奥赫

The Bookinist , from German designer Nils Holger Moormann, solves that problem in a very neat way.

该书椅，来自德国的尼尔斯埃利奥尔赫姆尔曼设计师，一个非常简洁的方式解决了这一问题。

"Lady with a Mirror" was called "an apotheosis of seeing" by the late art historian, Otto Pacht.

&执镜仕女&被后世的历史学家奥托帕赫茨誉为&视觉的神化&。

Fervent support from the likes of Audrey Hepburn and Jacqueline Kennedy ensured Chanel's phoenixlike rebirth.

来自奥黛莉·赫本与杰奎琳·肯尼迪等人士的热情支持，使香奈尔得以如浴火凤凰般重生。

"It's an interesting way to look for some sign of the Oort Cloud, which is very hard to do from the Earth," says Renu Malhotra of the University of Arizona in Tucson.

亚利桑那大学图森分校的瑞纽·曼赫塔说：&这是一种查看奥特云的一些迹象的有趣方法，从地球上很难做到这些。&

The findings show that parents' general styles are important in their children's diets, according to Dr. Laura Hubbs-Tait and colleagues at Oklahoma State University in Stillwater.

位於静水城的奥克拉荷马州立大学任教的赫伯博士与她的同事认为，这项发现显示，父母对小孩的管教方式，对孩子的饮食习惯养成很重要。

Zoe and Theodora ruled jointly for two months.

邹伊赫塞奥多拉联合统治了两个月。

Her hair were tousy and clothes dirty.

奥黛丽*赫本给她女儿的遗言

That is an uncloaked reference to the late Red Auerbach, architect of the Celtics tradition and a longtime Jackson foil.

这指的是当初红衣主教奥尔巴赫时的凯尔特人，他的执教记录杰克逊一直希望打破。

Red Pinot Noir is the epitome of the Audrey Hepburn wine: elusive, hard to pin down, and like nothing else on earth.

红黑比诺是奥黛丽·赫本葡萄酒的缩影：难以捉摸，很难牵制，并不像地球上其他的品种。

The librettos for his oratorios , for example, survive; but none of the scores do, which is particularly unfortunate, because his German oratorios seem to be the model for later works by Johann Sebastian Bach and Georg Philipp Telemann .

他的神剧的剧本，例如，生存，但对分数没有做，这是特别不幸的，因为他的德国清唱剧似乎是由约翰后期的作品模型巴赫和格奥尔格菲利普泰勒曼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。