女性

After defining the feminine literary criticism from " Female Angle of View ", this paper gives the general description of the practice of Chinese literary criticism since 1900's as well as the analysis of individual characteristics, with the purposes of showing the spirit of creativity and vigorousness in it and giving a summarization of the deficiency in practicing. And all the work is done from three aspects:(1) Reconstruction and construction concentrating on the traditional literary criticism: that is to critique the masculinism in the traditional culture, to get the knowledge of the male writer's gender discrimination, and to find the source of feminine literature by the way of resistance-like reading.

本文从&女性视角&界定了女性主义文学批评的内涵，对20世纪以来中国女性主义文学批评实践，采用总体描述和个体研究特征分析相结合的方式，以彰显女性主义文学批评的学术创新活力、总结其实践中存在的不足为宗旨，从三个方面进行梳理整合：解构与建构，对传统文化的批判：批判传统文化话语中的男性中心主义，解读男性作家的性别歧视，运用抗拒式的阅读方式寻找女性主义文学传统。

Moreover, most of them have already eliminated the scary part of image and only maintains the good wife one. Chapter five "genderal cultures in hetero-type marriage stores" discuss sources of those concepts and criticize them from feminine perspectives. This chapter emphasizes three aspects: rules for traditional wives in those stories, female images in those stories, and the communicative patter of the two sex in those stories. This chapter intends to find sexual cultures in the stories, explores discrimination in the patriarchic society and shows sympathy of it.

第五章〈异类婚恋故事所蕴藏的性别文化〉，采取综合讨论方式研究异类婚恋故事，一方面从社会背景追溯某些思想观念的渊源，另方面也参照当代女性主义思想加以批评，分就「异类婚恋故事中的妇职规范」、「异类婚恋故事的女性形象」以及「异类婚恋故事中的两性相处模式」三方面入手，主要是对异类婚恋故事做一统整，尝试找出故事里所反映的性别文化，以了解父权社会中的性别歧视、男性中心等现象，从而揭发女性在父权社会里的处境，并对其有著关怀与同情；另外，也关注故事里突破传统性别文化之处，因其提供了关於女性的新思维，让读者透过故事里不同既往的性别刻画，跳脱传统性别文化的拘囿，得以重新解读、认识女性的多元面貌。

The results indicated that a high percentage of Thai youths experience various forms of dating violence in their relationships. Of the 695 participants who dated, 49.2% of the males and 46.7% of the females had been threatened by their partners, 65.8% of the males and 59% of the females had been relationally abused, 41.9% of the males and 41.2% of the females had been physically abused, 43.2% of the males and 46.7% of the females claimed that they had been sexually abused by their partners, while 49.2% of the males and 46.7% of the females reporting being verbally or emotionally abused.

结果显示泰国青少年遭受不同类型约会暴力的发生率颇高。695名曾参加约会的研究对象中，49.2%的男性与46.7%的女性曾被他们的伴侣恐吓，65.8%的男性与59%的女性曾被对方虐待，41.9%的男性与41.2%的女性曾遭受躯体虐待，43.2%的男性与46.7%的女性曾被性虐待，此外49.2%的男性与46.7%的女性受过言语与情感虐待。

Although he feels horrified and abominates to women in his real life,Natsume Sousaki has presented us with a colourful femak world fall of beauty,sorrow and pain.

漱石对女性在主观上虽然存在厌恶与恐惧的心理，但是现实生活中女性的美，女性的哀，女性的苦，在他的笔下形成了一个丰富的女性群体。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

Feminism holds that women as the Other is the root of gender inequity in education. So it's required to find and value women's Voice. Meanwhile,Feminism recks that Motherhood should be the source of power to push forward the gender equity in education.

女性主义认为，女性在教育领域被&他者&化，是导致教育性别不平等的重要原因；而改变女性&他者&处境的路径，在于发现与肯定女性的&声音&；女性所拥有的最光辉的品质——&母性&，则是推进教育性别平等的力量源泉。

Zhang Jie describes female vitality essence and subverts the traditional style of narration for women as a female writer.

张洁以其基于女性的体验，书写女性的生命本质，颠覆传统男性文化对女性的历史叙述，努力改写女性&无字&的心史，为女性争取一席话语权。

From the daring saying no to man-the awakening of female self-consciousness to the complete negation of male power myth-the appearing of female principal consciousness, also writing of sister love-the showingof female community consciousness, Li Chis female consciousness is gradually coming to maturity.(4) Eradication of the strong contradiction of two sexes-gradually perfect feminism consciousness.

从&大胆地对男人说不&——女性自我意识的觉醒，到对&男权神话&的彻底否定——女性主体意识的浮现，再到&姐妹情谊&的书写——女性群体意识的显现，体现了池莉女性意识的逐渐成熟。4、消解激烈的两性对立——渐次完善的女性主义意识。

Therefore, in this thesis the first part combes the female prose's development in the 20th century, analyses its breakthrough and inherit to the former female prose ;The second part mostly investigates the female prose's abundant experiences personally,the imperfection experiences personally, mystery experiences personally and the experiences personally to the spirit, which comes from tne angle of the " experiences personally", by the help of the western philosophic standpoint and combinative concrete text The third part regards five female writers-Zhang liqin, Zhao Mei , Hu Xiaomeng, Xiao Min and Ma Li-as the represents, saying with the viewpoints of expression and language, emphasizing to analyze the female prose's sentiment language and their respective language styles .

本论文第一部分首先梳理了二十世纪女性散文的发展脉络，分析了新时期女性散文对以往女性散文的突破与继承；第二部分从&体验&的角度，借助西方生命哲学的观点，结合具体的文本，重点考察新时期女性散文的丰富性体验、缺失性体验、神秘性体验和精神性体验；第三部分以张立勤、赵玫、胡晓梦、筱敏、马莉五位作家的作品为代表，从语言和言说的角度，着重分析了新时期女性散文的抒情话语，以及她们各异其趣的语言风格。

The comparison between ideal woman and realistic woman, comparison of totally different destinies of the same age women, and comparison of different generation woman's points to the right of language, show to us the every typical life dentations of women in multi-culture and social environments, and also provide fresh nourishment to research the change of Chinese culture and amalgamation of multi-cultures.

理想女性和现实女性的对比、同代女性迥异命运的对比和代际女性对话语权主张的对比，无疑为我们展示了在多种文化和社会背景中各个具有自我典型性的女性的生命尝试，为我们探索中华文化的繵变和多种文化的交融提供了鲜活的营养。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。