奥利

A similar feast is kept at Martano, Diocese of Otranto, in Apulia, 19th of November.

类似的节日保持在马尔塔诺，奥特朗托教区，在普利亚， 11月19日。

Daughter of the Austrian Archduchess Maria Theresa, Marie Antoinette was only 14 when her mother and Louis XV of France sealed their Franco-Austrian alliance by giving her in marriage to the Frenth Dauphin.

玛丽。安唐妮是奥地利女大公玛丽亚。德利撒的女儿。她母亲和法王路易十五为了巩固法奥联盟，协议把她嫁给法国储君，当时她才十四岁。

The War of the Austrian Succession, 1740-48, saw the Austrian army faring badly against the Prussians, and Maria Theresa, Archduchess of Austria, looked for ways of improving her army's performance.

一七四○年至一七四八年的奥地利王位继承战之中，奥地利军队被普鲁士重创。奥国女大公玛丽亚。德利莎希望找到改善军队表现的方法。

A top archeologist in Egypt says he may have found the lost tomb of Mark Antony and Cleopatra.

一个埃及考古学家说他可能发现了马克安东尼和可利奥佩特拉的墓地。

Hand-picked by him and photographed by Mario Testino a cast of models and movie stars, including Kate Moss and Harry Potter actress Emma Watson, have enacted the designer's muse, the fey beauty with street-cred and aristo connections.

钦点他-和马里奥泰斯蒂诺拍摄-一个模型和电影明星，包括凯特莫斯和哈利波特女演员爱玛华生演员，又制定了设计师的灵感，与该法伊美街头的名望并阿里斯托连接。

But if the square-built, red-brick mansion had been the palace of Armida, and the prim, linen-jacketed man represented by a legion of houris, Robert Audley could have scarcely seemed better satisfied with his entertainment.

但，如果这建筑得方方正正的红砖大厦是阿米达①的王宫，而整洁古板的、穿着亚麻布茄克衫的仆人由一群妖艳美女扮演，那么，看来罗伯特·奥德利也不见得会对这种款待感到更加满意的。

This prompts Leo, the art director of ad agency, to have a one-night stand.

这促使利奥的艺术总监的广告代理，有一夜情。

The artists in The Metamorphosis engage these themes in unique ways including Oreet Ashery and her masquerading as orthodox Hasidim; or Erika Harrsch's conflation of a butterfly and female genitalia; or Gabriel de la Mora's self-portraits as canine/anthropomorphic creatures rendered in human hair.

"变形记"展览上的艺术家所直接面对的正是这些主题，比如易装成正统哈西迪教徒的奥里特·阿瑟瑞。或者艾丽卡·哈利舍的女性生殖器和蝴蝶的拼接；以及加布里埃尔·德拉莫拉的作品——用头发把自己画成一只人格化的狗。

Pope Leo at a later date took active steps for its repression and at his urgent insistence councils were held in 446 and 447 at Astorga, Toledo, and Galicia.

教宗利奥在稍后的日期采取了积极步骤，其镇压和在他的紧急坚持议会举行了在446和447在阿斯托加，托莱多，和加利西亚。

He was not wearing an Astrachan cap, and had not a riding-whip over his shoulder, as Rostov had seen him on the night before the battle of Austerlitz, but wore a tight new uniform with Russian and foreign orders and the star of St. George on the left side of his chest.

他没有戴羔皮军帽，肩上也没有挎着马鞭，有像罗斯托夫在奥斯特利茨战役前夜看见他时那个样子，而是身穿一件紧身的新军服，佩戴有俄国以及外国的各种勋章，左胸前戴着圣乔治金星勋章。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。