奥利弗

In the workhouse where O liver was born, Mrs Corney -the widow in charge- was making tea by her fire.

在奥利弗出生的济贫院里，科尼太太——一个负责管事的寡妇——在炉火旁煮着茶，忽听有人敲门。

Oliver Norwood and Corry Evans do really well and have a good attitude towards the game.

奥利弗。诺伍德和克里。埃文斯也都很好，他们对比赛的态度十分正确。

Of or relating to or in the manner of Oliver Cromwell.

属于或关于奥利弗·克伦威尔的，或以他的方式的。

"He returned me a very resolute answer, and full of height" Oliver Cromwell

"他给我一个非常果断的回答，而且还充满了傲慢之气"奥利弗·克伦威尔

John:I'm John, with me Oliver. We're at Crystal Palace.

约翰：我是约翰，这是奥利弗，我们在水晶宫。

Now he is playing the Artful Dodger in the musical 'Oliver!

现在，他扮演的妙用道奇在音乐剧'奥利弗！

The children were long since asleep, and she had left the TV on in the bedroom, droning at her as she waited for him to come home, but still sure she wouldn't tell him.

她一直把卧室里的电视开着，等奥利弗回来，但是她知道她是不会告诉他的。

He returned to the Old Vic in 1946 and stayed until 1948, playing Abel Drugger in Ben Jonson's The Alchemist , the Fool in King Lear opposite Laurence Olivier in the title role, DeGuiche in Cyrano de Bergerac opposite Ralph Richardson in the title role, and finally starring in an Old Vic production himself as Shakespeare's Richard II. After leaving the Old Vic, he played Eric Birling in J.

1946年他回到了老维多利亚剧院，一直待到1948年，期间扮演过本琼森的《炼金术士》中的亚伯德拉格，与劳伦斯奥利弗在其担任同名主角的《李尔王》中出演弄臣，与拉尔夫理查德森合作在其担任同名主角的《大鼻子情圣》中出演德古奇，最终得以亲自在老维多利亚剧院出品的莎剧里担任主角理查德二世。

James Ducker, Oliver Kay

詹姆斯。达科尔，奥利弗。

By the late 1960s, Columbia was a schizophrenic place, offering old-fashioned fare like A Man for All Seasons and Oliver! while also backing the more contemporary Easy Rider and The Monkees. Columbia Pictures Corporation was renamed to Columbia Pictures Industries, Inc.

二十世纪六十年代末期，哥伦比亚是一个错乱之地，为四季之人和奥利弗这样的电影推出了老式票。1968年，哥伦比亚影视公司更名为哥伦比亚影业公司。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。