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与 女性 相关的网络例句 [注:此内容来源于网络,仅供参考]

Then, it becomes the main subject in the late stage of Neo-Cultural Movement. It indicates that women in China have finished the era in which men were the dominants to women history and liberators to women.

女性作品中的女性主义思想,既是新文化运动前期女性主义思潮启蒙、激发的结果,又成为后期女性主义思潮的重要内容。

Companies with a highly feminised management, such as Sanofi (44.8 per cent female managers and a 27.3 per cent share price decrease), Sodexo (43.39 per cent female managers and a 8.3 per cent decrease) or Danone (38 per cent female managers and a 29.6 per cent decrease), declined less than the CAC 40 (a fall of 42.7 per cent).

赛诺菲(女性经理比例44.8%,股价跌幅27.3%)、索迪斯(女性经理比例43.39%,股价跌8.3%)或达能(女性经理比例38%,股价跌29.6%)等管理层中女性比例较高的公司,股价跌幅均低于CAC 40指数(下跌42.7%)。

To make sure Xiao"s female tragic consciouness"s great position, Xiao Hongs difference in description of female the achievements in the history of modern female literature and the history ot Chinese modern literature through the comparison between Xiao Hong and the other female writers.

通过萧红与女性作家、男性作家的比较研究,探寻萧红与同时代女性作家、男性作家的个性差异,进而确立她的女性悲剧意识在中国现代女性文学乃至中国现代文学史上不同凡响的地位和意义。

I take the participants as the objective ,such as the government, enterprises and insurants , and want to explain the unfair in Basic Endowment Insurance from two facet ,which one is burden fair and the other is income fair .I focus most of my energy on the income fair . Especially in the gap between different industries .and I insist on the promotion about the improvement of womens retired age, although there are so many disputation on it.

就代内养老金差距的解决方案,尽管目前还存在相当大的争议,但笔者仍坚持并提出提高女性退休年龄,促进基本养老保险公平的论点,并参考相关统计年鉴和一些专家的精算思想,在论文的第三部分的解决方案中对提高女性退休年龄对基本养老保险基金的影响,对女性增加收入的影响等两个方面进行了精算,并对精算结果进行了分析,从而进一步证明了提高女性退休年龄可以促进基本养老保险公平的论点。

While a greater proportion of women fantasized about same sex relationships -- 23.5 percent compared to 5.3 percent of men -- men were more likely to dream about threesomes 55 percent versus 31 percent of women

然而,不少女性幻想的都是双人性爱,这样的女性有23.5%,而男性有5.3%。男性比女性更爱幻想三人性爱,这样的男性有55%,而女性只有31%。

It is man who launches and leads the Neo-Cultural Movement. But woman is not the stander-by. As a matter of fact, women by various ways participate energetically in the movement and work in the discussion about feminism.

新文化运动时期的女性主义是由男性发起并引领的,但这并不意味着女性置身于这一思潮之外,事实上女性以各种形式积极参与并配合了女性主义的讨论。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族&血性&的传承方面。

However, precisely because of this masculine orientation, revising the Frontier Thesis by focusing on women's experience introduces new themes into women's history-woman as lawmaker and entrepreneur-and, consequently, new interpretations of women's relationship to capital, labor, and statute.

然而,正式因为这种男性趋向,通过关注女性的经历来修订边境理论'为女性历史带来了新的主题-女性作为立法者和企业家,并因此,对女性和资本、劳动力和法规的关系有了新的解释。

According to the female action law of physiology, mentality and action characteristics, female self-defense gathers various self-defense action skills as a whole, to prevent the violence attack from the others and protect the female self-safety, which can improve the female physical quality and strengthen the female psychological quality.

女子防身术依照女性生理、心理和动作特征等方面的活动规律,集多种防身技术动作于一体,可以起到防止他人暴力侵袭、保护女性自身安全的目的,既可以提高女性身体素质,又可以增强女性的心理素质。

Female narration is explained from the aspects of anti-patriarchal cultural narration, female-desire narration, female experience narration and lesbian self-fondness and the reconstruction of the image of new female.

女性叙事方面,从反父权文化叙述、女性欲望化叙述、女性经验叙述、女同性恋自恋和新女性形象的重建等四个方面来阐释。

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推荐网络例句

I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。