女性

As a kind of visual angle, the narrative theory of feminism has the realistic significance concerning the TV plays directed by Li Shaohong, in which those problems as the narrative function of videos, the exercises of visual angles and the narrative strategies etc. could be explored. Meanwhile, the consciousness of feminist subjectivity and modern spirit of humanism alleged in full sail by the feminist narration of TV plays could also be presented.

女性叙事理论作为关注李少红电视剧的一种视角，是有其现实意义的，从中可探讨其影像的叙事功能、视点运用及叙事策略等方面的问题，同时揭示电视剧女性叙事所极力张扬的女性主体意识和现代人文精神。

The study was done in the context of feminine criticism from a perspective of introspection.The major objects of study were novel texts written by mature female authors in the 90's, which focused on self-development of intellectual females, usually covered the period from adolescence to the establishment of self-identity, and explored the role of intersexual relationship in self-development, self-identification, and self-improving of female individuals.

主要研究对象为90年代以来主要成熟女性作家创作的，以知识女性为叙述主体，文本线索上具备一定的时间跨度(主要包括从青春期开始到自我确认过程完成)、涉及历时性的个体发展主题，反映了两性关系在女性自我塑造、认同和完善过程中影响作用的系列小说文本。

Therefore, traditional social culture system of female Hui of GQN areas is inveterately rooted on the Chinese culture on some degree and the stigma of Chinese traditional culture follows the development of the culture of female Hui all the time. Further, Islam religious culture pervades everywhere of female Hui, which makes it take on a more national and religious trait.

因此，甘青宁回族女性的传统社会文化体系在一定程度上根植于中国大文化背景的土壤之中，中国传统文化的烙印始终相随于回族女性社会发展的始末，并且伊斯兰宗教文化渗入回族女性发展的一切领域，使其呈现较强的民族性与宗教性。

Female autobiographical novels as a part of Chinese female literature in 90~s of 20th Century manifest an inimitable female speech locution.

20世纪90年代以来的女性自传体小说作为中国女性文学的一部分，呈现了前所未有的女性话语姿态。

Borg received the Augusta Ada Lovelace Award from the Association for Women in Computing for her work on behalf of women in the computing field in 1995.In 1996 she was inducted as a Fellow of the Association for Computing Machinery.

为解决女性从事计算机领域研究的人数不断减少这一问题，美国妇女技术学院创始人兼院长Anita Borg 早在1987年就建立了全球首家从事计算机研究的女性网络，为38个国家的2500多名专业女性提供了进行学术交流和研究的场所。

In their exposition of it, feminists take the image of " madwoman" as a delicate tactics of woman literature, the self- embodiment of women .

而女性主义者们对"疯女人"的论述，使得"疯女人"形象被视为一种复杂微妙的女性文学策略，是女性自我的化身或复写。

I experienced ejaculations only when I was wearing tradition Chinese female wears in severe bondage as well as my mammae were being kneading hard or my penis was being sucking continuously by females.

我曾经射过精，但只在穿著中国女性的传统服饰被紧缚著又遭到女性大力搓捏我的两个乳房或被女性间断地吸吮我的阴茎时才会出现。

Her works is full of obvious individual consciousness and the female抯 pressure in a man-powered society.

这当中又浮凸着女性在男性世界的困窘与匮乏，及萧红作为女性的真实、女性的个性生命经历。

This essay, through a critical analysis of the women's images in Robert Browning's well-known dramatic monologue,"My Last Duchess", attempts to prove that the two women's images in this poem are in fact an embodiment of two archetypes of women, which were handed down from an early literary tradition, misogyny and Mariolatry.

通过对罗伯特·勃朗宁的著名戏剧独白诗《我的前公爵夫人》中的女性形象进行批评分析，旨在阐明这两个女性形象实际上所隐含的从早期文学传统，厌女症和对圣母马利亚的崇拜继承下来的两个女性原型

That is to say, males adopted the taboo narratives in the public domain displayingtheir "misogyny" in order to prevent the enhancement of women\'s social position,meanwhile strengthened the status of the male gender superiority. Secondly, males areidentified with women\'s changing social position: the contract responsibility systemstressed the importance of labor cooperation among family members.

土族女性初步的现代性觉醒引起了男性相应的"文化反应"：第一、男性对女性现代性突围的焦虑与警觉，这是一种集体的焦虑，即在公共领域男性采取禁忌叙事的方式去公开表现自己的"厌女症"，从而抑制女性社会地位的上升，强化男性的优势性别地位。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。