奥利

The paraphernalia of that young lady's favourite pursuits were scattered about the room--drawing-materials, unfinished scraps of work, tangled skeins of silk, and all the other tokens of a careless damsel's presence; while Miss Audley's picture--a pretty crayon sketch of a rosy-faced hoyden in a riding-habit and hat--hung over the quaint Wedgwood ornaments on the chimneypiece.

这位年轻女士喜欢摆弄的随身物品都散乱地丢在房间里——绘画的材料，一张张未完成的作品，一绞绞紊乱的丝线，以及标志着一位漫不经心的小姐待在这儿的其他种种玩意儿；而奥德利小姐的肖像——一张美丽的粉画速写，画的是一个穿着骑装、戴着帽子的、面色红润的顽皮姑娘——挂在摆着精致的韦奇伍德陶瓷装饰品①的、壁炉架的上方。爵士夫人瞧着这些熟悉的东西，蓝眼睛里燃烧着鄙夷的憎恨。

"Things are changing and there's no doubt that it's as a result of human activities," said Mario Molina, a Mexican who shared a Nobel prize in chemistry in 1995 for groundbreaking work on chlorofluorocarbon gases and their threat to the Earth's ozone layer.

墨西哥科学家马里奥·莫利纳由于在1995率先提出于氟里昂气体威胁地球臭氧层的理论而获得诺贝尔化学奖。"气候时时刻刻发生着改变，而毫无疑问，人类活动是其中的主要原因。"

The chord struck by that line in The Graduate under-scored how much had happened in the six decades since the summer of 1907, when Leo Baekeland made the laboratory break-through that would change the stuff our world is made of.

里的那句话唤起的记忆着重体现了自1907年夏天以来60年中事物的巨大变迁。就在1907年，利奥·贝克兰在实验室里取得了突破，改变了组成世界的物质。

The chord struck by that line in The Graduate underscored how much had happened in the six decades since the summer of 1907, when Leo Baekeland made the laboratory breakthrough that would change the stuff our world is made of

毕业生里的那句话唤起的记忆着重体现了自1907年夏天以来60年中事物的巨大变迁。就在1907年，利奥·贝克兰在实验室里取得了突破，改变了组成世界的物质。

It was Olivier, who had long been a faithful admirer of Christophe's music.

他就是奥里维，他长久以来一直是克利斯朵夫音乐的忠诚崇拜者。

In his eventful life Christophe made many more friends, but none so dear as Olivier.

在他经历丰富的一生中，克利斯朵夫又交了很多朋友，但是再没有一个能比得上奥里维这样亲密的了。

He has served as owner-director of A Clean Well-Lighted Place gallery in Austin, Texas, as director of the Reese Palley Gallery in New York City, as Executive Editor of Art in America magazine in New York City, and as Contributing Editor to The Village Voice .

他曾担任业主主任清洁明亮的地方画廊位于得克萨斯州的奥斯汀，因为主任帕利库里斯在纽约市，为执行编辑的艺术在美国杂志在纽约市，并作为特约编辑，以乡村之声。

With its focus on art, The complex will be host to some of the worlds most renowned sculpture artists, including Maya Lin, Jenny Holzer, Claes Oldenburg, Coosje Van Bruggen, Nancy Rubins, Frank Stella, Henry Moore, and Richard Long.

凭借其先进的重点，复杂的将主办世界上一些最知名的雕塑艺术家，包括林璎，珍妮霍尔策，克拉斯奥尔登堡，Coosje凡布鲁根，南希鲁宾斯，弗兰克斯特拉，亨利摩尔和理查德朗。

He was in London at dusk on the second day after that on which he had left Audley Court, and he drove straight to the Clarendon, to inquire after his uncle.

在离开奥德利庄院第二天的黄昏时分，他已在伦敦了；他直奔克拉伦东，去打听他伯父的情况。

Thus we have had the widespread use of Homer, Claud, Virgil, Lucius, Marcus, Julius, Augustus, Horace, Ulysses, Cassius, Alexander, and Hector, among many others.

因此我们已经普遍使用的支全垒打，克劳德，维吉尔，卢修斯，马可斯，朱利斯，《尤里西斯》，奥古斯都，修，亚历山大，赫克托，在许多其他，。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。