女性

Furthermore, in respect of the nature of female\'s sensatory pleasure, in western literary theory it is assigned more culture implication and regarded as the symbol of female\'sselflessness and fertility rather than pure physical pleasant sensation. In contrast, the depiction of this pleasant sensation by Chinese female writers indicates an inclination to narcissism and algolagnia which aggravate the segregation of the female from the society and the bereavement of female\'s subjectivity.

另外，在女性快感的质态上，西方理论中的女性身体快感并非单纯的生理快感，而是被赋予了文化的意味，是女性奉献精神和创造能力的表征；而中国女性作家的快感想象则更多体现了自恋和自虐的内容，对生理快感的依赖只能加剧女性和社会的分离，以及女性主体性的丧失。

Furthermore, in respect of the nature of female"s sensatory pleasure, in western literary theory it is assigned more culture implication and regarded as the symbol of female"sselflessness and fertility rather than pure physical pleasant sensation. In contrast, the depiction of this pleasant sensation by Chinese female writers indicates an inclination to narcissism and algolagnia which aggravate the segregation of the female from the society and the bereavement of females subjectivity.

另外，在女性快感的质态上，西方理论中的女性身体快感并非单纯的生理快感，而是被赋予了文化的意味，是女性奉献精神和创造能力的表征；而中国女性作家的快感想象则更多体现了自恋和自虐的内容，对生理快感的依赖只能加剧女性和社会的分离，以及女性主体性的丧失。

This text is from fully the Shu quick work of female realize to set out, respectively from realize to the female corpus of call, to traditional Dian Fu of view of the love marriage, come to the female degenerative Jing, the rightness the female the captivation of the solution, the rightness the female the mental state of the concern five commence the analysis fully the Shu quick work of to female of concern.

谁能帮我翻成英文阿？？本文从毕淑敏作品中的女性意识出发，分别从对女性主体意识的呼唤、对传统爱情婚姻观的颠覆、对女性堕落的警醒、对女性迷惑的解答、对女性心理的关注五个方面入手分析了毕淑敏作品中的对女性的关怀。

Gender Theory of feminism provides a completely new sight of angle criticizing traditional science, gives a better elucidation of the formation of androcentric society, the oppressive origin of women in it, and the direction of solution.

女性主义的社会性别理论提供了批判主流科学的新视角，较好地解释了男性中心社会的形成原因和女性受压制的根源，并提示了解决问题的方向；女性主义从生活出发，肯定情感在科研中的独特功用，一种包含人性的科学因此似乎有了可能；女性主义指出描述实在的科学理论并非是唯一的，丰富了科学知识的方法论标准；女性主义让以往被忽视的女性科学经验昭显于世，并且推广关爱经验，为科技史、科技伦理开辟了更为广阔的理论境域；倾向于科学与人文的融合，通过多种努力改变了科学的公众形象。

The types of the images of women created by ShiZhecun contains the type of chastity imagined by man"s personally thought, the type of tradition imagined by men"s collective unconscious, the type of deregulation in a androcentric society, the type of stunner which were pursued by men and defeated them, the type of which came from mens anxiety and fear.

这些女性形象主要包含了以下几个类型：男性个人化想象中的贞节女性、男权社会集体性规约下的传统女性、男权社会中的违规女性、既是男性的欲望追逐对象又成为男性迷失标记的尤物女性以及男性焦虑恐惧心理下所产生的妖魔女性。

Zhang Ailing approbates and accepts the female sexual role not in terms of apotheosizing female, but in the roots of female herself. Zhang Ailing has noticed money had an enslavement effect on female destiny in citied society, and he also noticed that the female sensual desire had the same effect on her own fate. In her work, sex to life is what food to us, which are all the same important. The sex exists with love naturally in female nature.

张爱玲认同、接受女性的性别角色，但并不以神化女性为条件，张爱玲的女性意识是女人而女性的；张爱玲注意到了都市社会中金钱对女性命运的奴役，同时也注意到女性情欲对自己命运的役使，在张爱玲的作品里，性之于生命，就象饮食一样重要，性与爱天然地存在于女性的天性里。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Chapter 3 reverts the "uglified" female to its historical true, objectively sees female its negative side and the defined negative side from the standpoint of physics female, fulfills female to explore the female materials in the textbooks, consciously make up the female materials as an extended curriculum and probe into the relationship with the development of the female role awareness.

第三部分从还&妖魔化&女性的本来面目、客观评价教材中的反面女性或从政治角度定义为负面的女性、丰富杰出女性材料、作为扩展型课程有意识地补充女性材料四个角度挖掘和补充历史教材中女性的材料，探讨与女性角色意识培养的关系。

This paper attempts to from love, the marriage, family angle obtaining, the analysis to study the new time female writer writing love and marriage writing to be able to find out by secret inquiry the contemporary feminine writer to present thoroughly in the text the feminine experience, since through various stages has had the representative feminine writer work analysis to the new time, summaries in the contemporary feminine writer novel text both gender relations evolution path and initiates these changes the reason; Inspects the feminine consciousness which under the male power tradition fetter clear appears day by day, the female while breaks through the male power bamboo fence to own value to refute the localization; Clearly recognized the female in the modern society the real survival situation and the stress disorder which causes facing the social environment vicissitude turbulent, time the self-value choice confusion.

本论文试图从爱情、婚姻、家庭角度入手，分析研究新时期以来女作家笔下的婚恋书写，更加深入地探知当代女性作家呈现于文本中的女性经验；通过对新时期以来各阶段具有代表性的女性作家作品的剖析，归纳总结出当代女性作家小说文本中两性关系嬗变的轨迹及引发这些变化的原因；从中考察男权传统束缚下日益彰显出的女性意识，女性在冲破男权藩篱的同时对自身价值的偏颇定位；认清女性在现代社会中真实的生存处境和面对社会环境变迁引起的精神心理动荡、自我价值选择时的困惑。

Finally, from the point of view of movie ontology, it detailed analyzes the valuable feminism movies and outstanding female images of both China and foreign countries on the basis of theoretical explorations. Through the technical control of female consciousness and female wording, it generalizes several expressions of female relaters, which helps better to exhibit female consciousness. And it tries to probe the survival laws and outlets of female images in movies.

最后，从电影本体论角度出发，在进行理论探索的基础上，具体分析值得借鉴的中外女性主义电影和优秀的女性形象，并通过对女性意识、女性话语的技术性把握，概括出了为更好地张扬女性意识而采用的女性叙述人的几种表达方式，力图探索女性形象在电影中的生存规律和出路。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。