女性

In the other river novel《Affectional gallery》, she makes this book exactly the opposite way. It talks about in this material world, human nature, the beauty and good are still existing. After 2000, Zhang Kangkang's 《Woman on the Edge》 leads us to see modernized women possess more strong and vital Fmale Cnsciousness.

张抗抗从早期作品转至90年代后以的女性小说，所表现出不同的女性议题，而透过对文本分析后可以得知作者强调的女性意识是从人性角度的「个性解放」，以及女性在人格与经济上更加「独立」。

Woman Warrior and The Joy Luck Club are written about American-Chinese women and tell the whole history of Chinese immigration.

这些故事中的女性形象可以分为三大类，即&本土女性形象&、&迁徙的女性形象&和&ABC女性形象&。

This paper takes Mrs. Dalloway as an example to show how the form corresponds to the content especially the inner feelings of a woman. It also traces the tradition of feminist criticism back to Woolf's A Room of One's Own.

通过分析伍尔夫的《达罗卫夫人》的创作手法，指出其意识流手法契合主人公克拉丽莎的心理特征，从而疏离了主流写作传统，达到了一种解放的自由境界，是女性创作的典范；而伍尔夫的《一间自己的屋子》是最早的男性作者笔下的关于女性人物和女性作者写作的探索，乃女性主义批评的源头。

Since women's literary creation and their subjective awareness were mainly based on personal experience, women's opposition against the patriarchy used to take place within the home or a certain society; and the opposing objects were usually such moral confinements as womanhood, maternity etc., imposed on them by the patriarchy.

由于这时的女性创作和女性意识主要缘发于女性的个体经验，因此，其抗争的场所通常是家庭或一个特定的社交圈子，其反抗对象也主要是父权制强加在女性身上的种种枷锁，比如，妇道、母道、等等。

These images of women are created to serve men and their interests, thus both are the distorted representation of female, which illustrate the deprivations of womans right of speaking and taking action to object in a male-dominated society.

天使和魔鬼，这两种女性形象是为了满足男性欲望而被扭曲了的女性的集中体现，说明了男权社会中女性被置于由男性窥视、赏玩、品评的境遇，展现了女性话语权、行为反抗权被剥夺的事实。

As part of the dynamic, changing, and self-critical tradition of feminist theory and practice, transnational feminism is a further critique of Western mainstream feminism, including those women's studies programs in the States that still confine their practice within the frame of the nation, unable to critically examine their own explicit or implicit participation in colonialism and neocolonialism in a global setting.

作为富有自我批判精神并不断发展演变的西方女性主义实践的一部分，跨国女性主义对西方主流女性主义提出了更深入的批评，包括美国某些依然将实践局限在国家框架之内的女性研究项目，因为这些项目无法反省、检视其自身自觉或不自觉参与殖民主义和新殖民主义在全球霸权扩张的事实。

Objective: To investigate the clinical features of the autoimmune liver disease and to improve the diagnosis of the disease and awareness about ALD.

1.1 临床资料本组285例ALD患者，男性35例，女性250例；AIH患者62例，其中男性7例，女性55例；PBC患者195例，其中男性18例，女性178例；PSC患者21例，其中男性10例，女性11例。

This dissertation firstillustrates the origins,the starting points and schools of The New Feminism Theory andcenters on what has happened in the west.Then this dissertation is mainly about theviewpoint on the source of the women's repression,the condition and the way of women'sliberation by some classical Marxist writers,such as Marx,Engles,Lenin,Bebel,Zetkinand Kollontai.The rest contents focuse on Marxist-Feminist basic theory:"Dual-Systemtheory"and"Unified-System theory".

本文对新女性主义理论的来源、起点和流派及其在西方的发生发展情况，对马克思、恩格斯、列宁、倍倍尔、蔡特金和柯伦泰等经典马克思主义者的理论中有关女性受压迫的根源、女性解放条件和道路的观点，对马克思主义的女性主义的基本理论——&二元制理论和一元制理论&等问题进行了细致的研究和梳理。

Results The length of basilic veins were about 335.01 mm in men, about 331.50 mm in women; the diameter of the basilic vein in median forearm was about 1.90 mm in man, and about 1.85 mm in woman; the diameter of the basilic vein adjacent to the medial cubital vein was about 2.35 mm in male, about 2.26 mm in female; the diameter of the proximal part of basilic vein was about 2.90 mm in male, about 2.60 mm in female.

结果 贵要静脉长度，男性约335.01 mm，女性约331.50 mm；贵要静脉在臂中部管径，男性约1.90 mm，女性约1.85 mm；贵要静脉接肘正中静脉处管径，男性约2.35 mm，女性约2.26 mm；贵要静脉末端管径，男性约2.90 mm，女性约2.60 mm。

The thesis purposes to read Shakespeare's Queen Margaret in the context of Renaissance: Renaissance women writers appropriate biblical female characters to reconfigure the traditional virtues; in addition, Shakespeare, influenced by a diversity of Renaissance historiographies, devises his own history plays in which he lets his women articulate and exert their influence upon their male counterparts in comparison with Holinshed's Chronicles.

本论文试著将玛格丽特皇后置於文艺复兴时代的脉络下探讨：於第一章，一方面藉由几位文艺复兴时代女性作家之作品，观察她们如何挪用圣经中的女性角色、重新定义传统女性美德之内涵；另一方面，受到当代史料编纂多元化之影响，莎翁亦写出能够呈现自己风格的历史剧，尤其是在与何林塞之编年史(Holinshed's Chronicles)的版本比较之下，发现到莎翁历史剧中的女性不但能够发声，更进而影响其他男性角色。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。