后台」生活，是调节工作情绪的方式。

Another dimension of gender-biased education is the typical American teachers' assumption that boys will do better in the "hard ","masculine " subjects of math and science while girls are expected to have better verbal and reading skills.

L32-34教育性别偏见的另一表现为美国的一种典型想法，认为男生擅长数学，自然科学等"严密性""男性化"的课程，而女性则在语言表达和阅读技能方面更身一筹。

The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.

这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.In a word womens destiny in Water Margin is a miserable foregone!

这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

For this reason, on the one hand, I can understand the feminist's anger specially, because, in their eyes, the historical writing is too virile, which has not left the reasonable space to the female.

从这个意义来说，一方面，我特别能够理解女权主义者的愤怒，因为，在她们的眼中，历史书写过于男性化，没有给女性留下合理的空间。

Hanying is created as a mankind "heroine", a "revolutionist" who has revolutionary awareness, noble thoughts, wisdom, impavidity, maturity and all fine qualities that an outstanding revolutionist should have, a "fisherman"s daughter who is the conveyor of rich national characteristics, distinctive local favor and special music style.

韩英是一个&女英雄&，但她又是一个被淡化了性别的女英雄，一个被男性化了的女性形象；韩英是一个&革命者&，具有革命的自觉意识和崇高的思想境界，她智勇双全，干练稳重，临危不惧、视死如归；韩英是一个&渔家女&，歌剧《洪湖赤卫队》具有浓郁民族特点和鲜明地方特色的表现形式和音乐风格都成为这个&渔家女&的文化符号。

Some may look more feminine with flowers or pink stripes, while others will look more masculine in style.

有些人可能看更多的女性用鲜花或粉红色的条纹，而另一些会显得更加男性化，在作风。

It doesn't get any more feminine than this, and we just love it paired with more masculine pieces, like cargos and washed military jackets.

它没有得到任何比这更多的女性，而我们只是喜欢它搭配更男性化件，如货物，洗军用短上衣。

The faces were masculinised and feminised versions of the same features.

同特征的脸被做成男性化和女性化两种版本。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。