奥利

If we add together the three great poems of antiquity -- the twenty-four books of the Iliad, the twenty-four books of the Odyssey, and the twelve books of the Aeneid -- we get at the dimensions of only one-half of The Faerie Queen.

如果我们加在一起的三个古代伟大的诗-对伊利亚特，在奥德赛的04年书，和埃涅阿斯纪的12个图书24书籍-我们只在一半的尺寸得到女王的仙灵。

Virgil is known for his epic, the AENEID (written about 29 BCE, unfinished), which had taken as its literary model Homer''s epic poems Iliad and Odyssey.

维吉尔是他的史诗，在埃涅阿斯纪（约29公元前书面，未完成），已采取作为其文学模型荷马史诗诗伊利亚特和奥德赛。

LADY AUDLEY went from the garden to the library, a pleasant oak-panelled homely apartment in which Sir Michael liked to sit reading or writing, or arranging the business of his estate with his steward, a stalwart countryman, half agriculturalist, half lawyer, who rented a small farm a few miles from the Court.

奥德利夫人从花园走到书斋，那是个镶嵌着栎木板的舒适朴实的套间，迈克尔爵士喜欢在这里读书写字，或者跟他的管家安排些产业方面的事情。管家是个高大健壮的乡下人，算得上半个农艺师、半个律师，他还在离庄院府邸几里外租了一小块农田。

Army. He became a cavalryman and fought in the Philippines against the Aguinaldo uprising.

他成为了一名骑兵，到菲律宾参加了反抗阿奎那多，埃米利奥的战争。

The most immediate effect of anger over US interference lay in the 1899-1901 war waged by Emilio Aguinaldo and the Filipinos against the US, which was actually bloodier than the Spanish-American War itself.

最直接的效果愤怒美国干涉在于1899年至1901年战争埃米利奥阿吉诺多和菲律宾对美国的，实际上比血腥美西战争本身。

The Obamas have been to the Kennedy Center twice, once to see the Alvin Ailey dance troupe ? with daughters Malia, 10, and Sasha, 7 ?

奥巴马已经两次光临肯尼迪中心：一次是和两个女儿，10岁的玛利亚和7岁的莎撒去观看艾？

"Lieutenant Alban Wellis," said the officer of the Emperors Guard before putting away his identification."Will you come with me now, sir?"

"奥尔本·威尔利斯中尉"，说完禁卫军军官就把他自己的证件收了起来，"您现在愿意跟我走吗，先生？"

These activities served as the framework around which Albright and Kelley wrote their article.

这些活动的服务作为框架，围绕奥尔布赖特和凯利撰写的文章。

But this holds not always: for Augustus Caesar, Titus England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirit; and yet the most beautiful men of their times.

但这也并非绝对，因为奥古斯都-凯撒、费斯帕斯、法兰西的菲利普王、英格兰的爱德华四世、雅典的阿尔西巴底斯、波斯的伊斯梅尔等既是大丈夫，又是美男子。

But this holds not always: for Augustus Caesar, Titus Vespasianus, Philip le Belle of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times.

当然也会有例外：奥古斯图，泰特斯，法国"美男"菲利普，英王爱德华四世，以及雅典的亚尔西巴德和波斯的伊斯迈尔，都是伟大并且精神崇高的人，同时也是他们所处的时代中最英俊的男子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。