奥林

Thick black smoke billowed over the well preserved ruins of Olympia , on the Peloponnese .

浓重的黑烟向保存完好的伯罗奔尼撒半岛的奥林匹亚遗迹奔去。

Thick back smoke billowed over the well preserved ruins of Olympia , on the Peloponnese .

滚滚的黑色浓烟越过保存完整的遗址奥林匹亚到伯罗奔尼撒半岛。

Thick black smokebillowedoverthe well preserved ruins of Olympia , on the Peloponnese .

滚滚的黑色浓烟越过保存完整的遗址奥林匹亚到伯罗奔尼撒半岛。

To celebrate this victory, Pelops and Princess of Zeus in Olympia in front of the temple held a grand wedding, arranged at the chariot, the arena等项game, and this is the first ancient Olympic Games, has become ancient Pelops legends of the founder of the Olympic Games.

为了庆贺这一胜利，佩洛普斯与公主在奥林匹亚的宙斯庙前举行盛大的婚礼，会上安排了战车、角斗等项比赛，这就是最初的古奥运会，佩洛普斯成了古奥运会传说中的创始人。

The statue of the Olympian Zeus by Phidias was one of the Seven Wonders of the World.

其中由菲迪亚斯所作的奥林匹亚宙斯神像是世界七大奇迹之一

In 1958 archaeologists found the workshop at Olympia where Phidias assembled the gold and ivory Zeus.

在1958年考古学家在奥林匹亚发现了当年phidias组装黄金和象牙宙斯的工作坊。

The Statue of Zeus at Olympia was carved in the mid-5th century bc by the Greek sculptor Phidias.

在奥林匹亚宙斯神像是雕刻中期公元前5世纪的希腊雕刻家菲迪亚斯。

"The Statue of Zeus at Olympia (a large gold-and-ivory figure of the god on his throne by Phidias),"

奥林匹亚的宙斯雕像，由菲迪亚斯用金子和象牙雕刻成的坐在宝座上的大型神像

Remains of the huge statue of Zeus at Olympia bear the signature of Phidias, the famous Athenian sculptor and architect.

奥林匹亚残存的宙斯的巨型雕像上，著名雅典雕塑家、建筑师菲迪亚斯的签名仍然清晰可辨。

You, sir, take no heed of this, and yet when Ulysses was before Troy did he not propitiate you with many a burnt sacrifice?

你啊，奥林波斯神明(参考滴，我实在是不知道这个sir指的谁)，对他一点留意都没有，当Ulysses在Troy之前，他没有在众多的焚烧祭献中劝解你？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。