女性

Constantly exploring the art of modernist novel, she was not only an advocator of modernist novels, but also a precursor of feminine literature. At the same time, she didnt forget to pay attention to the female spirits and to help women realize their own value.

她在探索和实践现代主义小说艺术的同时，不忘关注女性主义的精神与内心，并在创作实践中不断寻求女性的自我，对女性在社会中的价值提出了自己独到的见解。

While Xie artistically creates a feminist point of view on the screen with his cinematography to reinforce the feminist strength of his film, it is, however, unintentionally weakened in his attempt to allegorize his tale.

在该片中他成功地利用摄影技巧在银幕上创造出一种女性主义的视角，由此加强了电影的女性主义立场。然而，这一立场却无意中被其本人企图将女性角色演变成象徵符号的意图所削弱。

And I went on amateurishly to sketch a plan of the soul so that in each of us two powers preside, one male, one female; and in the mans brain, the man predominates over the woman, and in the womans brain, the woman prodominates over the man.

后来我更出于外行的爱好勾勒了一张灵魂的草图，即我们每个人内心都占据着两种力量，一种为男性，一种为女性；在男人的头脑里，男性力量支配着女性力量，而在女人的头脑里，女性力量支配着男性力量。

During the study period, 19 women (38%) reported amenorrhea, 18 women (36%) reported spotting, and 13 women (26%) reported breakthrough bleeding.

在研究期间，19名女性（38%）报告生理不顺，18名女性（36%）报告点状出血，而13名女性（26%）报告突然出血的情形。

The preordained frangibility of the hymen: the presupposed intangibility of the thing in itself: the incongruity and disproportion between the selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done; the fallaciously inferred debility of the female: the muscularity of the male: the variations of ethical codes: the natural grammatical transition by inversion involving no alteration of sense of an aorist preterite proposition (parsed as masculine subject, monosyllabic onomatopoeic transitive verb with direct feminine object) from the active voice into its correlative aorist preterite proposition (parsed as feminine subject, auxiliary verb and quasimonosyllabic onomatopoeic past participle with complementary masculine agent) in the passive voice: the continued product of seminators by generation: the continual production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy of nescient matter: the apathy of the stars.

671处女膜先天的脆弱性，物体本身预先假定的不可触性。为了达到目的而自我延长的那份紧张以及完成之后的自我缩短与松弛，这二者之间既不调和也不均衡。女性之虚弱及男性之强韧乃基于谬误的臆测。道德的准则是可变的。自然的语法转换：在不引起意思变动的情况下，由主动语态不定过去式命题（从语法上分析：男性主语，单音节拟声及物动词，女性直接宾语）转位到相关的被动语态不定过去式命题：3）（从语法上分析：女性主语，助动词与准单音节拟声过去分词，男性主动补语）。借着生殖，不断地生产播种者们。借着酿造来连续地生产精液。胜利也罢，抗议也罢，复仇也罢，都是徒劳的。对贞操的颂扬煞是无聊。无知觉的物质毫无生气。星辰之情感淡漠。

The third section, the author according to feminism theory explains female writing and female autography.

第三部分是从女性主义理论的角度诠释女性书写和女性自传。

In the aspect of the sexual difference, the tradition females are tended to use Chinese autonym. The females used more picture signs than the males, such as sign. In using picture sign aspect, the males does not like the females using the emotional pictures, they preferred charcters.

以性别来说，传统女性偏向使用中文本名，且女性相较於男性会使用较多的图像符号，男性在使用图像符号时，不若女性那般会使用直接的情绪性图像。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

The novel manifests that a modern woman are between two fires, which cools down the fever of pursuing to be a free woman. There is no doubt that Doris Lessing are aware of all sorts of difficult the free women are faced with. But she doesn't explicitly point out the way out of the current situation and how to make the real freedom come true.

莱辛在《金色笔记》中对当代西方的自由女性作了全方位的、多角度的审视，凸现出追求自由的女性在当代西方社会中进退维谷的两难处境，从而降低了女性盲目追求自由的热度。

A 4% rise in the rate of first births to older teens, ages 15 to 19, is also playing a role. And the sheer size of the baby boomlet generation, now entering the child-bearing years, may be skewing new mothers' mean age lower.

年龄在15岁-19岁的年轻女性中初产率上升了4%，这也起到了一定的作用。80后和90后女性现在都进入了生育年龄，这可能将女性的平均初产年龄拉低。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。