奥利弗

Allison Abbate, Colleen Atwood, John August, Rick Baker, Helena Bonham Carter, Felicity Dahl, Johnny Depp, Danny Devito, Danny Elfman, Carlos Grangel, Ray Harryhausen, Martin Landau, Rick Heinrichs, Christopher Lee, Lindsay Macgowan, Shane Mahan, Ian Mackinnon, Alex Mcdowell, Victoria Price, Ken Ralston, Paul Reubens, Deep Roy, Winona Ryder, and Richard Zanuck.

阿利森阿巴特，科琳阿特伍德，约翰奥古斯特，瑞科贝克，海伦娜邦汉卡特，富临达尔，约翰尼德普，丹尼德维托，丹尼叶夫曼，卡洛斯Grangel，雷·哈里豪森，马丁兰道，里克海因里希斯，克里斯托弗李，林赛麦高恩，巴蒂尔马汉，伊恩麦金农，亚历克斯道尔，维多利亚价格，拉尔斯顿，保罗鲁宾斯，深罗伊，薇诺娜瑞德，和理查德扎纳克。

In the end, WA would like to thank Jiang Jun,Chang Qiang and Li Dao-de for their help ontranslation, as well as the support from AADRLstudents, Andres Flores, Amita Kulkarni, AuroraSantana, Alex Diaz, Melissa Fukumoto, KevinPatrick, McClellan and Mrunalini Neelamraju. WAwould also especially express the gratitude toGao Yan, for his great effort on organizingmaterials and translation work for this issue.

最后，还要感谢高岩为本期的组稿和翻译所作的大量工作，感谢姜、常强和李道德在翻译上给予的帮助，还有AA建筑实验室学生安德烈斯·弗洛里斯、阿米塔·库尔卡尼、奥罗拉·桑塔纳、亚历克斯·迪亚斯、梅利萨·富库莫托、凯文·帕特里克，麦克莱伦、姆鲁纳利尼·尼兰拉朱的全力支持。

The later Augustinian school of theology is represented by Cardinal Henry Noris d.

后来奥古斯丁的神学学校是由红衣主教亨利诺里斯（草1704 ），弗雷德。

In 1970 a woman called Beverly Oliver came forward and claimed to bethe Babushka Woman, though her story contains many inconsistencies.

1970年，一名名叫贝弗利·奥莉佛的妇女自告奋勇声称，她就是那个巴布什卡夫人，然而在她的叙述里含有很多自相矛盾的地方。

Nobel peace laureates Elie Wiesel, John Hume, David Trimble, Jody Williams, F.W. de Klerk, Mairead Maguire, Betty Williams and Adolfo Perez Esquivel signed the letter along with about 40 celebrities and rights activists including Ford, Paltrow, Peter Gabriel, Richard Gere, Mia Farrow, Maria Bello, Adam Yauch of the Beastie Boys, Ashley Judd, supermodels Christy Turlington and Naomi Campell and Queen Noor of Jordan.

诺贝尔和平奖获得者，伊利威塞尔、约翰休姆、大卫林布尔、乔迪威廉斯、德克勒克、马奎尔、贝蒂威廉斯，以及阿道弗佩雷基韦尔，都已经在这封信上签了名，同样这样做的还有约40位社会名流和活动家，他们包括福特、帕特洛、彼得盖布瑞尔、李察基尔、米亚法罗、玛利亚贝洛、"野兽男孩"组合中的亚当亚奇、阿什莉贾德、超模克里斯蒂特灵顿、纳奥米坎贝尔、以及约旦王后努尔。

Heraclitus of Ephesus was a pre-Socratic Greek philosopher, a native of Ephesus, Ionia, on the coast of Asia Minor.

以弗所的赫拉克利特是一位前苏格拉底希腊哲学家，小亚细亚东海岸爱奥尼亚以弗所人。

The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the ssbbww.com one in the convent who was malicious; then Mother Sainte-Mechtilde, very young with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, in the convent du Tresor, between Gisors Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷，司库；圣热尔特律德嬷嬷，初学生们的第一导师；圣安琪嬷嬷，第二导师；领报嬷嬷，司衣；圣奥古斯丁嬷嬷，护士，她是全院中唯一的恶人；还有圣梅克蒂尔德嬷嬷，极年轻，嗓音美妙；安琪嬷嬷，她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过；圣约瑟嬷嬷；圣阿德拉依德嬷嬷；慈悲嬷嬷（西弗安特小姐，她受不了刻苦的生活）；温情嬷嬷（米尔齐埃小姐，六十岁破例特许入院，极有钱）；神德嬷嬷；入庙嬷嬷，一八四七年当院长；最后，圣赛利尼嬷嬷，后来疯了；圣尚达尔嬷嬷，也疯了。

The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the only one in the convent who was malicious; then Mother Sainte-Mechtilde, very young and with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, and in the convent du Tresor, between Gisors and Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, and very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; and finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷，司库；圣热尔特律德嬷嬷，初学生们的第一导师；圣安琪嬷嬷，第二导师；领报嬷嬷，司衣；圣奥古斯丁嬷嬷，护士，她是全院中唯一的恶人；还有圣梅克蒂尔德嬷嬷，极年轻，嗓音美妙；安琪嬷嬷，她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过；圣约瑟嬷嬷；圣阿德拉依德嬷嬷；慈悲嬷嬷（西弗安特小姐，她受不了刻苦的生活）；温情嬷嬷（米尔齐埃小姐，六十岁破例特许入院，极有钱）；神德嬷嬷；入庙嬷嬷，一八四七年当院长；最后，圣赛利尼嬷嬷，后来疯了；圣尚达尔嬷嬷，也疯了。

Christ Church has a fascinating history and many distinguished people have studied here including John Taverner, Philip Sidney, John Locke, Robert Hooke, John Wesley, Robert Peel, William Gladstone, Frederick Lindemann, William Walton, WH Auden, Hugh Trevor Roper, Jan Morris, David Dimbleby, Rowan Williams, Richard Curtis and Howard Goodall.

基督教堂有一个迷人的历史和许多杰出的人在这里学习过，包括约翰Taverner ，菲利普西德尼，洛克，罗伯特虎克，约翰卫斯理，罗伯特皮尔，威廉格拉德斯通，弗雷德里克林德曼，威廉顿，武汉奥登，休特雷弗罗佩尔，一月莫里斯大卫丁布尔比，威廉斯，理查德柯蒂斯和霍华德古道。

He wrote about 45 Italian operas, including Giulio Cesare (1723), Orlando (1733), and Alcina (1735). His oratorios include Israel in Egypt (1739), Saul (1739), and Jephtha (1752). His church music includes the Chandos Anthems (1718) and Coronation Anthems (1727). His orchestral works include the famous Water Music (1717) and Royal Fireworks Music (1749), the 18 concerti grossi of Op. 3 and Op. 6, and 17 organ concertos.

他的作品有︰近四十五部义大利歌剧，包括了《朱利奥E凯撒》（1723）、《奥兰多》（1733）和《阿尔其纳》（1735）；神剧包括了《以色列人在埃及》（1739）、《扫罗》（1739）和《耶弗他》（1752）；教堂音乐包括了《钱多斯赞美歌》（1718）和《乔治二世加冕赞美歌》（1718）；他的管弦乐作品有著名的《水上音乐》（1717）和《皇家火焰音乐》（1749），第三号《大协奏曲六首》和第六号《大协奏曲十二首》及十七首管风琴协奏曲。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。